Literature DB >> 16938981

Effects of level and frequency on the audibility of partials in inharmonic complex tones.

Brian C J Moore1, Brian R Glasberg, Kai En Low, Thomas Cope, Wei Cope.   

Abstract

The effect of level and frequency on the audibility of partials was measured for complex tones with partials uniformly spaced on an equivalent rectangular bandwidth (ERB(N)) number scale. On each trial, subjects heard a sinusoidal "probe" followed by a complex tone. The probe was mistuned downwards or upwards (at random) by 4.5% from the frequency of one randomly selected partial in the complex. The subject indicated whether the probe was higher or lower in frequency than the nearest partial in the complex. The frequencies were roved from trial to trial, keeping frequency ratios fixed. In experiment 1, the level per partial, L, was 40 or 70 dB SPL and the mean frequency of the central partial, f(c), was 1201 Hz. Scores for the highest and lowest partials in the complexes were generally high for all spacings. Scores for the inner partials were close to chance at 0.75-ERB(N) spacing, and improved as the spacing was increased up to 2 ERB(N). For intermediate spacings, performance was better for the lower level used. In experiment 2, L was 70 dB SPL and f(c) was 3544 Hz. Performance worsened markedly for partial frequencies above 3544 Hz, consistent with a role of phase locking.

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Year:  2006        PMID: 16938981     DOI: 10.1121/1.2216906

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  11 in total

1.  Pitch perception for mixtures of spectrally overlapping harmonic complex tones.

Authors:  Christophe Micheyl; Michael V Keebler; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2010-07       Impact factor: 1.840

2.  Stimulus uncertainty and insensitivity to pitch-change direction.

Authors:  Samuel R Mathias; Christophe Micheyl; Peter J Bailey
Journal:  J Acoust Soc Am       Date:  2010-05       Impact factor: 1.840

3.  On the possibility of a place code for the low pitch of high-frequency complex tones.

Authors:  Sébastien Santurette; Torsten Dau; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2012-12       Impact factor: 1.840

4.  Perceptual weights for loudness judgments of six-tone complexes.

Authors:  Walt Jesteadt; Daniel L Valente; Suyash N Joshi; Kendra K Schmid
Journal:  J Acoust Soc Am       Date:  2014-08       Impact factor: 1.840

5.  Relative contributions of specific frequency bands to the loudness of broadband sounds.

Authors:  Walt Jesteadt; Sara M Walker; Oluwaseye A Ogun; Brenda Ohlrich; Katyarina E Brunette; Marcin Wróblewski; Kendra K Schmid
Journal:  J Acoust Soc Am       Date:  2017-09       Impact factor: 1.840

6.  On the choice of adequate randomization ranges for limiting the use of unwanted cues in same-different, dual-pair, and oddity tasks.

Authors:  Huanping Dai; Christophe Micheyl
Journal:  Atten Percept Psychophys       Date:  2010-02       Impact factor: 2.199

7.  Separating the contributions of primary and unwanted cues in psychophysical studies.

Authors:  Huanping Dai; Christophe Micheyl
Journal:  Psychol Rev       Date:  2012-07-30       Impact factor: 8.934

8.  Effects of pulsing of a target tone on the ability to hear it out in different types of complex sounds.

Authors:  Brian C J Moore; Brian R Glasberg; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2012-04       Impact factor: 1.840

Review 9.  The role of temporal fine structure processing in pitch perception, masking, and speech perception for normal-hearing and hearing-impaired people.

Authors:  Brian C J Moore
Journal:  J Assoc Res Otolaryngol       Date:  2008-10-15

10.  The role of excitation-pattern cues in the detection of frequency shifts in bandpass-filtered complex tones.

Authors:  Frederic Marmel; Christopher J Plack; Kathryn Hopkins; Robert P Carlyon; Hedwig E Gockel; Brian C J Moore
Journal:  J Acoust Soc Am       Date:  2015-05       Impact factor: 1.840

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