Literature DB >> 4833699

Pitch, consonance, and harmony.

E Terhardt.   

Abstract

Mesh:

Year:  1974        PMID: 4833699     DOI: 10.1121/1.1914648

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


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  87 in total

1.  A possible neurophysiological basis of the octave enlargement effect.

Authors:  M F McKinney; B Delgutte
Journal:  J Acoust Soc Am       Date:  1999-11       Impact factor: 1.840

2.  Revisiting place and temporal theories of pitch.

Authors:  Andrew J Oxenham
Journal:  Acoust Sci Technol       Date:  2013

3.  Correct tonotopic representation is necessary for complex pitch perception.

Authors:  Andrew J Oxenham; Joshua G W Bernstein; Hector Penagos
Journal:  Proc Natl Acad Sci U S A       Date:  2004-01-12       Impact factor: 11.205

4.  Pitch perception for mixtures of spectrally overlapping harmonic complex tones.

Authors:  Christophe Micheyl; Michael V Keebler; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2010-07       Impact factor: 1.840

5.  Musical intervals and relative pitch: frequency resolution, not interval resolution, is special.

Authors:  Josh H McDermott; Michael V Keebler; Christophe Micheyl; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2010-10       Impact factor: 1.840

6.  Perception of the missing fundamental by chinchillas in the presence of low-pass masking noise.

Authors:  William P Shofner
Journal:  J Assoc Res Otolaryngol       Date:  2010-09-25

7.  Perceptual grouping affects pitch judgments across time and frequency.

Authors:  Elizabeth M O Borchert; Christophe Micheyl; Andrew J Oxenham
Journal:  J Exp Psychol Hum Percept Perform       Date:  2011-02       Impact factor: 3.332

8.  Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric.

Authors:  Aleksey Nikolsky
Journal:  Front Psychol       Date:  2015-10-16

9.  Implications of within-fiber temporal coding for perceptual studies of F0 discrimination and discrimination of harmonic and inharmonic tone complexes.

Authors:  Sushrut Kale; Christophe Micheyl; Michael G Heinz
Journal:  J Assoc Res Otolaryngol       Date:  2014-06

10.  Reconsidering evidence for the suppression model of the octave illusion.

Authors:  Christopher D Chambers; Jason B Mattingley; Simon A Moss
Journal:  Psychon Bull Rev       Date:  2004-08
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