Literature DB >> 7983276

Frequency and frequency-ratio resolution by possessors of absolute and relative pitch: examples of categorical perception.

E M Burns1, S L Campbell.   

Abstract

The methodology derived from the trace-context theory of intensity resolution (Durlach and Braida, 1969; Macmillan et al., 1988) was applied to resolution over an octave range along two continua: a sequential-frequency-ratio continuum for possessors of relative pitch (RP), and a pure-tone frequency continuum for possessors of absolute pitch (AP). The performance of both RP and AP possessors was exceptional in that total identification sensitivity along both continua was much greater than identification sensitivity along unidimensional psychophysical continua characterized by the 7 +/- 2 rule. In addition, the performance of RP possessors was exceptional in that, on average, total sensitivity for identification resolution was greater than sensitivity for resolution in discrimination. Finally, identification sensitivity between category prototypes (chromatic semits) along both continua was approximately the same as identification sensitivity between phonemic category prototypes along speech continua, despite the fact that both the discrimination ranges and the total number of categories are much larger for the two pitch continua.

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Mesh:

Year:  1994        PMID: 7983276     DOI: 10.1121/1.411447

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  10 in total

1.  Impaired categorical perception of lexical tones in Mandarin-speaking congenital amusics.

Authors:  Cunmei Jiang; Jeff P Hamm; Vanessa K Lim; Ian J Kirk; Yufang Yang
Journal:  Mem Cognit       Date:  2012-10

2.  Musical intervals and relative pitch: frequency resolution, not interval resolution, is special.

Authors:  Josh H McDermott; Michael V Keebler; Christophe Micheyl; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2010-10       Impact factor: 1.840

3.  The subjective size of melodic intervals over a two-octave range.

Authors:  Frank A Russo; William Forde Thompson
Journal:  Psychon Bull Rev       Date:  2005-12

4.  Pitch-interval discrimination and musical expertise: is the semitone a perceptual boundary?

Authors:  Jean Mary Zarate; Caroline R Ritson; David Poeppel
Journal:  J Acoust Soc Am       Date:  2012-08       Impact factor: 1.840

5.  Melodic interval perception by normal-hearing listeners and cochlear implant users.

Authors:  Xin Luo; Megan E Masterson; Ching-Chih Wu
Journal:  J Acoust Soc Am       Date:  2014-10       Impact factor: 1.840

6.  Standard-interval size affects interval-discrimination thresholds for pure-tone melodic pitch intervals.

Authors:  Carolyn M McClaskey
Journal:  Hear Res       Date:  2017-09-18       Impact factor: 3.208

7.  Plasticity in auditory categorization is supported by differential engagement of the auditory-linguistic network.

Authors:  Gavin M Bidelman; Breya Walker
Journal:  Neuroimage       Date:  2019-07-13       Impact factor: 6.556

8.  Pitch representations in the auditory nerve: two concurrent complex tones.

Authors:  Erik Larsen; Leonardo Cedolin; Bertrand Delgutte
Journal:  J Neurophysiol       Date:  2008-07-16       Impact factor: 2.714

9.  Vowel identity between note labels confuses pitch identification in non-absolute pitch possessors.

Authors:  Alfredo Brancucci; Rosanna Dipinto; Ilaria Mosesso; Luca Tommasi
Journal:  PLoS One       Date:  2009-07-21       Impact factor: 3.240

10.  Top-Down Modulation on the Perception and Categorization of Identical Pitch Contours in Speech and Music.

Authors:  Joey L Weidema; M P Roncaglia-Denissen; Henkjan Honing
Journal:  Front Psychol       Date:  2016-06-02
  10 in total

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