| Literature DB >> 29563860 |
Benedikt Zoefel1, Sanne Ten Oever2, Alexander T Sack2.
Abstract
It is undisputed that presenting a rhythmic stimulus leads to a measurable brain response that follows the rhythmic structure of this stimulus. What is still debated, however, is the question whether this brain response exclusively reflects a regular repetition of evoked responses, or whether it also includes entrained oscillatory activity. Here we systematically present evidence in favor of an involvement of entrained neural oscillations in the processing of rhythmic input while critically pointing out which questions still need to be addressed before this evidence could be considered conclusive. In this context, we also explicitly discuss the potential functional role of such entrained oscillations, suggesting that these stimulus-aligned oscillations reflect, and serve as, predictive processes, an idea often only implicitly assumed in the literature.Entities:
Keywords: ERP; endogenous; entrainment; evoked response; oscillation; phase; power
Year: 2018 PMID: 29563860 PMCID: PMC5845906 DOI: 10.3389/fnins.2018.00095
Source DB: PubMed Journal: Front Neurosci ISSN: 1662-453X Impact factor: 4.677
Figure 1It has often been reported that neural oscillations can align to a rhythmic stimulus (shown schematically in A, bottom). The spectrum of this stimulus-aligned signal will reflect the dominant frequency of the stimulus (B, gray). However, each of the individual stimulus presentations will also evoke a neural response which, if repeated regularly, can also resemble an oscillation (shown schematically in A, top) and show a spectrum that reproduces the periodicity of the stimulus (B, black). Note that the additional peaks in the spectrum produced by the regular repetition of evoked responses reflect the imperfect sinusoidal shape of the signal which can introduce harmonic peaks in the spectrum. However, oscillations as measured with electrophysiological methods are often far from perfect sinusoids (Cole and Voytek, 2017), potentially increasing the similarity between aligned oscillations and regularly occurring evoked neural responses, and excluding harmonics in the spectrum of the signal as a criterion to distinguish the two.
Summary of evidence for endogenous oscillatory activity (EOA) and predictive oscillatory processes (POP) involved in the processing of rhythmic stimulus input.
| Nozaradan et al., | Brain responses “track” perceived beat and internally generated rhythms. | No | Do imaginary rhythms evoke neural responses? |
| Ding et al., | Brain responses “track” linguistic structure not reflected in stimulus spectrum. | No | Does the extraction of linguistic structure evoke neural responses? |
| ten Oever et al., | Phase alignment to rhythm below detection threshold. | Yes | How do subthreshold stimuli influence oscillations without evoking neural responses? |
| Zoefel and Heil, | Oscillatory response to undetected rhythmic tone sequences. | Yes | How do subthreshold stimuli influence oscillations without evoking neural responses? |
| Zoefel and VanRullen, | Brain responses “track” speech rhythm without slow systematic fluctuations in spectral energy. | No | Do “high-level” features of speech evoke neural responses? |
| Halbleib et al., | Oscillatory activity after the offset of a rhythmic stimulus. | Yes | Can the aftereffect be explained by “filter ringing”? |
| O'Connell et al., | Neural alignment to stimulus rhythm in brain regions and cortical layers in which evoked neural responses are weak or absent. | No | |
| Luo et al., | Phase alignment in the absence of power effects, or decrease of power. | No | Stimulation frequency different from neural frequency in Luo et al. ( |
| Kayser et al., | Jitter in stimulus rhythm has consequences on brain responses that are different from those expected for evoked neural responses. | Yes | Opposing findings in Capilla et al. ( |
| Notbohm et al., | Brain responses to rhythmic (visual) stimuli can be characterized by an “Arnold Tongue”. | No | |
| Zaehle et al., | tACS affects neural activity as expected for endogenous rhythms. | No | Can tACS effects be compared with rhythmic sensory stimulation? |
| Herring et al., | Impact of attention on brain response to rhythmic stimulus or TMS is different from that expected for evoked neural responses. | No Yes | Results need to be reconciled with studies reporting different attentional effects on brain-stimulus alignment. |
| Notbohm and Herrmann, | Modulation of visual detection depends on whether stimulation “history” is rhythmic or irregular. | No | |
| Mathewson et al., | Periodic modulation of behavior after offset of rhythmic stimulus. | Yes | Can the aftereffects be explained by “filter ringing”? |
Figure 2Overview of selected studies that show endogenous oscillatory activity in the absence of measurable evoked responses. (A) Ding et al. (2016) constructed speech sentences in which not only words (4 Hz) but also phrases (2 Hz) and sentences (1 Hz) fluctuated rhythmically (top). The spectrum of these stimuli only reflected the word rate, but not the rhythm of phrases or sentences (middle). Apart from brain responses at the frequency of words, the authors also observed neural activity fluctuating at phrase and sentence rates, even though these were not present in the stimulus spectrum (bottom). Asterisks mark frequency bins with significantly higher power than neighboring bins (see Ding et al., 2016, for details). Reproduced with permission from Ding et al. (2016). (B) In the study by Zoefel and Heil (2013), only detected but not undetected auditory stimuli produced a noticeable evoked neural response (left; no stimuli were presented during catch trials). Nevertheless, brain activity averaged across instances of three subsequently missed stimuli revealed an oscillatory pattern at stimulation frequency (right; S denotes the timing of stimulus presentation). Reproduced with permission from Zoefel and Heil (2013). (C) Lakatos et al. (2013) recorded neural activity in monkey auditory cortex during and after the presentation of rhythmic auditory stimuli. They found that, even after the offset of the rhythmic stimulus sequence, the neural phase at the time of expected stimulus occurrence (shown by vertical lines) is strongly biased toward a particular phase (see insets for a phase distribution across trials). This phenomenon was visible both in tonotopical regions tuned to the sound frequency of the stimulus (shown) and in those who are not (not shown). Reproduced with permission from Lakatos et al. (2013).
Figure 3Overview of selected studies providing evidence from signal properties and cognitive effects that are expected to differ between endogenous oscillatory activity and regular evoked responses. (A) ten Oever et al. (2017) reported higher inter-trial coherence (ITC) for rhythmic (Rh) compared random (Ra) auditory subthreshold stimuli stream (sub-threshold trials are denoted “pre”; supra-threshold trials are denoted “post”). The higher ITC was paralleled with lower power values for the rhythmic compared to the random subthreshold sounds. Asterisks indicate a significant difference (p < 0.05) between rhythmic and random conditions. (B) The intensity required for a rhythmic stimulus to “entrain” an endogenous oscillation depends on the distance between the stimulus frequency and the natural frequency of the oscillator. This relationship results in a triangular shape representing the dependence of entrainment strength on frequency and intensity of the entraining stimulus, the so-called Arnold Tongue. Notbohm et al. (2016) reported that the EEG signal in response to a rhythmic visual stimulus follows the characteristics of an Arnold Tongue, if it is analyzed based on participants' individual alpha frequency (IAF). Reproduced with permission from Notbohm et al. (2016). (C) Mathewson et al. (2012) measured the probability of detecting a visual target at different time lags after the offset of a rhythmic visual stimulus (~12 Hz). They found a periodic modulation of perception (i.e., target detection); these aftereffects were also present when a certain jitter was introduced in the rhythm, but not after the presentation of two visual stimuli separated by a certain time interval (576 ms) but without any rhythmic component (control). Reproduced with permission from Mathewson et al. (2012).