| Literature DB >> 25398479 |
Chang Hong Liu1, Wenfeng Chen2, James Ward3.
Abstract
Facial expression is a major source of image variation in face images. Linking numerous expressions to the same face can be a huge challenge for face learning and recognition. It remains largely unknown what level of exposure to this image variation is critical for expression-invariant face recognition. We examined this issue in a recognition memory task, where the number of facial expressions of each face being exposed during a training session was manipulated. Faces were either trained with multiple expressions or a single expression, and they were later tested in either the same or different expressions. We found that recognition performance after learning three emotional expressions had no improvement over learning a single emotional expression (Experiments 1 and 2). However, learning three emotional expressions improved recognition compared to learning a single neutral expression (Experiment 3). These findings reveal both the limitation and the benefit of multiple exposures to variations of emotional expression in achieving expression-invariant face recognition. The transfer of expression training to a new type of expression is likely to depend on a relatively extensive level of training and a certain degree of variation across the types of expressions.Entities:
Mesh:
Year: 2014 PMID: 25398479 PMCID: PMC4624836 DOI: 10.1007/s00426-014-0627-8
Source DB: PubMed Journal: Psychol Res ISSN: 0340-0727
Fig. 1Examples of a learn trial in the face-name presentation session. a Multiple-expression training in all three experiments: a face is shown in three randomly chosen categorically different expressions: Disgust, Surprise and Fear. b Single-expression training in Experiment 1: The same face is shown in a randomly chosen expression of three varying strengths. The emotional strengths of the three images from the left to right were at levels of 3, 2, and 1, where 1 represents the weakest strength of the happy expression. c Single-expression training in Experiment 2: The level of emotional strengths of the three images had the identical strength of 4 of the sad expression. d Single-expression training in Experiment 3: All three images had the identical neutral expression. e An example of a test trial in Experiment 1. The emotional strengths of the three images from the left to right were levels 3, 1, and 2 of the sad expression. In Experiments 2 and 3, the three test images were identical to one another
Fig. 2Accuracy as a function of expression training and expression change in Experiment 1. Error bars represent one standard error above the means
Criterion results (c) as a function of training and test conditions in Experiment 1
| Training condition | Expression at test | |||
|---|---|---|---|---|
| Same | Different | |||
|
| SD |
| SD | |
| Multiple expression | −0.30 | 0.54 | 0.03 | 0.59 |
| Single expression | −0.44 | 0.57 | 0.25 | 0.62 |
Fig. 3Accuracy as a function of expression training and expression change in Experiment 2. Error bars represent one standard error above the means
Criterion results (c) as a function of training and test conditions in Experiment 2
| Training condition | Expression at test | |||
|---|---|---|---|---|
| Same | Different | |||
|
| SD |
| SD | |
| Multiple expression | −0.48 | 0.46 | 0.20 | 0.65 |
| Single expression | −0.53 | 0.47 | 0.27 | 0.62 |
Fig. 4Accuracy as a function of expression training and expression change in Experiment 3. Error bars represent one standard error above the means
Criterion results (c) as a function of training and test conditions in Experiment 3
| Training condition | Expression at test | |||
|---|---|---|---|---|
| Same | Different | |||
|
| SD |
| SD | |
| Multiple expression | −0.45 | 0.54 | 0.01 | 0.72 |
| Single expression | −0.58 | 0.42 | 0.05 | 0.79 |