Literature DB >> 16119366

Acoustic correlates of timbre space dimensions: a confirmatory study using synthetic tones.

Anne Caclin1, Stephen McAdams, Bennett K Smith, Suzanne Winsberg.   

Abstract

Timbre spaces represent the organization of perceptual distances, as measured with dissimilarity ratings, among tones equated for pitch, loudness, and perceived duration. A number of potential acoustic correlates of timbre-space dimensions have been proposed in the psychoacoustic literature, including attack time, spectral centroid, spectral flux, and spectrum fine structure. The experiments reported here were designed as direct tests of the perceptual relevance of these acoustical parameters for timbre dissimilarity judgments. Listeners presented with carefully controlled synthetic tones use attack time, spectral centroid, and spectrum fine structure in dissimilarity rating experiments. These parameters thus appear as major determinants of timbre. However, spectral flux appears as a less salient timbre parameter, its salience depending on the number of other dimensions varying concurrently in the stimulus set. Dissimilarity ratings were analyzed with two different multidimensional scaling models (CLASCAL and CONSCAL), the latter providing psychophysical functions constrained by the physical parameters. Their complementarity is discussed.

Mesh:

Year:  2005        PMID: 16119366     DOI: 10.1121/1.1929229

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  31 in total

1.  Emotion perception in music in high-functioning adolescents with Autism Spectrum Disorders.

Authors:  Eve-Marie Quintin; Anjali Bhatara; Hélène Poissant; Eric Fombonne; Daniel J Levitin
Journal:  J Autism Dev Disord       Date:  2011-09

2.  Encoding of spectral correlation over time in auditory cortex.

Authors:  Tobias Overath; Sukhbinder Kumar; Katharina von Kriegstein; Timothy D Griffiths
Journal:  J Neurosci       Date:  2008-12-03       Impact factor: 6.167

3.  Vocoder Simulations Explain Complex Pitch Perception Limitations Experienced by Cochlear Implant Users.

Authors:  Anahita H Mehta; Andrew J Oxenham
Journal:  J Assoc Res Otolaryngol       Date:  2017-07-21

4.  Acoustic structure of the five perceptual dimensions of timbre in orchestral instrument tones.

Authors:  Taffeta M Elliott; Liberty S Hamilton; Frédéric E Theunissen
Journal:  J Acoust Soc Am       Date:  2013-01       Impact factor: 1.840

5.  Symmetric interactions and interference between pitch and timbre.

Authors:  Emily J Allen; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2014-03       Impact factor: 1.840

6.  Effects of age on melody and timbre perception in simulations of electro-acoustic and cochlear-implant hearing.

Authors:  Kathryn H Arehart; Naomi B H Croghan; Ramesh Kumar Muralimanohar
Journal:  Ear Hear       Date:  2014 Mar-Apr       Impact factor: 3.570

7.  Neural coding of sound envelope structure in songbirds.

Authors:  Santiago Boari; Ana Amador
Journal:  J Comp Physiol A Neuroethol Sens Neural Behav Physiol       Date:  2017-12-12       Impact factor: 1.836

8.  Musicians have fine-tuned neural distinction of speech syllables.

Authors:  A Parbery-Clark; A Tierney; D L Strait; N Kraus
Journal:  Neuroscience       Date:  2012-05-23       Impact factor: 3.590

9.  Functional groups in the avian auditory system.

Authors:  Sarah M N Woolley; Patrick R Gill; Thane Fremouw; Frédéric E Theunissen
Journal:  J Neurosci       Date:  2009-03-04       Impact factor: 6.167

10.  Neuroplasticity in the processing of pitch dimensions: a multidimensional scaling analysis of the mismatch negativity.

Authors:  Bharath Chandrasekaran; Jackson T Gandour; Ananthanarayan Krishnan
Journal:  Restor Neurol Neurosci       Date:  2007       Impact factor: 2.406

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