Literature DB >> 8969472

Pitch, periodicity, and auditory organization.

W M Hartmann1.   

Abstract

The perception of pitch forms the basis of musical melody and harmony. It is also among the most precise of all our human senses, and with imagination, this precision can be used experimentally to investigate the functioning of the auditory system. This tutorial presents auditory demonstrations from the zoo of pitch effects: pitch shifts, noise pitch, virtual pitch, dichotic pitch, and the pitches of things that are not there at all. It introduces models of auditory processing, derived from contemporary psychoacoustics and auditory physiology, and tests these models against the experimental effects. It concludes by describing the critical role played by pitch in the important human ability to disentangle overlapping sources of sound.

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Year:  1996        PMID: 8969472     DOI: 10.1121/1.417248

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  12 in total

1.  Pitch perception: a dynamical-systems perspective.

Authors:  J H Cartwright; D L González; O Piro
Journal:  Proc Natl Acad Sci U S A       Date:  2001-04-24       Impact factor: 11.205

2.  The Doppler effect is not what you think it is: dramatic pitch change due to dynamic intensity change.

Authors:  Michael K McBeath; John G Neuhoff
Journal:  Psychon Bull Rev       Date:  2002-06

3.  Idealized computational models for auditory receptive fields.

Authors:  Tony Lindeberg; Anders Friberg
Journal:  PLoS One       Date:  2015-03-30       Impact factor: 3.240

4.  The temporal representation of the delay of iterated rippled noise in the ventral cochlear nucleus of the guinea-pig.

Authors:  I M Winter; L Wiegrebe; R D Patterson
Journal:  J Physiol       Date:  2001-12-01       Impact factor: 5.182

5.  Harmonic pitch: dependence on resolved partials, spectral edges, and combination tones.

Authors:  Huanping Dai
Journal:  Hear Res       Date:  2010-08-13       Impact factor: 3.208

6.  Widespread auditory deficits in tune deafness.

Authors:  Jennifer L Jones; Christopher Zalewski; Carmen Brewer; Jay Lucker; Dennis Drayna
Journal:  Ear Hear       Date:  2009-02       Impact factor: 3.570

7.  Neural representation of concurrent harmonic sounds in monkey primary auditory cortex: implications for models of auditory scene analysis.

Authors:  Yonatan I Fishman; Mitchell Steinschneider; Christophe Micheyl
Journal:  J Neurosci       Date:  2014-09-10       Impact factor: 6.167

8.  Pitch perception at very high frequencies: On psychometric functions and integration of frequency information.

Authors:  Hedwig E Gockel; Brian C J Moore; Robert P Carlyon
Journal:  J Acoust Soc Am       Date:  2020-11       Impact factor: 2.482

9.  The origins of music in auditory scene analysis and the roles of evolution and culture in musical creation.

Authors:  Laurel J Trainor
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2015-03-19       Impact factor: 6.237

10.  Dynamic musical communication of core affect.

Authors:  Nicole K Flaig; Edward W Large
Journal:  Front Psychol       Date:  2014-03-17
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