| Literature DB >> 35058476 |
Maciej Behnke1,2, Mikołaj Buchwald3, Adam Bykowski3, Szymon Kupiński3, Lukasz D Kaczmarek4.
Abstract
Subjective experience and physiological activity are fundamental components of emotion. There is an increasing interest in the link between experiential and physiological processes across different disciplines, e.g., psychology, economics, or computer science. However, the findings largely rely on sample sizes that have been modest at best (limiting the statistical power) and capture only some concurrent biosignals. We present a novel publicly available dataset of psychophysiological responses to positive and negative emotions that offers some improvement over other databases. This database involves recordings of 1157 cases from healthy individuals (895 individuals participated in a single session and 122 individuals in several sessions), collected across seven studies, a continuous record of self-reported affect along with several biosignals (electrocardiogram, impedance cardiogram, electrodermal activity, hemodynamic measures, e.g., blood pressure, respiration trace, and skin temperature). We experimentally elicited a wide range of positive and negative emotions, including amusement, anger, disgust, excitement, fear, gratitude, sadness, tenderness, and threat. Psychophysiology of positive and negative emotions (POPANE) database is a large and comprehensive psychophysiological dataset on elicited emotions.Entities:
Mesh:
Year: 2022 PMID: 35058476 PMCID: PMC8776805 DOI: 10.1038/s41597-021-01117-0
Source DB: PubMed Journal: Sci Data ISSN: 2052-4463 Impact factor: 6.444
Overview of Database Characteristics.
| Emotion | Stimuli type | Stimuli Name | Used in Study | Time Interval [s] | Minutes of recordings of psychophysiological signals | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Valence | Motivation | ECG | ICG | EDA | SBP | DBP | CO | TPR | RESP | TEMP | ||||||
| Amusement | film | A Fish called Wanda | 5–7 | 120 | 348 | 270 | 426 | 656 | 526 | 270 | 212 | 212 | 212 | 212 | 0 | 0 |
| film | Benny & Joone | 6 | 120 | 68 | 136 | 0 | 100 | 100 | 134 | 116 | 116 | 116 | 116 | 0 | 0 | |
| film | The Visitors | 5, 6 | 120 | 137 | 274 | 0 | 234 | 104 | 274 | 218 | 218 | 218 | 218 | 0 | 0 | |
| film | When Harry Met Sally | 5, 6 | 120 | 137 | 274 | 0 | 236 | 106 | 268 | 216 | 216 | 216 | 216 | 0 | 0 | |
| Anger | film | American History X | 5–7 | 120 | 356 | 286 | 426 | 678 | 536 | 282 | 230 | 230 | 230 | 230 | 0 | 0 |
| film | In the Name of the Father | 5, 6 | 120 | 137 | 274 | 0 | 242 | 100 | 270 | 218 | 218 | 218 | 218 | 0 | 0 | |
| film | Man Bites Dog | 5, 6 | 120 | 148 | 296 | 0 | 256 | 114 | 290 | 240 | 240 | 240 | 240 | 0 | 0 | |
| speech preparation | Anger Speech | 2 | 180 | 134 | 0 | 402 | 402 | 0 | 402 | 384 | 384 | 261 | 261 | 129 | 402 | |
| Disgust | film | Seven | 6 | 120 | 73 | 146 | 0 | 106 | 106 | 142 | 126 | 126 | 126 | 126 | 0 | 0 |
| Excitement | film | Summer Olympic Games | 7 | 120 | 213 | 0 | 426 | 426 | 426 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Fear | film | Fear ClipsA | 4 | 221 | 43 | 158 | 0 | 158 | 0 | 158 | 140 | 140 | 140 | 140 | 0 | 0 |
| film | The Blair Witch Project | 6 | 120 | 68 | 136 | 0 | 106 | 106 | 130 | 118 | 118 | 118 | 118 | 0 | 0 | |
| Gratitude | sms | Gratitude Message | 3 | 180 | 147 | 426 | 0 | 426 | 426 | 420 | 405 | 405 | 405 | 405 | 0 | 0 |
| Neutral | film | Blue 1 | 5–7 | 120 | 324 | 222 | 426 | 624 | 498 | 222 | 190 | 190 | 190 | 190 | 0 | 0 |
| film | Blue 2 | 6 | 120 | 48 | 96 | 0 | 72 | 72 | 96 | 86 | 86 | 86 | 86 | 0 | 0 | |
| film | Blue 3 | 6 | 120 | 48 | 96 | 0 | 72 | 72 | 96 | 86 | 86 | 86 | 86 | 0 | 0 | |
| film | Emperor 1 | 5, 6 | 120 | 111 | 222 | 0 | 198 | 72 | 222 | 190 | 190 | 190 | 190 | 0 | 0 | |
| film | Emperor 2 | 6 | 120 | 48 | 96 | 0 | 72 | 72 | 96 | 86 | 86 | 86 | 86 | 0 | 0 | |
| film | The Lover | 5 | 120 | 63 | 126 | 0 | 126 | 0 | 126 | 104 | 104 | 104 | 104 | 0 | 0 | |
| film | Twin Peaks | 6 | 120 | 48 | 96 | 0 | 72 | 72 | 96 | 86 | 86 | 86 | 86 | 0 | 0 | |
| films | Neutral clipsB | 4 | 221 | 40 | 147 | 0 | 147 | 0 | 147 | 133 | 133 | 133 | 133 | 0 | 0 | |
| pictures | Set of NAPS neutral photos | 1, 2 | 180 | 60 | 0 | 180 | 180 | 0 | 180 | 168 | 168 | 168 | 168 | 0 | 180 | |
| resting baseline | Physiological baseline | 1–7 | 300C | 1157 | 2771 | 2705 | 5236 | 2186 | 4390 | 3960 | 3960 | 3250 | 3250 | 710 | 1640 | |
| SMS | Neutral message | 3 | 180 | 147 | 426 | 0 | 426 | 426 | 420 | 405 | 405 | 405 | 405 | 0 | 0 | |
| Positive Emotion HA | pictures | Set of NAPS positive HA photos | 1, 2 | 180 | 112 | 0 | 336 | 336 | 0 | 336 | 321 | 321 | 171 | 171 | 141 | 336 |
| Positive Emotion LA | pictures | Set of NAPS positive LA photos | 1, 2 | 180 | 113 | 0 | 339 | 339 | 0 | 339 | 333 | 333 | 189 | 189 | 138 | 339 |
| Sadness | film | Dangerous Minds | 6 | 120 | 61 | 122 | 0 | 94 | 94 | 116 | 106 | 106 | 106 | 106 | 0 | 0 |
| film | The Champ | 7 | 120 | 213 | 0 | 426 | 426 | 426 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | |
| Tenderness | film | Life Is Beautiful | 6 | 120 | 69 | 138 | 0 | 106 | 106 | 136 | 118 | 118 | 118 | 118 | 0 | 0 |
| film | The Dead Poets Society | 6 | 120 | 66 | 132 | 0 | 90 | 90 | 132 | 116 | 116 | 116 | 116 | 0 | 0 | |
| Threat | speech preparation | Threat Speech | 1, 2 | 30D | 95 | 0 | 285 | 285 | 0 | 285 | 267 | 267 | 267 | 267 | 0 | 285 |
| Total (hours) | 123 | 106 | 215 | 114 | 175 | 156 | 156 | 138 | 138 | 19 | 53 | 123 | ||||
Valence = positive-negative, Motivation = approach-avoidance tendency, Temp = fingertip skin temperature, Resp = respiration, ECG = electrocardiography, EDA = electrodermal activity, ICG = impedance cardiography, Z0 = baseline impedance, dZ = sensed impedance signal, dZ/dt = sensed impedance signal derivative over time, SBP = systolic blood pressure, DBP = diastolic blood pressure, CO = cardiac output, TPR = total peripheral resistance. HA = high-approach. LA = low-approach. AFear Clips: Blair Witch Project & A Tale of Two Sisters. BNeutral clips: The Lover & Blue 2. Cin Study 3 baseline interval was 180s. Din Study 2 threat speech preparation interval was 180s.
Overview of Studies Characteristics.
| Study ID | Sample characteristics | Study characteristics | |||||
|---|---|---|---|---|---|---|---|
| Size (% female) | Mean age (SD) | Participant pool | Study procedure | Method | Originally elicited emotions | Measures and signals | |
| 1 | 142 (75) | 21.90 (2.49) | Undergraduates | Baseline, speech preparation, pictures presentation, recovery | Pictures and speech preparation | High-approach positive emotions, low-approach positive emotions, neutral conditions, threat | Motivation, ECG, EDA, Temp, Resp, SBP, DBP |
| 2 | 186 (53) | 21.96 (2.30) | Undergraduates | Baseline, pictures presentation, speech preparation, recovery | Pictures and speech preparation | High-approach positive emotions, low-approach positive emotions, neutral conditions, threat, anger | Motivation, ECG, EDA, Temp, SBP, DBP, CO, TPR |
| 3 | 147 (50) | 21.06 (1.91) | Undergraduates | Baseline, message writing 1, message writing 2 | Interpersonal communication | Positive emotions (gratitude) and neutral conditions | Valence, ECG, EDA, ICG, SBP, DBP, CO, TPR |
| 4 | 83 (59) | 20.18 (1.88) | Undergraduates | Baseline, film clip, economic decision | Film clips | Negative emotions (fear) and neutral conditions | Valence, ECG, EDA, SBP, DBP, CO, TPR |
| 5 | 199 (51) | 22.38 (2.61) | Romantic couples | Baseline, three rounds of film clips, and responses to partner success (capitalization) | Film clips | Positive emotions (amusement), negative emotions (anger), and neutral conditions | Valence, ECG, EDA, SBP, DBP, CO, TPR |
| 6 | 187 (53) | 21.52 (2.73) | Undergraduates | Baseline, series of six film clips (all positive, negative, neutral, or mixed), ultimatum game | Film clips | Positive emotions (amusement, tenderness), negative emotions (anger, disgust, fear, sadness), and neutral conditions | Valence, ECG, EDA, ICG, SBP, DBP, CO, TPR |
| 7 | 213 (0) | 23.82 (3.57) | Gamers | Baseline, five rounds of film clips (random order), video-game match, recovery | Film clips | Positive emotions (amusement and excitement), negative emotions (anger and sadness), and neutral conditions | Motivation, ECG, ICG, |
Valence = positive-negative, Motivation = approach-avoidance tendency, Temp = fingertip skin temperature, Resp = respiration, ECG = electrocardiography, EDA = electrodermal activity, ICG = impedance cardiography, Z0 = baseline impedance, dZ = sensed impedance signal, dZ/dt = sensed impedance signal derivative over time, SBP = systolic blood pressure, DBP = diastolic blood pressure, CO = cardiac output, TPR = total peripheral resistance.
Fig. 1A schematic visualization of the data acquisition procedure. Panel a presents the approximate placement of the sensors. Panel b presents hardware (in white) and software (in grey) used for data acquisition. This figure was created by Katarzyna Janicka. The copyright of the figure is held by Katarzyna Janicka.
Fig. 2Schematic presentation of data preprocessing. The data were first exported from the acquisition software (panel a) and then preprocessed and integrated into CSV files. The resulting CSV files can be easily loaded into most statistical software and packages, such as IBM’s SPSS or Python Pandas & SciPy modules (for visualization in Python’s Pandas module, see panel b).
Datafile information and structure.
| Study ID | File count (per parti-cipant | Types of < phase_name > (time interval in seconds) | Types of < EmotionName > in each study | Column Names | Number of columns |
|---|---|---|---|---|---|
| 1 | 568 (4) | 'All’, ‘Baseline’ (300), ‘Threat’(30), ‘ < EmotionName > ’(180) | 'Neutral8’, ‘Positive_Emotion_High_Approach’, ‘Positive_Emotion_Low_Approach’, ‘Threat' | Timestamp, Affect, ECG, EDA, Temp, Respiration, SBP, DBP, marker | 9 |
| 2 | 744 (4) | 'All’, ‘Baseline’(300), ‘ < EmotionName1–2 > ’(180) | 'Anger4’, ‘Neutral8’, ‘Positive_Emotion_High_Approach’, ‘Positive_Emotion_Low_Approach’, ‘Threat' | Timestamp, Affect, ECG, EDA, Temp, SBP, DBP, CO, TPR, marker | 10 |
| 3 | 588 (4) | 'All’, ‘Baseline’(180), ‘ < EmotionName1–2 > ’(180) | ‘Gratitude’, ‘Neutral9’ | Timestamp, Affect, ECG, EDA, DZ, DZ/DT, Z0, SBP, DBP, CO, TPR, marker | 12 |
| 4 | 249 (3) | 'All’, ‘Baseline’(300), ‘ < EmotionName > ’(221), | ‘Fear2’, ‘Neutral10’ | Timestamp, Affect, ECG, EDA, SBP, DBP, CO, TPR, marker | 9 |
| 5 | 995 (5) | 'All’, ‘Baseline’(300), ‘ < EmotionName1–3 > ’(120) | ‘Amusement2’, ‘Amusement3’, ‘Amusement4’, ‘Anger1’, ‘Anger2’, ‘Anger3’, ‘Neutral1’, ‘Neutral6’, ‘Neutral7' | Timestamp, Affect, ECG, EDA, SBP, DBP, CO, TPR, marker | 9 |
| 6 | 1496 (8) | 'All’, ‘Baseline’(300), ‘ < EmotionName1–6 > ’(120) | ‘Amusement1’, ‘Amusement2’, ‘Amusement3’, ‘Amusement4’, ‘Anger1’, ‘Anger2’, ‘Anger3’, ‘Disgust’, ‘Fear1’, ‘Neutral1’, ‘Neutral2’, ‘Neutral3’, ‘Neutral4’, ‘Neutral5’, ‘Neutral6’, ‘Sadness1’, ‘Tenderness1’, ‘Tenderness2' | Timestamp, Affect, ECG, EDA, DZ, DZ/DT, Z0, SBP, DBP, CO, TPR, marker | 12 |
| 7 | 1491 (7) | 'All’, ‘Baseline’(300), ‘ < EmotionName1–5 > ’(120) | ‘Amusement4’, ‘Anger3’, ‘Excitement’, ‘Neutral6’, ‘Sadness2' | Timestamp, Affect, ECG, DZ, DZ/DT, Z0, marker | 7 |
Affect = response meter measuring valence or motivation, Temp = fingertip skin temperature, ECG = electrocardiography, EDA = electrodermal activity, Z0 = baseline impedance, dZ = sensed impedance signal, dZ/dt = sensed impedance signal derivative over time, SBP = Systolic blood pressure, DBP = diastolic blood pressure, CO = cardiac output, TPR = total peripheral resistance, Number of columns = number of columns in the single .csv file after the header.
Number of missing data.
| Emotion | Stimuli type | Stimuli Name | Used in Study | Time Interval [s] | Number of missing data for psychophysiological signals | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Valence | Motivation | ECG | ICG | EDA | SBP | DBP | CO | TPR | RESP | TEMP | ||||||
| Amusement | film | A fish called Wanda | 5–7 | 120 | 348 | 0 | 0 | 20 | 20 | 0 | 29 | 29 | 29 | 29 | — | — |
| film | Benny & Joone | 6 | 120 | 68 | 0 | — | 18 | 18 | 1 | 10 | 10 | 10 | 10 | — | — | |
| film | The visitors | 5, 6 | 120 | 137 | 0 | — | 20 | 20 | 0 | 28 | 28 | 28 | 28 | — | — | |
| film | When Harry met Sally | 5, 6 | 120 | 137 | 0 | — | 19 | 19 | 3 | 29 | 29 | 29 | 29 | — | — | |
| Anger | film | American History X | 5–7 | 120 | 356 | 0 | 0 | 17 | 17 | 2 | 28 | 28 | 28 | 28 | — | — |
| film | In the name of the father | 5, 6 | 120 | 137 | 0 | — | 16 | 16 | 2 | 28 | 28 | 28 | 28 | — | — | |
| film | Man bites dog | 5, 6 | 120 | 148 | 0 | — | 20 | 20 | 3 | 28 | 28 | 28 | 28 | — | — | |
| speech preparation | Anger Speech | 2 | 180 | 134 | 0 | 0 | 0 | 0 | 0 | 6 | 6 | 4 | 4 | 0 | 0 | |
| Disgust | film | Seven | 6 | 120 | 73 | 0 | — | 20 | 20 | 2 | 10 | 10 | 10 | 10 | — | — |
| Excitement | film | Summer Olympic Games | 7 | 120 | 213 | — | 0 | 0 | 0 | — | — | — | — | — | — | — |
| Fear | film | Fear ClipsA | 4 | 221 | 43 | 0 | — | 0 | — | 0 | 5 | 5 | 5 | 5 | — | — |
| film | The Blair Witch Project | 6 | 120 | 68 | 0 | — | 15 | 15 | 3 | 9 | 9 | 9 | 9 | — | — | |
| Gratitude | sms | Gratitude Message | 3 | 180 | 147 | 5 | — | 5 | 5 | 7 | 12 | 12 | 12 | 12 | — | — |
| Neutral | film | Blue 1 | 5–7 | 120 | 324 | 0 | 0 | 12 | 12 | 0 | 16 | 16 | 16 | 16 | — | — |
| film | Blue 2 | 6 | 120 | 48 | 0 | — | 12 | 12 | 0 | 5 | 5 | 5 | 5 | — | — | |
| film | Blue 3 | 6 | 120 | 48 | 0 | — | 12 | 12 | 0 | 5 | 5 | 5 | 5 | — | — | |
| film | Emperor 1 | 5, 6 | 120 | 111 | 0 | — | 12 | 12 | 0 | 16 | 16 | 16 | 16 | — | — | |
| film | Emperor 2 | 6 | 120 | 48 | 0 | — | 12 | 12 | 0 | 5 | 5 | 5 | 5 | — | — | |
| film | The lover | 5 | 120 | 63 | 0 | — | 0 | 0 | 0 | 10 | 10 | 10 | 10 | — | — | |
| film | Twin Peaks | 6 | 120 | 48 | 0 | — | 12 | 12 | 0 | 5 | 5 | 5 | 5 | — | — | |
| films | Neutral clipsB | 4 | 221 | 40 | 0 | — | 0 | — | 0 | 4 | 4 | 4 | 4 | — | — | |
| pictures | Set of NAPS Neutral photos | 1, 2 | 180 | 60 | — | 0 | 0 | — | 0 | 4 | 4 | 4 | 4 | — | 0 | |
| resting baseline | Physiological baseline | 1–7 | 300A | 1157 | 5 | 0 | 53 | 53 | 10 | 98 | 98 | 98 | 98 | 0 | 0 | |
| sms | Neutral message | 3 | 180 | 147 | 5 | — | 5 | 5 | 7 | 12 | 12 | 12 | 12 | — | — | |
| Positive Emotion HA | pictures | Set of NAPS Positive HA photos | 1, 2 | 180 | 112 | — | 0 | 0 | — | 0 | 5 | 5 | 4 | 4 | 4 | 0 |
| Positive Emotion LA | pictures | Set of NAPS Positive LA photos | 1, 2 | 180 | 113 | — | 0 | 0 | — | 0 | 2 | 2 | 2 | 2 | 2 | 0 |
| Sadness | film | Dangerous minds | 6 | 120 | 61 | 0 | — | 14 | 14 | 3 | 8 | 8 | 8 | 8 | — | — |
| film | The champ | 7 | 120 | 213 | — | 0 | 0 | 0 | — | — | — | — | — | — | — | |
| Tenderness | film | Life is beautiful | 6 | 120 | 69 | 0 | — | 16 | 16 | 1 | 10 | 10 | 10 | 10 | — | — |
| film | The Dead Poets society | 6 | 120 | 66 | 0 | — | 21 | 21 | 0 | 8 | 8 | 8 | 8 | — | — | |
| Threat | speech preparation | Threat Speech | 1, 2 | 30B | 95 | — | 0 | 0 | — | 0 | 6 | 6 | 6 | 6 | — | 0 |
Valence = positive-negative, Motivation = approach-avoidance tendency, Temp = fingertip skin temperature, Resp = respiration, ECG = electrocardiography, EDA = electrodermal activity, ICG = impedance cardiography, Z0 = baseline impedance, dZ = sensed impedance signal, dZ/dt = sensed impedance signal derivative over time, SBP = systolic blood pressure, DBP = diastolic blood pressure, CO = cardiac output, TPR = total peripheral resistance. HA = high-approach. LA = low-approach. AFear Clips: Blair Witch Project & A Tale of Two Sisters. BNeutral clips: The Lover & Blue 2. Cin Study 3 baseline interval was 180s. Din Study 2 threat speech preparation interval was 180s.
Fig. 3Data histograms of baseline psychophysiological levels. This figure presents the distribution of the mean psychophysiological levels for resting baseline but does not present raw recordings (e.g., ECG in mV) that require further processing (e.g., analysis to calculate HR or HRV).
Means and Standard Deviations (in parentheses) for Signal-to-Noise Ratio (SNR) in decibels (dB) for particular signals acquired in 7 studies.
| Study ID | Signal to Noise Ratio | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| ECG | DZ | Z0 | EDA | SBP | DBP | CO | TPR | RESP | TEMP | |
| 1 | 22.11 | — | — | 51.62 | 43.50 | 44.02 | — | — | 47.25 | 52.45 |
| (8.56) | (4.26) | (1.28) | (1.13) | (5.07) | (4.28) | |||||
| 2 | 21.80 | — | — | 54.72 | 54.29 | 54.36 | 52.92 | 48.49 | — | — |
| (8.69) | (2.57) | (0.93) | (2.09) | (1.49) | (2.31) | |||||
| 3 | 44.87 | 49.62 | 54.28 | 54.25 | 54.19 | 54.04 | 54.4 | 54.15 | — | — |
| (1.71) | (3.56) | (0.45) | (4.53) | (0.39) | (0.51) | (0.55) | (0.58) | |||
| 4 | 35.35 | — | — | 55.16 | 55.27 | 54.99 | 53.55 | 53.43 | — | — |
| (3.81) | (2.20) | (0.60) | (0.67) | (1.13) | (2.6) | |||||
| 5 | 32.99 | — | — | 53.53 | 53.10 | 52.83 | 51.17 | 51.84 | — | — |
| (5.43) | (2.52) | (1.60) | (1.64) | (2.3) | (2.73) | |||||
| 6 | 44.81 | 47.62 | 53.02 | 52.95 | 52.89 | 52.69 | 51.28 | 52.55 | — | — |
| (2.04) | (3.57) | (1.66) | (2.43) | (1.26) | (1.26) | (1.71) | (1.32) | |||
| 7 | 45.34 | 47.52 | 53.14 | — | — | — | — | — | — | — |
| (2.09) | (3.78) | (1.61) | ||||||||
| Measurement(s) | affect • hemodynamic measures • electrodermal activity • fingertip skin temperature • Respiratory Pattern |
| Technology Type(s) | electronic rating scale • electrocardiography • impedance cardiography • hemodynamic measurement • electrodermal activity measurement • skin temperature sensor • Piezo-electric belt |
| Factor Type(s) | elicited emotion |
| Sample Characteristic - Organism | Homo sapiens |
| Sample Characteristic - Environment | laboratory environment |