| Literature DB >> 24223293 |
Geoffrey D Ower1, Kevin A Judge, Sandra Steiger, Kyle J Caron, Rebecca A Smith, John Hunt, Scott K Sakaluk.
Abstract
While a number of studies have measured multivariate sexual selection acting on sexual signals in wild populations, few have confirmed these findings with experimental manipulation. Sagebrush crickets are ideally suited to such investigations because mating imposes an unambiguous phenotypic marker on males arising from nuptial feeding by females. We quantified sexual selection operating on male song by recording songs of virgin and mated males captured from three wild populations. To determine the extent to which selection on male song is influenced by female preference, we conducted a companion study in which we synthesized male songs and broadcast them to females in choice trials. Multivariate selection analysis revealed a saddle-shaped fitness surface, the highest peak of which corresponded to longer train and pulse durations, and longer intertrain intervals. Longer trains and pulses likely promote greater mate attraction, but selection for longer intertrain durations suggests that energetic constraints may necessitate "time outs". Playback trials confirmed the selection for longer train and pulse durations, and revealed significant stabilizing selection on dominant frequency, suggesting that the female auditory system is tightly tuned to the species-specific call frequency. Collectively, our results revealed a complex pattern of multivariate nonlinear selection characterized primarily by strong stabilizing and disruptive selection on male song traits.Entities:
Keywords: Communication; fitness surface; mate choice; selection gradient; signal
Year: 2013 PMID: 24223293 PMCID: PMC3797502 DOI: 10.1002/ece3.736
Source DB: PubMed Journal: Ecol Evol ISSN: 2045-7758 Impact factor: 2.912
Figure 1The five focal song characters represent the primary structural characteristics of sagebrush cricket song. Pulse duration (PD) represents a single wing closure and interpulse duration (IPD) is the interval between wing closures. Train duration is the duration of a continuous train of pulses and intertrain duration is the interval between trains. Sagebrush cricket dominant frequency (DF) is approximately 13 kHz as revealed by the spectrogram.
Figure 2Hind wings of nonvirgin males (left) have melanized wounds resulting from nuptial feeding of females during mating, while virgins have uniformly white, intact hind wings. The forewings, used to produce song, were removed to afford a better view of the hind wings.
Means and standard deviations of song traits of males captured in the wild
| Recorded songs | Manipulated songs | Composite control | |||
|---|---|---|---|---|---|
| Mean | SD | Mean | SD | ||
| Pulse duration (msec) | 3.268 | 0.480 | 3.261 | 0.478 | 3.266 |
| Interpulse duration (msec) | 27.698 | 2.495 | 26.760 | 2.694 | 27.089 |
| Train duration (msec) | 929.833 | 745.923 | 1366.763 | 808.311 | 950.992 |
| Intertrain duration (msec) | 5020.211 | 3749.538 | 6740.460 | 3723.345 | 5222.860 |
| Dominant frequency (KHz) | 13.055 | 0.782 | 12.994 | 0.794 | 13.049 |
Manipulated song trait means and standard deviations for synthesized songs broadcast to females in choice trials approximated their respective recorded means and standard deviations of wild males, but were generated from independently drawn, randomized univariate normal distributions. The composite control was set approximately equal to mean trait values of wild males.
The vector of standardized linear selection gradients (β) and the matrix of standardized quadratic and correlational selection gradients for the five focal songs characters of (A) songs of males captured in the wild and (B) synthesized songs broadcast to females in choice trials
| β | γ | |||||
|---|---|---|---|---|---|---|
| PD | IPD | TD | ITD | DF | ||
| A. Songs of males captured in the wild | ||||||
| PD | 0.092 ± 0.048 | 0.092 ± 0.037 | ||||
| IPD | 0.025 ± 0.049 | 0.101 ± 0.051* | 0.013 ± 0.026 | |||
| TD | −0.013 ± 0.051 | 0.024 ± 0.067 | −0.126 ± 0.084 | 0.031 ± 0.023 | ||
| ITD | −0.010 ± 0.052 | 0.117 ± 0.066 | 0.067 ± 0.055 | 0.302 ± 0.134* | 0.105 ± 0.039 | |
| DF | 0.064 ± 0.048 | −0.033 ± 0.042 | 0.010 ± 0.045 | 0.034 ± 0.082 | −0.020 ± 0.063 | −0.076 ± 0.027* |
| B. Synthesized songs broadcast to females | ||||||
| PD | −0.017 ± 0.106 | 0.233 ± 0.084 | ||||
| IPD | 0.091 ± 0.106 | −0.005 ± 0.119 | −0.136 ± 0.083 | |||
| TD | 0.159 ± 0.107 | 0.078 ± 0.137 | 0.057 ± 0.112 | 0.104 ± 0.096 | ||
| ITD | −0.076 ± 0.106 | 0.067 ± 0.115 | −0.153 ± 0.110 | −0.100 ± 0.141 | 0.093 ± 0.088 | |
| DF | 0.084 ± 0.107 | 0.106 ± 0.168 | −0.182 ± 0.130 | 0.257 ± 0.111* | −0.141 ± 0.106 | −0.359 ± 0.074* |
PD, pulse duration; IPD, interpulse duration; TD, train duration; ITD, intertrain duration; DF, dominant frequency.
Randomization tests: *P < 0.05, **P < 0.01, ***P < 0.001.
Linear (θ) and nonlinear (λ) selection gradients and the M matrix of eigenvectors from the canonical analysis of γ for (A) songs of males captured in the wild and (B) synthesized songs broadcast to females in choice trials
| θ | λ | ||||||
|---|---|---|---|---|---|---|---|
| PD | IPD | TD | ITD | DF | |||
| A. Songs of recorded males | |||||||
| | −0.014 ± 0.056 | 0.203 ± 0.060*** | −0.323 | −0.014 | −0.601 | −0.730 | 0.010 |
| | 0.073 ± 0.050 | 0.095 ± 0.039* | 0.642 | 0.650 | −0.392 | 0.025 | −0.105 |
| | −0.002 ± 0.044 | −0.020 ± 0.024 | −0.538 | 0.606 | −0.005 | 0.238 | 0.535 |
| | 0.089 ± 0.046 | −0.043 ± 0.023 | 0.440 | −0.230 | 0.101 | −0.263 | 0.821 |
| | 0.002 ± 0.051 | −0.153 ± 0.042*** | −0.014 | −0.397 | −0.689 | 0.583 | 0.168 |
| B. Arena female choice trials | |||||||
| | 0.159 ± 0.100 | 0.181 ± 0.075* | 0.539 | 0.038 | 0.674 | −0.335 | 0.375 |
| | −0.120 ± 0.108 | 0.134 ± 0.070 | 0.693 | −0.265 | −0.205 | 0.637 | −0.033 |
| | 0.020 ± 0.104 | 0.011 ± 0.081 | −0.461 | −0.566 | 0.451 | 0.426 | 0.288 |
| | 0.069 ± 0.106 | −0.060 ± 0.076 | −0.088 | 0.649 | 0.464 | 0.497 | −0.329 |
| | 0.046 ± 0.114 | −0.299 ± 0.079*** | −0.093 | 0.433 | −0.291 | 0.230 | 0.817 |
Randomization tests: *P < 0.05, **P < 0.01, ***P < 0.001.
Figure 3Thin-plate spline (A) perspective view and (B) contour map visualization of the two major axes of nonlinear selection (m and m) operating on songs of males captured in the wild. Each point on the contour plot represents an individual male.
Figure 4Thin-plate spline visualizations (perspective view only) of nonlinear selection operating on songs of males captured in the wild. (A) m and m (B) m and m.
Figure 5Thin-plate spline (A) perspective view and (B) contour map visualization of the two major axes of nonlinear selection (m and m) operating on synthesized songs broadcast to females in choice trials. Each point on the contour plot represents a synthetic song.