| Literature DB >> 22927955 |
Erwin Nemeth1, Bart Kempenaers, Giuliano Matessi, Henrik Brumm.
Abstract
The evolution of mating signals is closely linked to sexual selection. Acoustic ornaments are often used as secondary sexual traits that signal the quality of the signaller. Here we show that song performance reflects age and reproductive success in the rock sparrow (Petronia petronia). In an Alpine population in south-east France, we recorded the songs of males and assessed their genetic breeding success by microsatellite analysis. In addition to temporal and spectral song features, we also analysed for the first time whether the sound pressure level of bird song reflects reproductive success. Males with higher breeding success sang at a lower rate and with a higher maximum frequency. We found also that older males gained more extra-pair young and had a higher overall breeding success, although they also differed almost significantly by having a higher loss of paternity in their own nests. Older males could be distinguished from yearlings by singing at lower rate and higher amplitudes. Our findings suggest that song rate may be used as a signal of age and together with song pitch as a signal of reproductive success in this species. Alternatively, younger and less successful males might try to compensate their inferior status by increased song rates and lower pitch. Independent of age and quality, high-amplitude songs correlated with paternity loss in the own nest, suggesting that in this species song amplitude is not an indicator of male quality but high-intensity songs may be rather a response to unfaithful social mates.Entities:
Mesh:
Year: 2012 PMID: 22927955 PMCID: PMC3426517 DOI: 10.1371/journal.pone.0043259
Source DB: PubMed Journal: PLoS One ISSN: 1932-6203 Impact factor: 3.240
Figure 1An example of a typical rock sparrow advertisement song.
A song bout consists of one element that is repeated several times. Song performance (element rate and song amplitude) may vary considerably between males.
50]). Therefore, we analyzed each raw variable separately.
Figure 2Variation of song amplitude within and between male rock sparrows.
Values are shown as means ±95% confidence intervals.
Pearson correlation matrix of song parameters (N = 28 males).
| Song duration | Peak frequency | Minimum frequency | Maximum frequency | Amplitude | |
| Song rate |
| 0.14 | 0.16 | 0.00 | −0.05 |
| Song duration | −0.08 | −0.03 | −0.13 | 0.27 | |
| Peak frequency |
|
| −0.01 | ||
| Minimum frequency | 0.27 | 0.16 | |||
| Maximum frequency | . | −0.03 |
Significant correlations are indicated in bold.
. Correlation is significant at the 0.05 level (2-tailed).
. Correlation is significant at the 0.01 level (2-tailed).
Song variables that explained variation in breeding success, number of sired extra pair chicks and paternity loss in rock sparrows by GLMs.
| Dependent variable: Breeding success (N = 25) | ||||
| Predictors | Estimate | SE | t | P-value |
|
| ||||
| Intercept | −2.63 | 10.48 | −0.25 | 0.80 |
| Amplitude | 0.02 | 0.13 | 0.13 | 0.89 |
| Song rate | −0.13 | 0.06 | −2.37 | 0.027 |
| Minimum frequency | 0.41 | 1.02 | 0.40 | 0.69 |
| Maximum frequency | 1.43 | 0.51 | 2.79 | 0.011 |
|
| ||||
| Intercept | −0.55 | 2.95 | −0.19 | 0.85 |
| Song rate | −0.13 | 0.05 | −2.44 | 0.023 |
| Maximum frequency | 1.49 | 0.47 | 3.19 | 0.004 |
Figure 3Differences in song performance in relation to paternity gain, paternity loss, and male age.
All values are shown as means ± standard error. Ngain = 14, Nno gain = 11, Nloss = 11, Nno loss = 11, Nyearlings = 9, and Nolder = 13.
Song variables that predicted the two age classes by GLMs (age as binary dependent variable, yearlings vs. older males).
| Dependent variable: Age (Nyearling = 8, Nolder = 13) | ||||
| Predictors | Estimate | SE | z | P-value |
|
| ||||
| Intercept | 27.01 | 19.13 | −1.41 | 0.16 |
| Amplitude | 0.36 | 0.27 | 1. 344 | 0.18 |
| Song rate | −0.31 | 0.16 | −1.85 | 0.064 |
| Minimum frequency | 1.24 | 2.32 | 0.54 | 0.59 |
| Maximum frequency | 0.43 | 0.74 | 0.59 | 0.56 |
|
| ||||
| Intercept | −28.67 | 18.26 | −1.57 | 0.12 |
| Amplitude | 0.45 | 0.25 | 1.80 | 0.072 |
| Song rate | −0.26 | 0.13 | −2.07 | 0.038 |