Literature DB >> 21299309

The structure of musical preferences: a five-factor model.

Peter J Rentfrow1, Lewis R Goldberg, Daniel J Levitin.   

Abstract

Music is a cross-cultural universal, a ubiquitous activity found in every known human culture. Individuals demonstrate manifestly different preferences in music, and yet relatively little is known about the underlying structure of those preferences. Here, we introduce a model of musical preferences based on listeners' affective reactions to excerpts of music from a wide variety of musical genres. The findings from 3 independent studies converged to suggest that there exists a latent 5-factor structure underlying music preferences that is genre free and reflects primarily emotional/affective responses to music. We have interpreted and labeled these factors as (a) a Mellow factor comprising smooth and relaxing styles; (b) an Unpretentious factor comprising a variety of different styles of sincere and rootsy music such as is often found in country and singer-songwriter genres; (c) a Sophisticated factor that includes classical, operatic, world, and jazz; (d) an Intense factor defined by loud, forceful, and energetic music; and (e) a Contemporary factor defined largely by rhythmic and percussive music, such as is found in rap, funk, and acid jazz. The findings from a fourth study suggest that preferences for the MUSIC factors are affected by both the social and the auditory characteristics of the music. 2011 APA, all rights reserved

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Year:  2011        PMID: 21299309      PMCID: PMC3138530          DOI: 10.1037/a0022406

Source DB:  PubMed          Journal:  J Pers Soc Psychol        ISSN: 0022-3514


  16 in total

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3.  Personality and music: can traits explain how people use music in everyday life?

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Journal:  Br J Psychol       Date:  2007-05

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Review 7.  Selection, evocation, and manipulation.

Authors:  D M Buss
Journal:  J Pers Soc Psychol       Date:  1987-12

8.  Effects of music on employee attitude and productivity in a skateboard factory.

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Journal:  J Appl Psychol       Date:  1966-12

Review 9.  The effect of music on cognitive performance: insight from neurobiological and animal studies.

Authors:  Nikki S Rickard; Samia R Toukhsati; Simone E Field
Journal:  Behav Cogn Neurosci Rev       Date:  2005-12

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Journal:  Brain       Date:  2008-03       Impact factor: 13.501

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  33 in total

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Journal:  J Youth Adolesc       Date:  2017-01-18

3.  The Song Remains the Same: A Replication and Extension of the MUSIC Model.

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Journal:  Music Percept       Date:  2012-12

4.  Examining complexity across domains: relating subjective and objective measures of affective environmental scenes, paintings and music.

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Journal:  PLoS One       Date:  2013-08-16       Impact factor: 3.240

5.  Musical Preferences are Linked to Cognitive Styles.

Authors:  David M Greenberg; Simon Baron-Cohen; David J Stillwell; Michal Kosinski; Peter J Rentfrow
Journal:  PLoS One       Date:  2015-07-22       Impact factor: 3.240

6.  Mind the gap: scaling up the utilization of insecticide treated mosquito nets using a knowledge translation model in Isingiro district, rural south western Uganda.

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7.  Exploring the musical taste of expert listeners: musicology students reveal tendency toward omnivorous taste.

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Journal:  Front Psychol       Date:  2015-08-20

8.  Use the brain: complementary methods to analyse the effects of motivational music.

Authors:  Marcelo Bigliassi
Journal:  Front Hum Neurosci       Date:  2015-09-16       Impact factor: 3.169

9.  Investigating the importance of self-theories of intelligence and musicality for students' academic and musical achievement.

Authors:  Daniel Müllensiefen; Peter Harrison; Francesco Caprini; Amy Fancourt
Journal:  Front Psychol       Date:  2015-11-05

10.  The psychological functions of music listening.

Authors:  Thomas Schäfer; Peter Sedlmeier; Christine Städtler; David Huron
Journal:  Front Psychol       Date:  2013-08-13
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