Literature DB >> 15276674

Pitch is determined by naturally occurring periodic sounds.

David A Schwartz1, Dale Purves.   

Abstract

The phenomenology of pitch has been difficult to rationalize and remains the subject of much debate. Here we test the hypothesis that audition generates pitch percepts by relating inherently ambiguous sound stimuli to their probable sources in the human auditory environment. A database of speech sounds, the principal source of periodic sound energy for human listeners, was compiled and the dominant periodicity of each speech sound determined. A set of synthetic test stimuli were used to assess whether the major pitch phenomena described in the literature could be explained by the probabilistic relationship between the stimuli and their probable sources (i.e., speech sounds). The phenomena tested included the perception of the missing fundamental, the pitch-shift of the residue, spectral dominance and the perception of pitch strength. In each case, the conditional probability distribution of speech sound periodicities accurately predicted the pitches normally heard in response to the test stimuli. We conclude from these findings that pitch entails an auditory process that relates inevitably ambiguous sound stimuli to their probable natural sources.

Entities:  

Mesh:

Year:  2004        PMID: 15276674     DOI: 10.1016/j.heares.2004.01.019

Source DB:  PubMed          Journal:  Hear Res        ISSN: 0378-5955            Impact factor:   3.208


  12 in total

1.  Comparing the information conveyed by envelope modulation for speech intelligibility, speech quality, and music quality.

Authors:  James M Kates; Kathryn H Arehart
Journal:  J Acoust Soc Am       Date:  2015-10       Impact factor: 1.840

2.  Language-dependent pitch encoding advantage in the brainstem is not limited to acceleration rates that occur in natural speech.

Authors:  Ananthanarayan Krishnan; Jackson T Gandour; Christopher J Smalt; Gavin M Bidelman
Journal:  Brain Lang       Date:  2010-06-08       Impact factor: 2.381

3.  Pitch of complex tones: rate-place and interspike interval representations in the auditory nerve.

Authors:  Leonardo Cedolin; Bertrand Delgutte
Journal:  J Neurophysiol       Date:  2005-03-23       Impact factor: 2.714

Review 4.  Neural Mechanisms Underlying Musical Pitch Perception and Clinical Applications Including Developmental Dyslexia.

Authors:  Christopher J Yuskaitis; Mahsa Parviz; Psyche Loui; Catherine Y Wan; Phillip L Pearl
Journal:  Curr Neurol Neurosci Rep       Date:  2015-08       Impact factor: 5.081

5.  Pitch perception beyond the traditional existence region of pitch.

Authors:  Andrew J Oxenham; Christophe Micheyl; Michael V Keebler; Adam Loper; Sébastien Santurette
Journal:  Proc Natl Acad Sci U S A       Date:  2011-04-18       Impact factor: 11.205

6.  A biological rationale for musical scales.

Authors:  Kamraan Z Gill; Dale Purves
Journal:  PLoS One       Date:  2009-12-03       Impact factor: 3.240

7.  Experience-dependent enhancement of linguistic pitch representation in the brainstem is not specific to a speech context.

Authors:  Ananthanarayan Krishnan; Jayaganesh Swaminathan; Jackson T Gandour
Journal:  J Cogn Neurosci       Date:  2009-06       Impact factor: 3.225

Review 8.  The role of the auditory brainstem in processing linguistically-relevant pitch patterns.

Authors:  Ananthanarayan Krishnan; Jackson T Gandour
Journal:  Brain Lang       Date:  2009-04-14       Impact factor: 2.381

9.  Musical intervals in speech.

Authors:  Deborah Ross; Jonathan Choi; Dale Purves
Journal:  Proc Natl Acad Sci U S A       Date:  2007-05-24       Impact factor: 11.205

10.  Are auditory percepts determined by experience?

Authors:  Brian B Monson; Shui'Er Han; Dale Purves
Journal:  PLoS One       Date:  2013-05-07       Impact factor: 3.240

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