Literature DB >> 10218882

Stronger bilateral efferent influences on cochlear biomechanical activity in musicians than in non-musicians.

X Perrot1, C Micheyl, S Khalfa, L Collet.   

Abstract

The auditory sensory end organ is under the control of the central nervous system via efferent projections. Contralateral suppression of otoacoustic emissions (acoustic signatures of the cochlear biomechanical activity) provides a non-invasive approach to assess olivocochlear efferent activity in humans. Using this approach, the present study compared professional musicians with musically-inexperienced subjects. The results revealed stronger bilateral cochlear suppression, suggesting larger efferent influences in both ears, in musicians. Furthermore, in indicating no difference in left/right asymmetry of efferent-mediated suppression between the two groups, the present findings suggest that the observed differences in olivocochlear activity reflect bilaterally-enhanced activity of the cortical auditory structures in musicians rather than differences in cerebral hemispheric asymmetry between the two groups.

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Mesh:

Year:  1999        PMID: 10218882     DOI: 10.1016/s0304-3940(99)00044-0

Source DB:  PubMed          Journal:  Neurosci Lett        ISSN: 0304-3940            Impact factor:   3.046


  14 in total

1.  Enhanced brainstem encoding predicts musicians' perceptual advantages with pitch.

Authors:  Gavin M Bidelman; Ananthanarayan Krishnan; Jackson T Gandour
Journal:  Eur J Neurosci       Date:  2010-12-29       Impact factor: 3.386

2.  Stability of the medial olivocochlear reflex as measured by distortion product otoacoustic emissions.

Authors:  Srikanta K Mishra; Carolina Abdala
Journal:  J Speech Lang Hear Res       Date:  2015-02       Impact factor: 2.297

3.  Evaluation of Contralateral Suppression of Otoacoustic Emissions in Bharatanatyam Dancers and Non-Dancers.

Authors:  Joel Joseph; Ankita Suman; G K Jayasree; Prashanth Prabhu
Journal:  J Int Adv Otol       Date:  2019-04       Impact factor: 1.017

4.  Psychoacoustic measurements of ipsilateral cochlear gain reduction as a function of signal frequency.

Authors:  Kristina DeRoy Milvae; Elizabeth A Strickland
Journal:  J Acoust Soc Am       Date:  2018-05       Impact factor: 1.840

5.  Playing Music for a Smarter Ear: Cognitive, Perceptual and Neurobiological Evidence.

Authors:  Dana Strait; Nina Kraus
Journal:  Music Percept       Date:  2011-12-01

6.  Effects of reverberation on brainstem representation of speech in musicians and non-musicians.

Authors:  Gavin M Bidelman; Ananthanarayan Krishnan
Journal:  Brain Res       Date:  2010-08-05       Impact factor: 3.252

7.  Neural Encoding of Speech and Music: Implications for Hearing Speech in Noise.

Authors:  Samira Anderson; Nina Kraus
Journal:  Semin Hear       Date:  2011-05-01

Review 8.  Musical training as an alternative and effective method for neuro-education and neuro-rehabilitation.

Authors:  Clément François; Jennifer Grau-Sánchez; Esther Duarte; Antoni Rodriguez-Fornells
Journal:  Front Psychol       Date:  2015-04-28

9.  A Role of Medial Olivocochlear Reflex as a Protection Mechanism from Noise-Induced Hearing Loss Revealed in Short-Practicing Violinists.

Authors:  Sho Otsuka; Minoru Tsuzaki; Junko Sonoda; Satomi Tanaka; Shigeto Furukawa
Journal:  PLoS One       Date:  2016-01-08       Impact factor: 3.240

10.  Assessment of rock musician's efferent system functioning using contralateral suppression of otoacoustic emissions.

Authors:  Prawin Kumar; Vibhu Grover; Sam Publius A; Himanshu Kumar Sanju; Sachchidanand Sinha
Journal:  World J Otorhinolaryngol Head Neck Surg       Date:  2016-12-23
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