Literature DB >> 8961835

The influence of height and key on the perceptual similarity of transposed melodies.

R van Egmond1, D J Povel, E Maris.   

Abstract

In two experiments, the perceptual similarity between a strong tonal melody and various transpositions was investigated using a paradigm in which listeners compared the perceptual similarity of a melody and its transposition with that of the same melody and another transposition. The paradigm has the advantage that it provides a direct judgment regarding the similarity of transposed melodies. The experimental results indicate that the perceptual similarity of a strong tonal melody and its transposition is mainly determined by two factors: (1) the distance on the height dimension between the original melody and its transposition (pitch distance), and (2) the distance between keys as inferred from the circle of fifths (key distance). The major part of the variance is explained by the factor pitch distance, whereas key distance explains only a small part.

Mesh:

Year:  1996        PMID: 8961835     DOI: 10.3758/bf03207557

Source DB:  PubMed          Journal:  Percept Psychophys        ISSN: 0031-5117


  11 in total

1.  Tonal strength and melody recognition after long and short delays.

Authors:  W J Dowling
Journal:  Percept Psychophys       Date:  1991-10

2.  Perceived similarity of exact and inexact transpositions.

Authors:  R van Egmond; D J Povel
Journal:  Acta Psychol (Amst)       Date:  1996-08

3.  Melody recognition: the experimental application of musical rules.

Authors:  L L Cuddy; A J Cohen; J Miller
Journal:  Can J Psychol       Date:  1979-09

4.  Pitch as a medium: a new approach to psychophysical scaling.

Authors:  F Attneave; R K Olson
Journal:  Am J Psychol       Date:  1971-06

5.  Key membership and implied harmony in Western tonal music: developmental perspectives.

Authors:  L J Trainor; S E Trehub
Journal:  Percept Psychophys       Date:  1994-08

6.  Two issues concerning tonal hierarchies: comment on Castellano, Bharucha, and Krumhansl.

Authors:  D Deutsch
Journal:  J Exp Psychol Gen       Date:  1984-09

7.  Recognition of transposed melodies: a key-distance effect in developmental perspective.

Authors:  J C Bartlett; W J Dowling
Journal:  J Exp Psychol Hum Percept Perform       Date:  1980-08       Impact factor: 3.332

8.  Perception of structure in short melodic sequences.

Authors:  L L Cuddy; A J Cohen; D J Mewhort
Journal:  J Exp Psychol Hum Percept Perform       Date:  1981-08       Impact factor: 3.332

9.  Geometrical approximations to the structure of musical pitch.

Authors:  R N Shepard
Journal:  Psychol Rev       Date:  1982-07       Impact factor: 8.934

Review 10.  Musical context effects in infants and adults: key distance.

Authors:  L J Trainor; S E Trehub
Journal:  J Exp Psychol Hum Percept Perform       Date:  1993-06       Impact factor: 3.332

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  3 in total

1.  Recognition of transposed melodies: Effects of pitch distance and harmonic distance.

Authors:  Abigail L Kleinsmith; W Trammell Neill
Journal:  Psychon Bull Rev       Date:  2018-10

2.  Remembering the melody and timbre, forgetting the key and tempo.

Authors:  E Glenn Schellenberg; Peter Habashi
Journal:  Mem Cognit       Date:  2015-10

3.  Memory for surface features of unfamiliar melodies: independent effects of changes in pitch and tempo.

Authors:  E Glenn Schellenberg; Stephanie M Stalinski; Bradley M Marks
Journal:  Psychol Res       Date:  2013-02-06
  3 in total

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