Literature DB >> 8838171

Regularity of spectral pattern and its effects on the perceptual fusion of harmonics.

B Roberts1, P J Bailey.   

Abstract

A single even harmonic added to an odd-harmonic complex may be judged as perceptually more salient than the odd harmonics themselves (Roberts & Bregman, 1991). It is proposed that this effect occurs because the even harmonic is inconsistent with the regular spectral pattern formed by the odd-harmonic complex (the base). Therefore, a reduction in the regularity of the base spectrum should reduce the even-odd difference. Spectral regularity was reduced either by removing base components, or by including components in the base that were inconsistent with its original pattern. Subjects listened to (primarily) harmonic complex tones and rated the clarity of one of the harmonics, cued by a preceding pure tone. Both removing components from the base and including extraneous components in the base reduced the even-odd difference. The results suggest that it is easier to segregate a harmonic from a periodic complex tone when it does not form part of the regular pattern of spectral spacing defined by the other harmonics.

Mesh:

Year:  1996        PMID: 8838171     DOI: 10.3758/bf03211882

Source DB:  PubMed          Journal:  Percept Psychophys        ISSN: 0031-5117


  11 in total

1.  Hearing a mistuned harmonic in an otherwise periodic complex tone.

Authors:  W M Hartmann; S McAdams; B K Smith
Journal:  J Acoust Soc Am       Date:  1990-10       Impact factor: 1.840

2.  Spectral regularity as a factor distinct from harmonic relations in auditory grouping.

Authors:  B Roberts; P J Bailey
Journal:  J Exp Psychol Hum Percept Perform       Date:  1996-06       Impact factor: 3.332

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Authors:  D J Hermes
Journal:  J Acoust Soc Am       Date:  1988-01       Impact factor: 1.840

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Authors:  H Duifhuis
Journal:  J Acoust Soc Am       Date:  1970-10       Impact factor: 1.840

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Authors:  H Duifhuis
Journal:  J Acoust Soc Am       Date:  1971-04       Impact factor: 1.840

6.  Spectral pattern and the perceptual fusion of harmonics. II. A special status for added components?

Authors:  B Roberts; P J Bailey
Journal:  J Acoust Soc Am       Date:  1993-12       Impact factor: 1.840

7.  Fusion of simultaneous tonal glides: the role of parallelness and simple frequency relations.

Authors:  A S Bregman; P Doehring
Journal:  Percept Psychophys       Date:  1984-09

8.  Evidence for a general template in central optimal processing for pitch of complex tones.

Authors:  A Gerson; J L Goldstein
Journal:  J Acoust Soc Am       Date:  1978-02       Impact factor: 1.840

9.  Measurement of pitch in speech: an implementation of Goldstein's theory of pitch perception.

Authors:  H Duifhuis; L F Willems; R J Sluyter
Journal:  J Acoust Soc Am       Date:  1982-06       Impact factor: 1.840

10.  Simulation of auditory analysis of pitch: an elaboration on the DWS pitch meter.

Authors:  M T Scheffers
Journal:  J Acoust Soc Am       Date:  1983-12       Impact factor: 1.840

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  6 in total

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6.  Auditory scene analysis: the sweet music of ambiguity.

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