Literature DB >> 8454966

Units of knowledge in music performance.

C Palmer1, C van de Sande.   

Abstract

The units of knowledge that form cognitive plans for music performance were examined in production errors. In Experiment 1, pianists performed multivoice homophonic music (containing strong across-voice associations) and polyphonic music (containing strong within-voice associations). Pitch errors reflected more chordal (across-voice) units in homophonic performances and more single-note units in polyphonic performances. Error instructions were harmonically and diatonically related to their intended pitches more often than chance, which demonstrates retrieval-based influences on planning. In Experiment 2, pianists conceptualized one of several voices as melody. Both the melody and the voice controlled by outer right-hand fingers (a common location of melody) contained fewer errors, which implies that there are conceptual, retrieval-based, and articulatory influences on units of knowledge that contribute to planning music performance.

Mesh:

Year:  1993        PMID: 8454966     DOI: 10.1037//0278-7393.19.2.457

Source DB:  PubMed          Journal:  J Exp Psychol Learn Mem Cogn        ISSN: 0278-7393            Impact factor:   3.051


  21 in total

1.  Auditory feedback and memory for music performance: sound evidence for an encoding effect.

Authors:  Steven A Finney; Caroline Palmer
Journal:  Mem Cognit       Date:  2003-01

2.  Cognitive and biomechanical influences in pianists' finger tapping.

Authors:  Janeen D Loehr; Caroline Palmer
Journal:  Exp Brain Res       Date:  2006-11-09       Impact factor: 1.972

3.  "Deafness" effects in detecting alterations to auditory feedback during sequence production.

Authors:  Peter Q Pfordresher
Journal:  Psychol Res       Date:  2013-01-24

Review 4.  A goal-based mechanism for delayed motor intention: considerations from motor skills, tool use and action memory.

Authors:  Arnaud Badets; François Osiurak
Journal:  Psychol Res       Date:  2014-06-10

5.  Harmonic, melodic, and frequency height influences in the perception of multivoiced music.

Authors:  C Palmer; S Holleran
Journal:  Percept Psychophys       Date:  1994-09

Review 6.  The ideomotor recycling theory for tool use, language, and foresight.

Authors:  Arnaud Badets; François Osiurak
Journal:  Exp Brain Res       Date:  2016-11-04       Impact factor: 1.972

7.  Rate effects on timing, key velocity, and finger kinematics in piano performance.

Authors:  Simone Dalla Bella; Caroline Palmer
Journal:  PLoS One       Date:  2011-06-23       Impact factor: 3.240

8.  Auditory and motor imagery modulate learning in music performance.

Authors:  Rachel M Brown; Caroline Palmer
Journal:  Front Hum Neurosci       Date:  2013-07-01       Impact factor: 3.169

9.  Absent without leave; a neuroenergetic theory of mind wandering.

Authors:  Peter R Killeen
Journal:  Front Psychol       Date:  2013-07-01

10.  Nobody is perfect: ERP effects prior to performance errors in musicians indicate fast monitoring processes.

Authors:  Clemens Maidhof; Martina Rieger; Wolfgang Prinz; Stefan Koelsch
Journal:  PLoS One       Date:  2009-04-01       Impact factor: 3.240

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