Literature DB >> 683832

Psychoacoustic evaluation of musical sounds.

E Terhardt.   

Abstract

Mesh：

Year:  1978        PMID： 683832     DOI： 10.3758/bf03199523

Source DB:  PubMed          Journal:  Percept Psychophys        ISSN： 0031-5117


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  13 in total

1.  Cross-modality validation of subjective scales for loudness, vibration, and electric shock.

Authors:  S S STEVENS
Journal:  J Exp Psychol       Date:  1959-04

2.  On the psychophysical law.

Authors:  S S STEVENS
Journal:  Psychol Rev       Date:  1957-05       Impact factor: 8.934

3.  Subharmonic pitches of a pure tone at low S/N ratio.

Authors:  T Houtgast
Journal:  J Acoust Soc Am       Date:  1976-08       Impact factor: 1.840

4.  [one hundred books which built up neurology (52)--Hermann von Helmholtz "Die Lehre von den Tonempfindungen als physiologische Grundlage fur die Theorie der Musik" (1863)].

Authors:  Manabu Sakuta
Journal:  Brain Nerve       Date:  2011-04

5.  Pitch, consonance, and harmony.

Authors:  E Terhardt
Journal:  J Acoust Soc Am       Date:  1974-05       Impact factor: 1.840

6.  [On an equivalence law for the intervals of acoustic sensitivity magnitudes].

Authors:  E Terhardt
Journal:  Kybernetik       Date:  1968-11

7.  Tonal consonance and critical bandwidth.

Authors:  R Plomp; W J Levelt
Journal:  J Acoust Soc Am       Date:  1965-10       Impact factor: 1.840

8.  [A functional model of the perception of uniform rhythm in sequences of sound impulses (author's transl)].

Authors:  H Schütte
Journal:  Biol Cybern       Date:  1978-04-20       Impact factor: 2.086

9.  Frequencies dominant in the perception of the pitch of complex sounds.

Authors:  R J Ritsma
Journal:  J Acoust Soc Am       Date:  1967-07       Impact factor: 1.840

10.  Pitch of complex tones.

Authors:  R Plomp
Journal:  J Acoust Soc Am       Date:  1967-06       Impact factor: 1.840
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  7 in total

1.  Frequency ratios and the perception of tone patterns.

Authors:  E G Schellenberg; S E Trehub
Journal:  Psychon Bull Rev       Date:  1994-06

2.  The influence of spectral composition of complex tones and of musical experience on the perceptibility of virtual pitch.

Authors:  A Preisler
Journal:  Percept Psychophys       Date:  1993-11

3.  Scale, key, and contour in the discrimination of tuned and mistuned approximations to melody.

Authors:  A J Watkins
Journal:  Percept Psychophys       Date:  1985-04

4.  Circularity in relative pitch judgments for inharmonic complex tones: the Shepard demonstration revisited, again.

Authors:  E M Burns
Journal:  Percept Psychophys       Date:  1981-11

5.  Experience Drives Synchronization: The phase and Amplitude Dynamics of Neural Oscillations to Musical Chords Are Differentially Modulated by Musical Expertise.

Authors:  Karen Johanne Pallesen; Christopher J Bailey; Elvira Brattico; Albert Gjedde; J Matias Palva; Satu Palva
Journal:  PLoS One       Date:  2015-08-20       Impact factor: 3.240

6.  Sensory cortical response to uncertainty and low salience during recognition of affective cues in musical intervals.

Authors:  Fernando Bravo; Ian Cross; Emmanuel Andreas Stamatakis; Martin Rohrmeier
Journal:  PLoS One       Date:  2017-04-19       Impact factor: 3.240

7.  Differential Processing of Consonance and Dissonance within the Human Superior Temporal Gyrus.

Authors:  Francine Foo; David King-Stephens; Peter Weber; Kenneth Laxer; Josef Parvizi; Robert T Knight
Journal:  Front Hum Neurosci       Date:  2016-04-13       Impact factor: 3.169
  7 in total

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