Literature DB >> 3615147

Pitch and temporal contributions to musical phrase perception: effects of harmony, performance timing, and familiarity.

C Palmer, C L Krumhansl.   

Abstract

Mesh：

Year:  1987        PMID： 3615147     DOI： 10.3758/bf03210485

Source DB:  PubMed          Journal:  Percept Psychophys        ISSN： 0031-5117


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  9 in total

1.  Perceived order in different sense modalities.

Authors:  I J HIRSH; C E SHERRICK
Journal:  J Exp Psychol       Date:  1961-11

2.  Recognition of distorted melodies.

Authors:  B W WHITE
Journal:  Am J Psychol       Date:  1960-03

3.  Independent temporal and pitch structures in determination of musical phrases.

Authors:  C Palmer; C L Krumhansl
Journal:  J Exp Psychol Hum Percept Perform       Date:  1987-02       Impact factor: 3.332

4.  Similarity ratings and dimension analyses of auditory rhythm patterns. I.

Authors:  A Gabrielsson
Journal:  Scand J Psychol       Date:  1973

Review 5.  Time, our lost dimension: toward a new theory of perception, attention, and memory.

Authors:  M R Jones
Journal:  Psychol Rev       Date:  1976-09       Impact factor: 8.934

6.  Metre and rhythm in piano playing.

Authors:  L H Shaffer; E F Clarke; N P Todd
Journal:  Cognition       Date:  1985-06

7.  The processing of structured and unstructured tonal sequences.

Authors:  D Deutsch
Journal:  Percept Psychophys       Date:  1980-11

8.  Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.

Authors:  C L Krumhansl; E J Kessler
Journal:  Psychol Rev       Date:  1982-07       Impact factor: 8.934

9.  Controlled attending as a function of melodic and temporal context.

Authors:  M R Jones; M Boltz; G Kidd
Journal:  Percept Psychophys       Date:  1982-09
  9 in total
  16 in total

1.  Rhythm evokes action: early processing of metric deviances in expressive music by experts and laymen revealed by ERP source imaging.

Authors:  Clara E James; Christoph M Michel; Juliane Britz; Patrik Vuilleumier; Claude-Alain Hauert
Journal:  Hum Brain Mapp       Date:  2011-09-20       Impact factor: 5.038

2.  Some influences of accent structure on melody recognition.

Authors:  M R Jones; J T Ralston
Journal:  Mem Cognit       Date:  1991-01

3.  Surface and structural effects of pitch and time on global melodic expectancies.

Authors:  Jon B Prince; Leong-Min Loo
Journal:  Psychol Res       Date:  2016-01-12

4.  Influence of tonal and temporal expectations on chord processing and on completion judgments of chord sequences.

Authors:  Barbara Tillmann; Géraldine Lebrun-Guillaud
Journal:  Psychol Res       Date:  2005-09-22

5.  The effect of task and pitch structure on pitch-time interactions in music.

Authors:  Jon B Prince; Mark A Schmuckler; William F Thompson
Journal:  Mem Cognit       Date:  2009-04

6.  Memory for musical surface.

Authors:  C L Krumhansl
Journal:  Mem Cognit       Date:  1991-07

7.  The inability of young children to reproduce intensity differences in musical rhythms.

Authors:  C Gérard; C Drake
Journal:  Percept Psychophys       Date:  1990-07

8.  Recognition of music in long-term memory: are melodic and temporal patterns equal partners?

Authors:  S Hébert; I Peretz
Journal:  Mem Cognit       Date:  1997-07

9.  Memory for surface features of unfamiliar melodies: independent effects of changes in pitch and tempo.

Authors:  E Glenn Schellenberg; Stephanie M Stalinski; Bradley M Marks
Journal:  Psychol Res       Date:  2013-02-06

10.  Rhythm and "good endings": effects of temporal structure on tonality judgments.

Authors:  M Boltz
Journal:  Percept Psychophys       Date:  1989-07
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