Literature DB >> 35381002

Aesthetic judgment of architecture for Chinese observers.

Anbang Dai1, Jiajie Zou2, Junru Wang1, Nai Ding2, Hiroatsu Fukuda1.   

Abstract

Architects should consider the aesthetic experience of potential users when designing architectures. Previous studies have shown that subjective aesthetic judgment of architectures is influenced by structure features, and Western observers prefer structures that have curvilinear contours, high ceilings, and open space. The building styles, however, vary across cultures, and it remains unclear whether the preference for contours, ceiling height, and openness exist across cultures. To investigate this issue, this study analyzes the aesthetic judgment of Chinese observers, and the results demonstrate that Chinese observers also prefer high ceilings and open space. Preference for curvilinear contours, however, interacts with ceiling height and openness. Simple effect analysis reveals that Chinese observers prefer curvilinear contours only when the ceiling is low and the space is closed. In sum, these results suggest that preference for high ceilings and open space is robust for Chinese observers, but the preference for curvilinear contours is less reliable.

Entities:  

Mesh:

Year:  2022        PMID: 35381002      PMCID: PMC8982842          DOI: 10.1371/journal.pone.0265412

Source DB:  PubMed          Journal:  PLoS One        ISSN: 1932-6203            Impact factor:   3.240


Introduction

Investigating the preference of architectural features from the perspective of empirical aesthetics allows architects to gather more information about how to design structures that can meet both functional and public aesthetic requirements. Environmental characteristics can trigger neurological and physiological responses in humans, thereby exerting a positive or negative impact on them [1-3]. To a certain extent, a good architectural design enhances users’ comfort, cognition and creativity [4]. Architectural aesthetics connects emotion and aesthetics and strikes a balance between the two [5]. Previous studies have demonstrated the reward circuitry in the brain is activated when seeing artwork. Artists who know how to exploit this circuitry can intensify an individual’s aesthetic experience [6]. Once a certain architectural element fits in a certain life scene, such as work, study, and rest, it can enhance behavioral effects through positive emotions [7, 8]. Currently, many architects have such ideas but lack the theoretical foundation as well as an understanding of the effect of some architectural factors on subjective experience. In order to increase the understanding the relationship between architectural factors and subjective experience, researchers have done a lot of exploration in western culture. Studies in the Western culture have shown that the aesthetic judgment of architecture is influenced by the response to specific sensory features, such as contour, ceiling height, and openness [1, 9]. Studies have showed that Western observers prefer structures with curvilinear contours, high ceilings, and open space [10-13]. Ceiling height and openness also impact people’s perception and emotion [8, 14]. In structures with high ceilings, people tend to have more positive emotional responses, such as “happiness”, “comfort” and “fun”. Similarly, openness influences judgments of beauty and pleasantness, people tend to experience more positive emotions in spacious environments than in small environments [15, 16]. Although it has been demonstrated that contour, ceiling height, and openness are critical factors that influence the aesthetic judgment of architecture for Western observers, it remains unclear whether the preference to these features is universal. If the preference to architectural features is strongly influenced by daily architectural aesthetic experience, observers living in environments with different building styles may prefer different architectural features [17, 18, 22] Here, we analyze the preference to architectural features, including ceiling height, openness, and contour, in Chinese observers.

Method

Participants

The participants in this study were college students who were all right-handed, had no visual impairments and color blindness, had normal or corrected vision, and had no history of psychosis or neuropathy. The experimental protocol for this study was approved by the Research Ethics Committee of Zhejiang University School of Medicine (2019–047). Before the experiment, all participants signed a written informed consent form, and after completing the experiment, each participant received 40 RMB monetary reward. A total of 29 participants were included in this study, including 19 males (age: 23.05±1.99 years) and 10 females (age: 23.00±2.00 years).

Stimuli and procedure

The current study followed the same procedure used in the study by Vartanian.et al. 2013 [10], and used the same stimuli. Twenty-nine participants were recruited in this study. Two hundred pictures of architectural space with different styles composed the stimulus material used this study. Each picture contained 3 factors, i.e., ceiling height, openness and contours, and each factor had 2 levels. Two hundred pictures of architectural space were classified high/low ceiling, open/closed space and curvilinear/rectilinear contours. Eight sets of pictures with different styles were generated to combine factors and factor levels, and each set contained 25 pictures, as shown in Fig 1. The pictures are from reference [10].
Fig 1

Examples of stimuli.

A total of 200 pictures were divided into 8 conditions of 25 pictures each. The experiments used real photos and the line drawings are shown for illustrative purposes.

Examples of stimuli.

A total of 200 pictures were divided into 8 conditions of 25 pictures each. The experiments used real photos and the line drawings are shown for illustrative purposes. The experiment was conducted in a sound-proof booth. The participant used five buttons (1 to 5) on the left-hand side for scoring and one button (0) on the right-hand side for starting the test; the buttons were attached with rubber tape for easy finger recognition. On the edge of the table, there was an adjustable chin rest to enable the participant to rest his/her chin snugly on the chin rest after sitting and to fix his/her line of sight to the central upper quarter of the display screen. Before the experiment, the instructor guided the participant to sit correctly, put his/her hands on the corresponding buttons and relax; the participant could adjust the height of the seat so that his/her chin could rest snugly on the chin rest. During the experiment, the participant was asked to keep his/her posture steady, without moving his/her chin. The instructor then left the booth, and the participant pressed the starting button (0) to start the experiment. The experiment included 200 trials, and 1 picture was presented in each trial. The steps for each trial were as follows. First, a fixation point was shown in the center of the screen for 1 s. Second, a picture was displayed for 3 s, which was then followed by 2 questions that popped up on the screen, asking the participant to score the picture that was just displayed in terms of pleasantness and beauty (1 = very unpleasant/ugly; 5 = very pleasant/beautiful). The order of pictures was randomized for each participant. Play the next picture after the participant has scored the picture. The time to make pleasantness and beauty judgment was self-controlled and the total duration of the experiment was between 35 and 75 minutes. The research procedure is shown in Fig 2. The experimental program was written using the MATLAB 2018 psychtoolbox software [19].
Fig 2

Experimental procedure.

Data analysis

The experiment adopted a three-way repeated measures design, in which the 3 factors were ceiling height, openness and contour, which were all intra-group factors. Specifically, to examine the influence of ceiling height, openness and contour on the viewer’s perceived pleasantness and beauty, as well as the possible interaction effect, three-way intra-group repeated measures analysis of variance (ANOVA) was adopted. First, for each participant, the sum of the scores for the 25 pictures in each set was calculated and treated as one “repeated measures” result for that participant (with a value range of 25–125 points). Because each participant was tested using 8 sets of pictures, 8 “repeated measures” results were obtained for each participant. Finally, the scoring results for all participants were used as response variables, and the 3 factors, i.e., ceiling height, openness, and contour, were used as intra-group factors in the repeated measures ANOVA model. The three-way repeated measures ANOVA model included 3 main effect terms (ceiling height, openness, and contour), three two-way interaction terms (ceiling height × openness, openness × contour, and ceiling height × contour) and one three-way interaction term (ceiling height × openness × contour). First, the total variation was decomposed to set up an ANOVA table based on model structure, and then, the significance of the main effect and if the interaction effects of each factor was tested. If a three-way interaction item was statistically significant, then a simple-simple effect test was performed, i.e., under different experimental treatments of the combination of 2 factors, the influence of the remaining factor on the dependent variable was tested. The effect of multiple comparisons [20] were corrected using Bonferroni correction. All the data in this study were analyzed using the bruceR [21] package of R (version 3.6.3), and two-sided tests were performed, for which the significance level was set to α = 0.05.

Results

The participants separately rated the pleasantness and beauty of each architectural space after viewing it for 3 s. We first analyzed the beauty rating using 3-way repeated measures ANOVA (ceiling height × openness × contour). The 3 main factors significantly influenced the beauty (Table 1) and pleasantness ratings (Table 2). The beauty and pleasantness ratings are shown in Fig 3 and Table 3. Architectural space with higher ceilings were rated as more beautiful and more pleasant than architectural space with lower ceilings. Architectural space that featured open space were rated as more beautiful and more pleasant than architectural space with less open space. Furthermore, architectural space with curvilinear contours were rated as more beautiful and more pleasant than architectural space with rectilinear contours.
Table 1

ANOVA results for beauty ratings.

FactorsMSMSEdf1df2F-statisticUncorrected p-valueCorrected p-value η 2 p η2p 90% CI
Ceiling height3.650.0512875.05<0.0010.0070.7280.571~0.815
Degree of openness4.470.0512894.3<0.0010.0080.7710.634~0.845
Contour type0.250.0212810.560.0030.0170.2740.068~0.473
Ceiling height × Degree of openness0.020.011281.210.2810.050.0410.000~0.213
Ceiling height × Contour type0.050.011283.240.0830.0250.1040.000~0.302
Degree of openness × Contour type0.680.0212837.38<0.0010.010.5720.358~0.706
Ceiling height × Degree of openness × Contour type0.750.0212831.78<0.0010.0130.5320.309~0.677
Table 2

ANOVA results for pleasantness ratings.

FactorsMSMSEdf1df2F-statisticUncorrected p-valueCorrected p-value η 2 p η2p 90% CI
Ceiling height2.610.0512853.38<0.0010.0070.6560.468~0.765
Degree of openness5.040.05128109<0.0010.0080.7960.672~0.862
Contour type0.050.021282.320.1390.0170.0770.000~0.266
Ceiling height × Degree of openness00.021280.010.9210.0500.000~0.032
Ceiling height × Contour type00.021280.030.8730.0250.0010.000~0.063
Degree of openness × Contour type0.620.0312822.74<0.0010.010.4480.217~0.615
Ceiling height × Degree of openness × Contour type1.280.0212863.48<0.0010.0130.6940.521~0.792
Fig 3

Beauty and pleasantness rating.

The first digit in the x-axis represents the ceiling height, the second digit represents the degree of openness, and the third digit represents the contour type. In the violin plot, the box in the middle indicates the interquartile range, and the vertical line covers the 95% confidence interval.

Table 3

Mean and SD of beauty and pleasantness ratings.

Hight (low = 0)Openness (closed = 0)Contour (rectilinear = 0)PleasantnessBeauty N
MeanS.D.MeanS.D.
00072.867.0869.668.4529
00179.977.7277.557.429
01086.598.8482.558.129
01181.076.7679.387.8329
100826.7679.97.2229
10181.527.2280.697.7229
11088.217.6786.287.7129
11189.977.2587.347.8329

Beauty and pleasantness rating.

The first digit in the x-axis represents the ceiling height, the second digit represents the degree of openness, and the third digit represents the contour type. In the violin plot, the box in the middle indicates the interquartile range, and the vertical line covers the 95% confidence interval. There was also a significant 3-way interaction between ceiling height, openness and contour. Simple-simple effect tests revealed that the observers always preferred higher ceilings and open space (Fig 4). However, ceiling height and openness modulated how contour influences the beauty and pleasantness rating. For architectural space with lower ceilings and less open space, curvilinear contours were rated higher than rectilinear contours (p<0.05). In the combination of lower ceilings and more open space, rectilinear contours were more likely to lead to a high beauty and pleasantness score (p<0.05). When buildings have lower ceilings and rectilinear contours or higher ceilings and rectilinear contours or higher ceilings and curvilinear contours, more open space is more likely to lead to a higher beauty and pleasantness score than is less open space (p<0.05). Among the 4 combinations, compared to lower ceilings, higher ceilings were more likely to lead to a higher beauty and pleasantness score (p<0.05).
Fig 4

Comparison between beauty and pleasantness ratings in different conditions.

We used PASS vesion 15.0 software to calculate the effectiveness power. based on our study data, after entering the values of the parameters required by the software such as sample size = 29, test level α = 0.05, ρ (Autocorrelation) for each independent variable and the mean and standard deviation for each group, the power of each term of the model was calculated as Table 4.
Table 4

Power analysis.

factorsPower(beauty)Power(pleasantnes)
Hight>0.9990.997
Openness>0.999>0.999
Contour0.4960.149
Hight×Openness0.1120.051
Hight×Contour0.3680.054
Openness×Contour>0.999>0.999
Hight×Openness×Contour>0.999>0.999

Discussion

The current results suggest that Chinese observers prefer architectural space with high ceilings and open space. The preference to curvilinear contours interacts with ceiling heights and openness. The preference to high ceilings, open space, and curvilinear contours has also been shown for Western observers [1, 10, 22]. Since the current study only employs Chinese observers as the participant, it cannot quantify whether the preference to architectural features varies across cultures. The current study find that the preference to curvilinear contours depends on the ceiling height and openness of the space. Future studies are needed to test whether Western observers also prefer curvilinear contours only when the ceiling is low and the space is enclosed. Although previous studies have not analyzed how the preference to contour relies on ceiling height and space openness, a recent study has shown that experience can strongly modulate preference to curvilinear contours [22]. The study shows that, within the Western culture, self-identified architects and designers show stronger preference to curvilinear contours than non-experts. In sum, combing the current results and previous results [1, 10, 22], it is shown that human observers prefer high ceilings and open space, and also prefer curvilinear contours in some conditions.

Correlation between beauty and pleasantness ratings.

(TIF) Click here for additional data file. (RAR) Click here for additional data file. (RAR) Click here for additional data file. 17 Aug 2021 PONE-D-21-20164 Cultural influence on the aesthetic judgment of architecture PLOS ONE Dear Dr. Dai, Thank you for submitting your manuscript to PLOS ONE. After careful consideration, we feel that it has merit but does not fully meet PLOS ONE’s publication criteria as it currently stands. Therefore, we invite you to submit a revised version of the manuscript that addresses the points raised during the review process. ============================== I encourage you to take both Reviewers' comments and suggestions very seriously, as they both are highly expert in this field and have raised quite a long list of valid criticisms that will need to be addressed in a revision. The theoretical issues raised by both reviewers will need particularly careful and nuanced handling (including Reviewer 2's issues with drawing strong conclusions about culture when no cultural comparison exists), and Reviewer 1 has provided a wealth of valuable critiques and insights about the theoretical framing as well as statistical reporting (and has highlighted some valuable additional literature that I strongly encourage you to include). The two expert reviewers and I will be carefully evaluating how each of their points have been addressed in this revision. ============================== Please submit your revised manuscript by Oct 01 2021 11:59PM. If you will need more time than this to complete your revisions, please reply to this message or contact the journal office at plosone@plos.org. When you're ready to submit your revision, log on to https://www.editorialmanager.com/pone/ and select the 'Submissions Needing Revision' folder to locate your manuscript file. Please include the following items when submitting your revised manuscript: A rebuttal letter that responds to each point raised by the academic editor and reviewer(s). You should upload this letter as a separate file labeled 'Response to Reviewers'. A marked-up copy of your manuscript that highlights changes made to the original version. You should upload this as a separate file labeled 'Revised Manuscript with Track Changes'. An unmarked version of your revised paper without tracked changes. You should upload this as a separate file labeled 'Manuscript'. If you would like to make changes to your financial disclosure, please include your updated statement in your cover letter. Guidelines for resubmitting your figure files are available below the reviewer comments at the end of this letter. If applicable, we recommend that you deposit your laboratory protocols in protocols.io to enhance the reproducibility of your results. Protocols.io assigns your protocol its own identifier (DOI) so that it can be cited independently in the future. For instructions see:  http://journals.plos.org/plosone/s/submission-guidelines#loc-laboratory-protocols . Additionally, PLOS ONE offers an option for publishing peer-reviewed Lab Protocol articles, which describe protocols hosted on protocols.io. Read more information on sharing protocols at  https://plos.org/protocols?utm_medium=editorial-email&utm_source=authorletters&utm_campaign=protocols . We look forward to receiving your revised manuscript. Kind regards, Emily S. Cross Academic Editor PLOS ONE Journal requirements: When submitting your revision, we need you to address these additional requirements. 1. Please ensure that your manuscript meets PLOS ONE's style requirements, including those for file naming. The PLOS ONE style templates can be found at https://journals.plos.org/plosone/s/file?id=wjVg/PLOSOne_formatting_sample_main_body.pdf and https://journals.plos.org/plosone/s/file?id=ba62/PLOSOne_formatting_sample_title_authors_affiliations.pdf 2. PLOS requires an ORCID iD for the corresponding author in Editorial Manager on papers submitted after December 6th, 2016. Please ensure that you have an ORCID iD and that it is validated in Editorial Manager. To do this, go to ‘Update my Information’ (in the upper left-hand corner of the main menu), and click on the Fetch/Validate link next to the ORCID field. This will take you to the ORCID site and allow you to create a new iD or authenticate a pre-existing iD in Editorial Manager. Please see the following video for instructions on linking an ORCID iD to your Editorial Manager account: https://www.youtube.com/watch?v=_xcclfuvtxQ [Note: HTML markup is below. Please do not edit.] Reviewers' comments: Reviewer's Responses to Questions Comments to the Author 1. Is the manuscript technically sound, and do the data support the conclusions? The manuscript must describe a technically sound piece of scientific research with data that supports the conclusions. Experiments must have been conducted rigorously, with appropriate controls, replication, and sample sizes. The conclusions must be drawn appropriately based on the data presented. Reviewer #1: Partly Reviewer #2: Partly ********** 2. Has the statistical analysis been performed appropriately and rigorously? Reviewer #1: No Reviewer #2: Yes ********** 3. Have the authors made all data underlying the findings in their manuscript fully available? The PLOS Data policy requires authors to make all data underlying the findings described in their manuscript fully available without restriction, with rare exception (please refer to the Data Availability Statement in the manuscript PDF file). The data should be provided as part of the manuscript or its supporting information, or deposited to a public repository. For example, in addition to summary statistics, the data points behind means, medians and variance measures should be available. If there are restrictions on publicly sharing data—e.g. participant privacy or use of data from a third party—those must be specified. Reviewer #1: No Reviewer #2: Yes ********** 4. Is the manuscript presented in an intelligible fashion and written in standard English? PLOS ONE does not copyedit accepted manuscripts, so the language in submitted articles must be clear, correct, and unambiguous. Any typographical or grammatical errors should be corrected at revision, so please note any specific errors here. Reviewer #1: Yes Reviewer #2: Yes ********** 5. Review Comments to the Author Please use the space provided to explain your answers to the questions above. You may also include additional comments for the author, including concerns about dual publication, research ethics, or publication ethics. (Please upload your review as an attachment if it exceeds 20,000 characters) Reviewer #1: The paper investigated whether Chinese participants prefer architectural spaces characterised by features, such as curvilinear contours, high ceilings and open spaces. The results showed that Chinese participants prefer buildings with high ceilings, open spaces and curvilinear contours. While the paper seeks to answer an interesting question, I believe it is lacking in theoretical and methodological details which prevents the findings from being clear and convincing. I outline these limitations below. Introduction: 1. The introduction is lacking important detail and makes some unsupported claims. For example, on page 1, lines 4-5, the authors discuss the impact of environmental characteristics on ‘neurological and physiological response in humans’, however, there are no references cited for the claims made. Also, on page 1, lines 16-17, the reference cited (4) is not appropriate here. 'Vers une architecture' by Le Corbusier is a manifesto (a collection of essays) for a new architectural style based on function and not empirical studies. Page 2 – first paragraph - the authors should provide more detail when summarising previous studies about the link between curvature, high ceilings and open spaces and aesthetic preference. In this sense, the authors might consider including newer papers as well, such as Coburn, A., Vartanian, O., Kenett, Y. N., Nadal, M., Hartung, F., Hayn-Leichsenring, G., … Chatterjee, A. (2020). Psychological and neural responses to architectural interiors. Cortex, 126, 217–241. https://doi.org/10.1016/j.cortex.2020.01.009 pre-print - Skov, M., Vartanian, O., Navarrete, G., Modroño, C., Chatterjee, A., Leder, H., … Nadal, M. (2021). Grey Matter Volume and architecture. Differences in Regional Grey Matter Volume Predict the Extent to which Openness influences Judgments of Beauty and Pleasantness of Interior Architectural Spaces. https://doi.org/10.1101/2021.03.31.437827 2. The authors should provide a clearer summary of the hypotheses and predictions at the end of the Introduction. Method: 1. Please use research “participants” when referring to individuals who take part in psychological research, as it can be argued, it is more respectful of research volunteers. 2. Please state more clearly how many participants completed this study. 3. Were any participants excluded from the analyses? If yes, please mention the exclusion criteria. 4. The authors should offer a justification for the sample size used in this study. 5. For more clarity, it would be useful if the authors could provide a subsection "Stimuli and Procedure" 6. It would be useful if the authors could provide a graphical illustration of an experimental trial for a better understanding of the research procedure. 7. The authors should provide clearer details about the experimental procedure and the duration of the experiment. I find it confusing that the experiment length varied between 35 and 75 minutes. What is the justification for that? Results: 1. It would be helpful to report the descriptive statistics - mean and SD for each condition. 2. It would be useful to mention whether the assumptions for ANOVA test have been met. 3. The results figures are lacking important detail. It would be helpful if individual data were plotted out. Violin plots would be more useful to see the spread and direction of the data. Also, they may help in identifying whether the data were normally distributed. Please provide error bars 95% CI for all the figures. 4. It is very confusing why the authors have used the R results output tables instead of reporting all the F statements for main effects and interactions. It would be useful to report all the F statements in the results section. 5. Also, the results for the post hoc comparisons should be reported in the results section. 6. A table containing the mean differences across conditions would be helpful. 7. Please provide your data and analysis pipeline online if possible. Discussion: 1. Please interpret your results in accordance with the main key hypotheses. 2. More caution needs to be exerted when interpreting the results of this study. I find it confusing and misleading that the authors interpret the current findings as a cultural variation assessment in aesthetic preference of architectural features. This is not quite right, as the current study did not use participants from both Eastern and Western cultures so that to really compare the two cultures and to provide support for the cultural aesthetic variation claim. However, the current findings can be linked to previous studies conducted in the Western culture, but the methodological differences between the current study and previous studies should be clearly stated (e.g., sample size, experimental procedure, statistical analyses used). This aspect should be considered in both discussion and abstract. 3. The authors should address the potential limitations of this study in a thorough manner, especially regarding the small sample size and statistical power. Reviewer #2: The manuscript presents an interesting study comparing the effects of contours, high ceilings and open spaces in interior environments on ratings of beauty and pleasantness. The study aims to replicate parts of a previous study (Vartanian, O., Navarrete, G., Chatterjee, A., Fich, L. B., Leder, H., Modroño, C., ... & Skov, M. (2013). Impact of contour on aesthetic judgments and approach-avoidance decisions in architecture. Proceedings of the National Academy of Sciences, 110(Supplement 2), 10446-10453.) but using Chinese participants rather than Western (Spanish) participants. The title of the manuscript suggests the study examines cultural influence on the aesthetic judgement of architectural design. However, I think only very tentative conclusions can be drawn regarding culture. To make inferences about cultural influence, a direct comparison between participants from different cultures should have been carried out. This was not the case, only participants from an Eastern culture were used. Comparison against the results from an entirely different study (admittedly using the same stimuli, but no further details are given about the similarities between the two studies) can not provide conclusive evidence about cultural influences. Any differences between the two studies could have been due to a range of different reasons, other than culture. Another major issue I have with the manuscript is the lack of reflection on previous findings and how these relate to the findings reported in the study carried out by the authors. A large part of the Discussion section (e.g. lines 193-208) talks about potential differences between Western and Eastern perceptions of architecture, but there is virtually no discussion prior to this comparing the existing results with those found in previous literature, particularly in the study that this work is based on (Vartanian et al). I would like to see a more detailed description and comparative analysis carried out with the previous related literature. The authors state that “After comparing the results of this study with those of previous studies, we postulate that differences in viewers’ perceptions...is potentially related to cultural background” (lines 190192). However there is little to no evidence of this comparison of results. Other issues for the authors to consider: A key limitation of the study that should be acknowledged is that the factors of interest couldn't be manipulated whilst keeping other variables constant. This should be acknowledged in the Discussion. It is possible that the factors investigated varied with some other unmeasured confounding variable/s. Line 17 - reference [4] does not seem appropriate here. Some justification of sample size would be useful. Was no power analysis carried out based on the findings of the previous study (reference [5])? The pictures may have been from reference [5] (line 58), but were they classified in the same way (i.e. into the sub-groups if high/low ceiling, open/closed, and curvilinear/rectilinear? Please clarify. It is important to know whether you were using the same classifications as in the earlier study, or whether you carried out your own classification process. Line 80 - reference missing. It’s not clear why the total score for each set of images is used (giving a range of 25-125 for each image), rather than just take the mean score, which would be more intuitive as it would fit with the response scale used. The authors state that simple effect comparisons do not need p-value adjustment (line 105), but p-values in the ANOVA do require adjustment. It is helpful that the raw data has been provided in the supplementary file, however this data needs some kind of codebook or readme file to explain how to understand and use it. Ideally the data for each participant would be put on one spreadsheet / csv file for ease of use, and definitions / explanations given for each variable. Furthermore, it would be useful to provide the analysis script as well, as a supplementary file. Lines 135-136 refer to pleasantness score, but should this be beauty score? The analysis of pleasantness appears to begin from line 138. The captions for Fig 2 and 4 include reference to 3 different digits, this is confusing and does not seem to match with the actual figures. The footnote to tables 1 and 2 refer to effect size thresholds, and also that 90% CI is reported rather than 95% CI. Do you have references to support these statements? S1 Figure shows the correlations between pleasantness and beauty. These are very strong - did you consider just combining the two ratings into one overall ‘aesthetic’ score? To analyse both separately seems unnecessary. ********** 6. PLOS authors have the option to publish the peer review history of their article (what does this mean?). If published, this will include your full peer review and any attached files. If you choose “no”, your identity will remain anonymous but your review may still be made public. Do you want your identity to be public for this peer review? For information about this choice, including consent withdrawal, please see our Privacy Policy. Reviewer #1: No Reviewer #2: Yes: Jim Uttley [NOTE: If reviewer comments were submitted as an attachment file, they will be attached to this email and accessible via the submission site. Please log into your account, locate the manuscript record, and check for the action link "View Attachments". If this link does not appear, there are no attachment files.] While revising your submission, please upload your figure files to the Preflight Analysis and Conversion Engine (PACE) digital diagnostic tool, https://pacev2.apexcovantage.com/. PACE helps ensure that figures meet PLOS requirements. To use PACE, you must first register as a user. Registration is free. Then, login and navigate to the UPLOAD tab, where you will find detailed instructions on how to use the tool. If you encounter any issues or have any questions when using PACE, please email PLOS at figures@plos.org. Please note that Supporting Information files do not need this step. 2 Oct 2021 please see the response letter Submitted filename: Response to Reviewers.docx Click here for additional data file. 29 Nov 2021
PONE-D-21-20164R1
Aesthetic Judgment of Architecture for Chinese Observers
PLOS ONE Dear Dr. Dai, Thank you for submitting your manuscript to PLOS ONE. After careful consideration, we feel that it has merit but does not fully meet PLOS ONE’s publication criteria as it currently stands. Therefore, we invite you to submit a revised version of the manuscript that addresses the points raised during the review process. ==============================
Both reviewers have raised detailed and very, very helpful suggestions for further improving this manuscript before it is acceptable for publication. As only minor revisions are being requested at this stage, I would like to strongly encourage the authors to carefully revise the manuscript in line with both reviewers' suggestions before resubmitting. ============================== Please submit your revised manuscript by Jan 13 2022 11:59PM. If you will need more time than this to complete your revisions, please reply to this message or contact the journal office at plosone@plos.org. When you're ready to submit your revision, log on to https://www.editorialmanager.com/pone/ and select the 'Submissions Needing Revision' folder to locate your manuscript file. Please include the following items when submitting your revised manuscript:
If you would like to make changes to your financial disclosure, please include your updated statement in your cover letter. Guidelines for resubmitting your figure files are available below the reviewer comments at the end of this letter. A rebuttal letter that responds to each point raised by the academic editor and reviewer(s). You should upload this letter as a separate file labeled 'Response to Reviewers'. A marked-up copy of your manuscript that highlights changes made to the original version. You should upload this as a separate file labeled 'Revised Manuscript with Track Changes'. An unmarked version of your revised paper without tracked changes. You should upload this as a separate file labeled 'Manuscript'. If applicable, we recommend that you deposit your laboratory protocols in protocols.io to enhance the reproducibility of your results. Protocols.io assigns your protocol its own identifier (DOI) so that it can be cited independently in the future. For instructions see: https://journals.plos.org/plosone/s/submission-guidelines#loc-laboratory-protocols. Additionally, PLOS ONE offers an option for publishing peer-reviewed Lab Protocol articles, which describe protocols hosted on protocols.io. Read more information on sharing protocols at https://plos.org/protocols?utm_medium=editorial-email&utm_source=authorletters&utm_campaign=protocols. We look forward to receiving your revised manuscript. Kind regards, Emily S. Cross Academic Editor PLOS ONE Journal Requirements: Please review your reference list to ensure that it is complete and correct. If you have cited papers that have been retracted, please include the rationale for doing so in the manuscript text, or remove these references and replace them with relevant current references. Any changes to the reference list should be mentioned in the rebuttal letter that accompanies your revised manuscript. If you need to cite a retracted article, indicate the article’s retracted status in the References list and also include a citation and full reference for the retraction notice. [Note: HTML markup is below. Please do not edit.] Reviewers' comments: Reviewer's Responses to Questions Comments to the Author 1. If the authors have adequately addressed your comments raised in a previous round of review and you feel that this manuscript is now acceptable for publication, you may indicate that here to bypass the “Comments to the Author” section, enter your conflict of interest statement in the “Confidential to Editor” section, and submit your "Accept" recommendation. Reviewer #1: (No Response) Reviewer #2: (No Response) ********** 2. Is the manuscript technically sound, and do the data support the conclusions? The manuscript must describe a technically sound piece of scientific research with data that supports the conclusions. Experiments must have been conducted rigorously, with appropriate controls, replication, and sample sizes. The conclusions must be drawn appropriately based on the data presented. Reviewer #1: Partly Reviewer #2: Partly ********** 3. Has the statistical analysis been performed appropriately and rigorously? Reviewer #1: Yes Reviewer #2: No ********** 4. Have the authors made all data underlying the findings in their manuscript fully available? The PLOS Data policy requires authors to make all data underlying the findings described in their manuscript fully available without restriction, with rare exception (please refer to the Data Availability Statement in the manuscript PDF file). The data should be provided as part of the manuscript or its supporting information, or deposited to a public repository. For example, in addition to summary statistics, the data points behind means, medians and variance measures should be available. If there are restrictions on publicly sharing data—e.g. participant privacy or use of data from a third party—those must be specified. Reviewer #1: Yes Reviewer #2: No ********** 5. Is the manuscript presented in an intelligible fashion and written in standard English? PLOS ONE does not copyedit accepted manuscripts, so the language in submitted articles must be clear, correct, and unambiguous. Any typographical or grammatical errors should be corrected at revision, so please note any specific errors here. Reviewer #1: Yes Reviewer #2: Yes ********** 6. Review Comments to the Author Please use the space provided to explain your answers to the questions above. You may also include additional comments for the author, including concerns about dual publication, research ethics, or publication ethics. (Please upload your review as an attachment if it exceeds 20,000 characters) Reviewer #1: The manuscript has been considerably improved, however, there are still some pending issues, which I outline below. Introduction - Citation needed at the end of this sentence - ‘Once a certain architectural element fits in a certain life scene, such as work, study, and rest, it can enhance behavioral effects through positive emotions.’ - I would suggest providing more evaluation and interpretation of the previous studies. For example, ‘it is suggested that the influence of openness on pleasantness and beauty involves in the anterior prefrontal cortex and the temporal pole.’ This is interesting, however, without mentioning some functional aspects, such as the role of the anterior temporal lobe in semantic memory and how that might relate to drawing meaning from our environment, the text is not convincing enough. - In the last paragraph of the introduction, I would suggest clearly stating that this study was conducted in Chinese participants only. I find it confusing that the authors still use a comparison term with Western participants although they did not test Western participants. Methods - Although the authors claim they did refer now to participants rather than to subjects, the term ‘subjects’ still appears 15 times in the method section. - ‘after completing the experiment each participant received a reward’ – Please provide more details about the nature of the reward received by participants. - ‘Candidate participants who had knowledge about the design and process of this experiment were excluded’ – this is confusing, please mention how many participants were excluded from analyses. - although the figure explaining the experimental procedure is very helpful, it is not clear whether the pictures were randomly presented or whether the order of different sets of pictures was fixed across participants. - Citation needed when referring to Matlab and Psychtoolbox - ‘The experimental program was written using the MATLAB 2018 psychtoolbox software’. Results - although the authors have included a violin plot, it lacks important detail. It would be helpful if individual data were plotted out. At the same time, it is unclear which line represents 95% CI. Also, the text describing the conditions for the x-axis is very busy. I would suggest using a shortened name for conditions, background grid lines, individual data points plotted out and adding a legend explaining thoroughly the figure. - In the current version of the manuscript, the effect size (partial eta squared) is missing. Please report the effect size. - Are there any reasons for not including the results for pleasantness ratings in the main results section? - ‘The results for pleasantness rating were quantitatively similar to the results for beauty rating (Fig. S1) and were shown in Table. S1, Figs. S2 and S3’. I find it confusing for deciding to place those on the supplementary material, especially as in the discussion, the authors refer to both beauty and pleasantness rating results. Moreover, Vartanian et al., 2013 reported both pleasantness and beauty ratings in the main results section. Discussion - The first and the last paragraphs in the discussion should make it unequivocally clear that this study was conducted with Chinese participants. As it stands, it is implying a Western comparison experimental condition, which is not true. - Paragraph two – citation needed after - ‘Preference for high ceilings and open space are consistent with previous results.’ - I do not think it is useful to report p-values in the discussion section. I would suggest discussing how the results either support or do not support the hypotheses. Reviewer #2: I am grateful to the authors for their responses to my comments. The majority of my comments have been addressed adequately. However some responses do not fully address my original concerns. Response to comment 3) - the additional discussion of limitation does not sufficiently mention the fact that the study was unable to change a factor of interest whilst keeping other factors constant. This introduces potential confounds and should therefore be mentioned clearly as a limitation. I do not think the authors’ current text does this. Response to comment 4) - just mentioning what the previous study’s sample size was is not the same as a power analysis. It would be useful to understand what effect sizes could have been detected with your sample size, and how these compared to the effect sizes that might be expected based on the previous Vartanian et al study. Response to comment 5) - the text in the data analysis section still refers to the sum of the scores being calculated, with a value range of 25-125. This could be confusing, if you are now presenting mean values in the figures etc. Response to comment 6) - the p-values in an ANOVA test still require adjustment to account for inflated Type I error. For example see this paper: Cramer, A. O., van Ravenzwaaij, D., Matzke, D., Steingroever, H., Wetzels, R., Grasman, R. P., ... & Wagenmakers, E. J. (2016). Hidden multiplicity in exploratory multiway ANOVA: Prevalence and remedies. Psychonomic bulletin & review, 23(2), 640-647. Response to comment 7) - it would be more helpful to include a better-described set of data, and analysis code, with the submission rather than after acceptance. This would ensure the data and its description / use is intrinsically part of the paper. ********** 7. PLOS authors have the option to publish the peer review history of their article (what does this mean?). If published, this will include your full peer review and any attached files. If you choose “no”, your identity will remain anonymous but your review may still be made public. Do you want your identity to be public for this peer review? For information about this choice, including consent withdrawal, please see our Privacy Policy. Reviewer #1: No Reviewer #2: Yes: Jim Uttley [NOTE: If reviewer comments were submitted as an attachment file, they will be attached to this email and accessible via the submission site. Please log into your account, locate the manuscript record, and check for the action link "View Attachments". If this link does not appear, there are no attachment files.] While revising your submission, please upload your figure files to the Preflight Analysis and Conversion Engine (PACE) digital diagnostic tool, https://pacev2.apexcovantage.com/. PACE helps ensure that figures meet PLOS requirements. To use PACE, you must first register as a user. Registration is free. Then, login and navigate to the UPLOAD tab, where you will find detailed instructions on how to use the tool. If you encounter any issues or have any questions when using PACE, please email PLOS at figures@plos.org. Please note that Supporting Information files do not need this step.
29 Dec 2021 We would like to thank the reviewers for their constructive suggestions. Please see below for our point-to-point replies. REVISIONS FOR THIS PAPER: Introduction - Citation needed at the end of this sentence - ‘Once a certain architectural element fits in a certain life scene, such as work, study, and rest, it can enhance behavioral effects through positive emotions.’ We have added references for the statements. “Once a certain architectural element fits in a certain life scene, such as work, study, and rest, it can enhance behavioral effects through positive emotions [7, 8] ” - I would suggest providing more evaluation and interpretation of the previous studies. For example, ‘it is suggested that the influence of openness on pleasantness and beauty involves in the anterior prefrontal cortex and the temporal pole.’ This is interesting, however, without mentioning some functional aspects, such as the role of the anterior temporal lobe in semantic memory and how that might relate to drawing meaning from our environment, the text is not convincing enough. We have removed the discussion about neuroimaging results since the current study only analyzed behavior. - In the last paragraph of the introduction, I would suggest clearly stating that this study was conducted in Chinese participants only. I find it confusing that the authors still use a comparison term with Western participants although they did not test Western participants. We have clearly mentioned that the study only tested Chinese participants: “If the preference to architectural features is strongly influenced by daily architectural aesthetic experience, observers living in environments with different building styles may prefer different architectural features [20-22]. Here, we analyze the preference to architectural features, including ceiling height, openness, and contour, in Chinese observers.” We have now also clearly mentioned in the discussion that we do not compare our study with the previous studies. “The current results suggest that Chinese observers prefer architectural space with high ceilings and open space. The preference to curvilinear contours interacts with ceiling heights and openness. The preference to high ceilings, open space, and curvilinear contours has also been shown for Western observers [1, 10, 22]. Since the current study only employs Chinese observers as the participant, it cannot quantify whether the preference to architectural features varies across cultures.” Methods - Although the authors claim they did refer now to participants rather than to subjects, the term ‘subjects’ still appears 15 times in the method section. We have made sure that “subjects” are now replaced with “participants”. - ‘after completing the experiment each participant received a reward’ – Please provide more details about the nature of the reward received by participants. We have added more details: “Each participant received 40 RMB monetary reward” - ‘Candidate participants who had knowledge about the design and process of this experiment were excluded’ – this is confusing, please mention how many participants were excluded from analyses. The first and second authors were the first participants to test the experiment program. Since the authors knew previous studies and might have potential biases, their data were not analyzed. We agree that the statement is confusing and it is not necessary to report program testing. Therefore, the sentence is now removed. - although the figure explaining the experimental procedure is very helpful, it is not clear whether the pictures were randomly presented or whether the order of different sets of pictures was fixed across participants. The 200 pictures are presented in a randomized order for each participant. We have now mentioned: “The order of pictures was randomized for each participant.” - Citation needed when referring to Matlab and Psychtoolbox - ‘The experimental program was written using the MATLAB 2018 psychtoolbox software’. A reference has been added. Results - although the authors have included a violin plot, it lacks important detail. It would be helpful if individual data were plotted out. At the same time, it is unclear which line represents 95% CI. Also, the text describing the conditions for the x-axis is very busy. I would suggest using a shortened name for conditions, background grid lines, individual data points plotted out and adding a legend explaining thoroughly the figure. We have added individual data, and added more details to the figure and figure caption. - In the current version of the manuscript, the effect size (partial eta squared) is missing. Please report the effect size. Effect size has been added to Table 1 and Table 2. - Are there any reasons for not including the results for pleasantness ratings in the main results section? - ‘The results for pleasantness rating were quantitatively similar to the results for beauty rating (Fig. S1) and were shown in Table. S1, Figs. S2 and S3’. I find it confusing for deciding to place those on the supplementary material, especially as in the discussion, the authors refer to both beauty and pleasantness rating results. Moreover, Vartanian et al., 2013 reported both pleasantness and beauty ratings in the main results section. We have moved the pleasantness results back to the main results section. Discussion - The first and the last paragraphs in the discussion should make it unequivocally clear that this study was conducted with Chinese participants. As it stands, it is implying a Western comparison experimental condition, which is not true. We have modified the result section: “The current results suggest that Chinese observers prefer architectural space with high ceilings and open space. The preference to curvilinear contours interacts with ceiling heights and openness. The preference to high ceilings, open space, and curvilinear contours has also been shown for Western observers [1, 10, 22]. Since the current study only employs Chinese observers as the participant, it cannot quantify whether the preference to architectural features varies across cultures.” - Paragraph two – citation needed after - ‘Preference for high ceilings and open space are consistent with previous results.’ The previous study refers to the study by Vartanian et al. Since a similar statement has already been made earlier, this sentence is now removed. - I do not think it is useful to report p-values in the discussion section. I would suggest discussing how the results either support or do not support the hypotheses. We have removed p-values in the discussion section. Reviewer #2: I am grateful to the authors for their responses to my comments. The majority of my comments have been addressed adequately. However some responses do not fully address my original concerns. Response to comment 3) - the additional discussion of limitation does not sufficiently mention the fact that the study was unable to change a factor of interest whilst keeping other factors constant. This introduces potential confounds and should therefore be mentioned clearly as a limitation. I do not think the authors’ current text does this. We have thoroughly modified the manuscript to make sure that we no longer mention that we compare the results across studies. For example, in the discussion section, it is mentioned that “The current results suggest that Chinese observers prefer architectural space with high ceilings and open space. The preference to curvilinear contours interacts with ceiling heights and openness. The preference to high ceilings, open space, and curvilinear contours has also been shown for Western observers [1, 10, 22]. Since the current study only employs Chinese observers as the participant, it cannot quantify whether the preference to architectural features varies across cultures.” Response to comment 4) - just mentioning what the previous study’s sample size was is not the same as a power analysis. It would be useful to understand what effect sizes could have been detected with your sample size, and how these compared to the effect sizes that might be expected based on the previous Vartanian et al study. We have now reported the effect size of the current study in Tables 1 and 2. We did not calculate the effect size for the Vartanian et al., study since the data are not publically available. None of the previous studies using the same picture set have reported the effect size, although the trend is consistent across studies [1] [10] [22] [29]. More importantly, we no longer compare our results with the Vartanian results. Response to comment 5) - the text in the data analysis section still refers to the sum of the scores being calculated, with a value range of 25-125. This could be confusing, if you are now presenting mean values in the figures etc. We have now consistently reported the mean values in figures and tables. Response to comment 6) - the p-values in an ANOVA test still require adjustment to account for inflated Type I error. For example see this paper: Cramer, A. O., van Ravenzwaaij, D., Matzke, D., Steingroever, H., Wetzels, R., Grasman, R. P., ... & Wagenmakers, E. J. (2016). Hidden multiplicity in exploratory multiway ANOVA: Prevalence and remedies. Psychonomic bulletin & review, 23(2), 640-647. We have now reported corrected P-value in Tables 1 and 2. “The effect of multiple comparisons [25] were corrected using Bonferroni correction.” Response to comment 7) - it would be more helpful to include a better-described set of data, and analysis code, with the submission rather than after acceptance. This would ensure the data and its description / use is intrinsically part of the paper. We have uploaded the data and code. Submitted filename: Response to Reviewers.docx Click here for additional data file. 2 Mar 2022 Aesthetic Judgment of Architecture for Chinese Observers PONE-D-21-20164R2 Dear Dr. Dai, We’re pleased to inform you that your manuscript has been judged scientifically suitable for publication and will be formally accepted for publication once it meets all outstanding technical requirements. Within one week, you’ll receive an e-mail detailing the required amendments. When these have been addressed, you’ll receive a formal acceptance letter and your manuscript will be scheduled for publication. An invoice for payment will follow shortly after the formal acceptance. To ensure an efficient process, please log into Editorial Manager at http://www.editorialmanager.com/pone/, click the 'Update My Information' link at the top of the page, and double check that your user information is up-to-date. If you have any billing related questions, please contact our Author Billing department directly at authorbilling@plos.org. If your institution or institutions have a press office, please notify them about your upcoming paper to help maximize its impact. If they’ll be preparing press materials, please inform our press team as soon as possible -- no later than 48 hours after receiving the formal acceptance. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information, please contact onepress@plos.org. Kind regards, Emily S. Cross Academic Editor PLOS ONE Additional Editor Comments (optional): While I very much appreciate the attention to detail that you and your coauthors paid to the reviewers' detailed comments, I did find the updated discussion on the brief side - but I think sticking to your data and allowing readers to draw more of their own conclusions based on your (now much more clearly reported) findings is no bad thing. Congratulations once more on your paper acceptance. 21 Mar 2022 PONE-D-21-20164R2 Aesthetic Judgment of Architecture for Chinese Observers Dear Dr. Dai: I'm pleased to inform you that your manuscript has been deemed suitable for publication in PLOS ONE. Congratulations! Your manuscript is now with our production department. If your institution or institutions have a press office, please let them know about your upcoming paper now to help maximize its impact. If they'll be preparing press materials, please inform our press team within the next 48 hours. Your manuscript will remain under strict press embargo until 2 pm Eastern Time on the date of publication. For more information please contact onepress@plos.org. If we can help with anything else, please email us at plosone@plos.org. Thank you for submitting your work to PLOS ONE and supporting open access. Kind regards, PLOS ONE Editorial Office Staff on behalf of Professor Emily S. Cross Academic Editor PLOS ONE
  10 in total

1.  Neuroscience and architecture: seeking common ground.

Authors:  Esther M Sternberg; Matthew A Wilson
Journal:  Cell       Date:  2006-10-20       Impact factor: 41.582

2.  Impact of contour on aesthetic judgments and approach-avoidance decisions in architecture.

Authors:  Oshin Vartanian; Gorka Navarrete; Anjan Chatterjee; Lars Brorson Fich; Helmut Leder; Cristián Modroño; Marcos Nadal; Nicolai Rostrup; Martin Skov
Journal:  Proc Natl Acad Sci U S A       Date:  2013-06-10       Impact factor: 11.205

3.  The Psychophysics Toolbox.

Authors:  D H Brainard
Journal:  Spat Vis       Date:  1997

Review 4.  Buildings, Beauty, and the Brain: A Neuroscience of Architectural Experience.

Authors:  Alex Coburn; Oshin Vartanian; Anjan Chatterjee
Journal:  J Cogn Neurosci       Date:  2017-05-11       Impact factor: 3.225

Review 5.  Neuroaesthetics.

Authors:  Anjan Chatterjee; Oshin Vartanian
Journal:  Trends Cogn Sci       Date:  2014-04-23       Impact factor: 20.229

6.  Humans prefer curved visual objects.

Authors:  Moshe Bar; Maital Neta
Journal:  Psychol Sci       Date:  2006-08

7.  Differences in regional gray matter volume predict the extent to which openness influences judgments of beauty and pleasantness of interior architectural spaces.

Authors:  Martin Skov; Oshin Vartanian; Gorka Navarrete; Cristian Modroño; Anjan Chatterjee; Helmut Leder; José L Gonzalez-Mora; Marcos Nadal
Journal:  Ann N Y Acad Sci       Date:  2021-09-03       Impact factor: 5.691

8.  Psychological and neural responses to architectural interiors.

Authors:  Alexander Coburn; Oshin Vartanian; Yoed N Kenett; Marcos Nadal; Franziska Hartung; Gregor Hayn-Leichsenring; Gorka Navarrete; José L González-Mora; Anjan Chatterjee
Journal:  Cortex       Date:  2020-01-30       Impact factor: 4.027

9.  Hidden multiplicity in exploratory multiway ANOVA: Prevalence and remedies.

Authors:  Angélique O J Cramer; Don van Ravenzwaaij; Dora Matzke; Helen Steingroever; Ruud Wetzels; Raoul P P P Grasman; Lourens J Waldorp; Eric-Jan Wagenmakers
Journal:  Psychon Bull Rev       Date:  2016-04

Review 10.  Preference for Curvature: A Historical and Conceptual Framework.

Authors:  Gerardo Gómez-Puerto; Enric Munar; Marcos Nadal
Journal:  Front Hum Neurosci       Date:  2016-01-12       Impact factor: 3.169

  10 in total

北京卡尤迪生物科技股份有限公司 © 2022-2023.