| Literature DB >> 35136021 |
Raffaele Mazziotti1, Elena Scaffei1,2, Eugenia Conti1, Viviana Marchi1, Riccardo Rizzi1,2, Giovanni Cioni1,3, Roberta Battini1,3, Laura Baroncelli4,5.
Abstract
Autistic traits represent a continuum dimension across the population, with autism spectrum disorder (ASD) being the extreme end of the distribution. Accumulating evidence shows that neuroanatomical and neurofunctional profiles described in relatives of ASD individuals reflect an intermediate neurobiological pattern between the clinical population and healthy controls. This suggests that quantitative measures detecting autistic traits in the general population represent potential candidates for the development of biomarkers identifying early pathophysiological processes associated with ASD. Functional near-infrared spectroscopy (fNIRS) has been extensively employed to investigate neural development and function. In contrast, the potential of fNIRS to define reliable biomarkers of brain activity has been barely explored. Features of non-invasiveness, portability, ease of administration, and low-operating costs make fNIRS a suitable instrument to assess brain function for differential diagnosis, follow-up, analysis of treatment outcomes, and personalized medicine in several neurological conditions. Here, we introduce a novel standardized procedure with high entertaining value to measure hemodynamic responses (HDR) in the occipital cortex of adult subjects and children. We found that the variability of evoked HDR correlates with the autistic traits of children, assessed by the Autism-Spectrum Quotient. Interestingly, HDR amplitude was especially linked to social and communication features, representing the core symptoms of ASD. These findings establish a quick and easy strategy for measuring visually-evoked cortical activity with fNIRS that optimize the compliance of young subjects, setting the background for testing the diagnostic value of fNIRS visual measurements in the ASD clinical population.Entities:
Mesh:
Year: 2022 PMID: 35136021 PMCID: PMC8826368 DOI: 10.1038/s41398-022-01820-5
Source DB: PubMed Journal: Transl Psychiatry ISSN: 2158-3188 Impact factor: 7.989
Fig. 1Visual stimulation and experimental paradigm.
A Representative frame of baseline grey screen (upper row, stimulus ‘off’) and reversing checkerboard (lower row, stimulus ‘on’) for RS condition. The small black square indicates the fixation point. B Representative frame of low-contrast (20%) grey-scale baseline animated cartoon (upper row, stimulus ‘off’) and blended checkerboard-cartoon (lower row, stimulus ‘on’) for Cartoon-Fixed (CF) and Cartoon Chosen (CC) conditions. C Representative HDR in the occipital cortex during the stimulus ‘off’ (upper row) and stimulus ‘on’ activation phase (lower row) according to the output of nirsLAB software. The Look Up table is reported under the images. D Experimental protocol showing that the cycles of visual stimulation were structured in blocks of 40 trials (20 trials with the reversing checkerboard and 20 trials with the ‘mock’ stimulus) for a total duration of 10 min.
Demographic characteristics of adult subjects.
| ID | Age | Gender | Head | Cap size | AQ | AQ_S | AQ_C | AQ_A | AQ_D | AQ_I | CF | CC |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A1 | 29 | F | 57 | 56 | 11 | 0 | 1 | 7 | 1 | 2 | The Lion King Walt Disney Pictures,1994 | The Sword in the Stone Walt Disney Productions,1963 |
| A2 | 36 | F | 56 | 56 | 17 | 0 | 0 | 6 | 9 | 2 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | The Aristocats Walt Disney Productions,1970 |
| A3 | 35 | M | 57 | 56 | 17 | 3 | 3 | 5 | 0 | 6 | Kung Fu Panda DreamWorks Animation, 2008 | Aladdin Walt Disney Pictures,1992 |
| A4 | 28 | F | 57 | 56 | 3 | 0 | 0 | 1 | 1 | 1 | Peppa Pig “Hide-and-seek”, “Fly the kite”, “Polly parrot” episodes, Entertainment One, 2004 | The Simpsons S29E02 “Springfield Splendor”, 20th Television, 2017 |
| A5 | 25 | F | 57 | 56 | 19 | 4 | 1 | 7 | 6 | 1 | The Lion King Walt Disney Pictures,1994 | 101 Dalmatians Walt Disney Productions,1961 |
| A6 | 35 | F | 57 | 56 | 15 | 4 | 2 | 4 | 5 | 0 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | The Simpsons S29E02 “Springfield Splendor”, 20th Television, 2017 |
| A7 | 29 | F | 57 | 56 | 11 | 0 | 2 | 5 | 3 | 1 | Peppa Pig “Hide-and-seek”, “Fly the kite”, “Polly parrot” episodes, Entertainment One, 2004 | 101 Dalmatians Walt Disney Productions,1961 |
| A8 | 30 | F | 56 | 56 | 13 | 0 | 2 | 4 | 5 | 2 | Kung Fu Panda DreamWorks Animation, 2008 | Wall-E Disney-Pixar, 2008 |
| A9 | 29 | F | 59 | 56 | 7 | 1 | 1 | 3 | 2 | 0 | The Lion King Walt Disney Pictures,1994 | The Sword in the Stone Walt Disney Productions,1963 |
| A10 | 29 | M | 58 | 56 | 12 | 1 | 1 | 5 | 4 | 1 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | Aladdin Walt Disney Pictures,1992 |
| A11 | 27 | M | 56.5 | 56 | 17 | 2 | 3 | 5 | 4 | 3 | Peppa Pig “Hide-and-seek”, “Fly the kite”, “Polly parrot” episodes, Entertainment One, 2004 | 101 Dalmatians Walt Disney Productions,1961 |
| A12 | 30 | F | 56 | 56 | 9 | 1 | 2 | 2 | 3 | 1 | Kung Fu Panda DreamWorks Animation, 2008 | Inside out Disney-Pixar, 2015 |
| A13 | 29 | M | 57 | 56 | 14 | 1 | 3 | 6 | 2 | 2 | The Lion King Walt Disney Pictures,1994 | Wall-E Disney-Pixar, 2008 |
| A14 | 36 | M | 58.5 | 56 | 19 | 2 | 2 | 5 | 7 | 3 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | 101 Dalmatians Walt Disney Productions,1961 |
| A15 | 36 | M | 57 | 56 | 16 | 4 | 1 | 4 | 5 | 2 | Peppa Pig “Hide-and-seek”, “Fly the kite”, “Polly parrot” episodes, Entertainment One, 2004 | Aladdin Walt Disney Pictures,1992 |
| A16 | 29 | F | 54 | 56 | 22 | 1 | 3 | 9 | 7 | 2 | Kung Fu Panda DreamWorks Animation, 2008 | The Rescuers Walt Disney Productions,1977 |
| A17 | 28 | F | 58.5 | 56 | 7 | 1 | 0 | 2 | 1 | 3 | The Lion King Walt Disney Pictures,1994 | 101 Dalmatians Walt Disney Productions,1961 |
| A18 | 29 | F | 55 | 56 | 12 | 0 | 1 | 5 | 5 | 1 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | Peter Pan Walt Disney Productions,1953 |
| A19 | 34 | M | 60 | 56 | 19 | 6 | 2 | 5 | 5 | 1 | Peppa Pig “Hide-and-seek”, “Fly the kite”, “Polly parrot” episodes, Entertainment One, 2004 | SpongeBob S12E01 “FarmerBob”, Nickelodeon Animation Studio, 2018 |
| A20 | 26 | M | 58 | 56 | 10 | 3 | 0 | 5 | 2 | 0 | Kung Fu Panda DreamWorks Animation, 2008 | Inside out Disney-Pixar, 2015 |
| A21 | 36 | F | 56 | 56 | 15 | 1 | 2 | 2 | 7 | 3 | The Lion King Walt Disney Pictures,1994 | Inside out Disney-Pixar, 2015 |
| A22 | 30 | M | 60.5 | 56 | 19 | 1 | 2 | 6 | 4 | 6 | The Lion King Walt Disney Pictures,1994 | The Sword in the Stone Walt Disney Productions,1963 |
| A23 | 26 | F | 56 | 56 | 12 | 0 | 1 | 5 | 6 | 0 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | Wall-E Disney-Pixar, 2008 |
| A24 | 32 | M | 60.5 | 56 | 7 | 0 | 1 | 5 | 0 | 1 | Kung Fu Panda DreamWorks Animation, 2008 | Aladdin Walt Disney Pictures,1992 |
| A25 | 34 | F | 56 | 56 | 10 | 1 | 1 | 4 | 2 | 2 | The Lion King Walt Disney Pictures1994 | Beauty and the Beast Walt Disney Pictures,1994 |
| A26 | 29 | F | 57 | 56 | 32 | 6 | 5 | 8 | 9 | 4 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | The Aristocats Walt Disney Productions,1970 |
| A27 | 31 | M | 59 | 56 | 32 | 10 | 6 | 6 | 2 | 8 | Kung Fu Panda DreamWorks Animation, 2008 | The Simpsons S29E02 “Springfield Splendor”, 20th Television, 2017 |
| A28 | 39 | F | 57 | 56 | 21 | 2 | 4 | 4 | 8 | 3 | Peppa Pig “Hide-and-seek”, “Fly the kite”, “Polly parrot” episodes, Entertainment One, 2004 | Lady Oscar, “A Funeral Bell Tolls in the Twilight” episode, Discotek Media, 1980 |
| A29 | 29 | M | 57 | 56 | 6 | 0 | 0 | 2 | 2 | 2 | The Lion King Walt Disney Pictures,1994 | The Simpsons S29E02 “Springfield Splendor”, 20th Television, 2017 |
| A30 | 29 | M | 57 | 56 | 17 | 3 | 2 | 5 | 6 | 1 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | The Sword in the Stone Walt Disney Productions,1963 |
| A31 | 36 | M | 59.5 | 56 | 12 | 0 | 0 | 6 | 4 | 2 | Peppa Pig “Hide-and-seek”, “Fly the kite”, “Polly parrot” episodes, Entertainment One, 2004 | The Sword in the Stone Walt Disney Productions,1963 |
| A32 | 27 | M | 59 | 56 | 12 | 1 | 2 | 5 | 2 | 2 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | The Aristocats Walt Disney Productions,1970 |
| A33 | 40 | M | 57 | 56 | 13 | 2 | 3 | 1 | 6 | 1 | Peppa Pig “Hide-and-seek”, “Fly the kite”, “Polly parrot” episodes, Entertainment One, 2004 | The Simpsons S29E02 “Springfield Splendor”, 20th Television, 2017 |
| A34 | 31 | F | 55 | 56 | 15 | 1 | 1 | 4 | 4 | 5 | Kung Fu Panda DreamWorks Animation, 2008 | The Sword in the Stone Walt Disney Productions,1963 |
| A35 | 27 | M | 56.5 | 56 | 19 | 6 | 2 | 4 | 7 | 0 | The Lion King Walt Disney Pictures,1994 | Frozen Walt Disney Pictures, 2013 |
| A36 | 30 | M | 58 | 56 | 14 | 5 | 1 | 3 | 4 | 1 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | Wall-E Disney-Pixar, 2008 |
| A37 | 25 | M | 58 | 56 | 29 | 6 | 8 | 6 | 7 | 2 | Peppa Pig “Hide-and-seek”, “Fly the kite”, “Polly parrot” episodes, Entertainment One, 2004 | Wall-E Disney-Pixar, 2008 |
| A38 | 31 | M | 57.5 | 56 | 10 | 0 | 1 | 5 | 3 | 1 | Kung Fu Panda DreamWorks Animation, 2008 | Inside out Disney-Pixar, 2015 |
| A39 | 38 | M | 57.5 | 56 | 25 | 2 | 4 | 6 | 8 | 5 | The Lion King Walt Disney Pictures,1994 | The Sword in the Stone Walt Disney Productions,1963 |
| A40 | 33 | F | 57.5 | 56 | 13 | 0 | 0 | 3 | 10 | 0 | The Powerpuff Girls special episode “Twas the Fight Before Christmas”, Cartoon Network Studios, 2003 | Beauty and the Beast Walt Disney Pictures,1994 |
Age (years), gender, head circumference (head, cm), cap size (cm), total AQ score (AQ), AQ subscale scores (AQ_S, AQ_C, AQ_A, AQ_D, AQ_I) and the movies used for visual stimulation (CF and CC according to the experimental protocol) are listed for each participant. For movies, production company, release date, and episode title are indicated as well.
Fig. 2HDR was reliably detected in adults using both RS and blended RS-animated cartoons.
For all panels, values in the y-axis are multiplied for 10^4. A On the left, the average time course for THb (green line), OHb (red line), and DHb (blue line) in response to the Radial Simulus (RS) are shown. The three plots on the right depict the average peak response to the stimulus (S) vs. the blank (B) across all the adult subjects. The stimulus-driven signal was significantly different from the blank for all the conditions (t-test, p < 0.001 for all comparisons). B Same plots as above for the Cartoon Fixed (CF) condition. On the left, the average time course of the evoked HDR is depicted. On the right, the graphs showed that the HDR amplitude was significantly higher in response to S with respect to B for THb, OHb, and DHb (t-test, p < 0.001 for all comparisons). C Cartoon Chosen (CC) condition. Also in this case the S elicited significantly higher responses for THb, OHb, and DHb with respect to the B (t-test, p < 0.001 for all comparisons). D Comparison among different visual stimulations shows no differences in evoked amplitudes for THb, whereas a significant difference was detected between RS and CC for OHb (One-way RM ANOVA, p < 0.01, post hoc BH-FDR, RS vs. CC p < 0.01) and a more complex pattern of differences emerged for DHb (One-way RM ANOVA, p < 0.001, post hoc BH-FDR, RS vs. CF p < 0.01, RS vs. CC p < 0.001, CF vs CC p < 0.05). E No differences of evoked responses were detected with different contrast levels of the baseline movie (L: low, M: medium, H: high). For statistical metrics and details, refer to Table S1. Data are shown as average ± s.e.m. * p < 0.05; ** p < 0.01; *** p < 0.001.
Demographic characteristics of children.
| ID | Age | Gender | Head | Cap size | AQ | AQ-S | AQ_C | AQ_A | AQ_D | AQ_I | C1 (L1 and H1) | C2 (L2) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| B1 | 5 | M | 51.5 | 52 | 21 | 1 | 4 | 7 | 5 | 4 | Uncle Grandpa S3E04 “Uncle Easter”, Cartoon Network Studios, 2016 | Teen Titans Go! To the Movies Warner Bros. Animation, 2018 |
| B2 | 5 | M | 51 | 52 | 32 | 6 | 7 | 3 | 10 | 6 | Wile E. Coyote & Road Runner “Coyote falls”,”“Fur of flying” and “Rabid rider” episodes, Acme Corporation, 2010 | ABCs song Little Baby Bum - Nursery Rhymes & Kids Songs youtube channel, 2014 |
| B3 | 13 | M | 57 | 56 | 26 | 6 | 3 | 4 | 7 | 6 | The Simpsons S29E02 “Springfield Splendor”, 20th Television, 2017 | Futurama, S7E01 “The Bots and the Bees”, Comedy Central, 2012 |
| B4 | 12 | M | 56 | 56 | 44 | 8 | 8 | 11 | 13 | 4 | The Incredibles Disney-Pixar, 2004 | Wile E. Coyote & Road Runner “Coyote falls”,”“Fur of flying” and “Rabid rider” episodes, Acme Corporation, 2010 |
| B5 | 12 | M | 56 | 56 | 25 | 1 | 4 | 10 | 0 | 10 | Big Hero 6 Walt Disney Pictures, 2014 | The Amazing World of Gumball S01E01 “The DVD”, Cartoon Network Development Studio Europe, 2011 |
| B6 | 6 | F | 53 | 52 | 17 | 1 | 1 | 4 | 8 | 3 | Inside out Disney-Pixar, 2015 | Floopaloo S1E22 “Squirrel for a Day”, Marc du Pontavice, 2012 |
| B7 | 7 | M | 53 | 52 | 24 | 2 | 4 | 1 | 12 | 5 | The Chipmunks “Bye, George” episode, DIC Entertainment, 1989 | Floopaloo S1E22 “Squirrel for a Day”, Marc du Pontavice, 2012 |
| B8 | 4 | F | 50.5 | 52 | 38 | 6 | 11 | 7 | 11 | 3 | Frozen Walt Disney Pictures, 2013 | Bolt Walt Disney Pictures, 2008 |
| B9 | 4 | M | 52 | 52 | 42 | 1 | 11 | 11 | 13 | 6 | Spider-Man: Into the Spider-Verse Columbia Pictures, 2018 | Bolt Walt Disney Pictures, 2008 |
| B10 | 4 | M | 51 | 52 | n.a. | n.a. | n.a. | n.a. | n.a. | n.a. | Cars Walt Disney Pictures, 2006 | Thomas & Friends “Diesel and the duckling” episode, Mattel, 2019 |
| B11 | 9 | F | 54 | 56 | 28 | 2 | 6 | 3 | 13 | 4 | The Simpsons S29E02 “Springfield Splendor”, 20th Television, 2017 | Zig & Sharko S01E28 “Moby Zig”, Xilam Animation, 2010 |
| B12 | 8 | M | 54.5 | 56 | 26 | 4 | 5 | 5 | 4 | 8 | Beauty and the Beast Walt Disney Pictures,1994 | Ice Age Blue Sky Studios, 2002 |
| B13 | 4 | M | 53 | 56 | 44 | 11 | 9 | 8 | 9 | 7 | Finding Nemo Disney-Pixar 2003 | 101 Dalmatians Walt Disney Productions,1961 |
| B14 | 6 | M | 53 | 52 | 36 | 5 | 2 | 3 | 19 | 7 | Trolls DreamWorks Animation, 2016 | Curious George S1E03 “Zeros to Donuts”, Universal Animation Studios, 2006 |
| B15 | 7 | M | 51.5 | 52 | 49 | 12 | 8 | 10 | 9 | 10 | Cars Walt Disney Pictures, 2006 | Pup Academy S1E02 “Tell Us About Your Human Day”, Air Bud Entertainment, 2019 |
| B16 | 10 | F | 55 | 56 | 48 | 9 | 9 | 10 | 10 | 10 | Frozen Walt Disney Pictures, 2013 | Descendants Disney Channel Original Productions, 2015 |
| B17 | 10 | M | 54 | 56 | 40 | 9 | 5 | 7 | 13 | 6 | The Simpsons S29E02 “Springfield Splendor”, 20th Television, 2017 | Uncle Grandpa S3E04 “Uncle Easter”, Cartoon Network Studios, 2016 |
| B18 | 4 | F | 49.5 | 52 | 19 | 2 | 3 | 5 | 6 | 3 | Frozen Walt Disney Pictures, 2013 | Bing S1E06 “Smoothie”, Tandem Films e Digitales Studios, 2014 |
| B19 | 7 | M | 54 | 56 | 19 | 2 | 3 | 5 | 6 | 3 | Ranger Rob S1E12 “Big Stink in Big Sky Park” Nelvana Enterprises Inc, 2016 | Arex&Vastatore “Casket of fear” episode Arex&Vastatore YouTube Channel, 2021 |
Age (years), gender, head circumference (head, cm), cap size (cm), total AQ score (AQ), AQ subscale scores (AQ_S, AQ_C, AQ_A, AQ_D, AQ_I), and the movies used for visual stimulation (C1 and C2 according to the experimental protocol) are listed for each participant. For movies, production company, release date, and episode title are indicated as well.
Fig. 3HDR signal was reliably detected in children using blended RS-animated cartoons with low and high contrast.
For all panels, values in the y-axis are multiplied for 10^4. A On the left, the average time course for THb (green line), OHb (red line), and DHb (blue line) in response to high-contrast (80%) blended RS-animated cartoons is shown (CH1). On the right, the graphs represent the average amplitude of the evoked HDR following the stimulus (S) and the blank (B). A significantly different response to S with respect to the B was detectable for all metrics (t-test, p < 0.001 for all comparisons). B The average time course of the HDR to low-contrast (20%) blended RS-animated cartoons is shown (CL1). Here, the baseline cartoon is the same as the experiment described in panel (A), but a different part of the movie was used. THb, OHb, and DHb showed a significantly higher deflection to the S with respect to the B in this condition as well (t-test, p < 0.001 for all comparisons). C On the left, the average time course of HDR following the second low-contrast blended RS-animated cartoon selected by the subject (CL2). On the right, the analysis of peak amplitudes revealed significantly higher responses during S compared to B for THb, OHb, and DHb (t-test, p < 0.001 for all comparisons). D Comparison among different contrast levels of the baseline cartoon revealed no differences in the amplitude of HDR. E Response amplitudes for low-contrast blended RS-animated cartoons in adults and children. More specifically, we compared the response to CF condition of adults with CL1 condition for children. The average amplitude of HDR was significantly higher in children (t-test, p < 0.001 for THb, p < 0.05 for OHb, p < 0.01 for DHb). For statistical metrics and details, refer to Table S1. Data are shown as average ± s.e.m. * p < 0.05; ** p < 0.01; *** p < 0.001.
Fig. 4Correlation between HDR and AQ scores.
For all panels, values in the x-axis are multiplied for 10^4. The ρ (rho) index in each plot indicates the Spearman correlation value. Correlation between HDR and AQ scores in adults, for amplitudes obtained using RS (A), CF (B), and CC (C). No significant correlations were detected for adult participants. Correlation between HDR and AQ scores in children, for amplitudes obtained using high (D), and low (E) contrast baseline cartoons. A significant correlation was found between THb and AQ scores for both high- and low-contrast blended stimuli (p < 0.05 for both cases). Circles are individual values; lines represent the linear regression model fit and shaded regions are the 95% CI.
Fig. 5Correlation between HDR and AQ subscales in children.
For all panels, values in the x-axis are multiplied for ×10^4. The ρ (rho) index in each plot indicates the Spearman correlation value. A, B Correlations between HDR and AQ Social Skills (AQ_S) subscale. A significant correlation between THb and AQ_S was detected using both high- (A) and low-contrast blended stimuli (B; p < 0.05 for both cases). In addition, OHb recorded in response to the low-contrast blended RS-cartoon was significantly correlated with AQ_S (B; p < 0.05). C, D Correlations between HDR and AQ Communication (AQ_C) subscale. THb amplitude in response to the high-contrast blended RS-cartoon was significantly correlated with AQ_C (p < 0.05). Circles are individual values; lines represent the linear regression model fit and shaded regions are the 95% CI.