Literature DB >> 33617560

A new approach to measuring absolute pitch on a psychometric theory of isolated pitch perception: Is it disentangling specific groups or capturing a continuous ability?

Nayana Di Giuseppe Germano1, Hugo Cogo-Moreira2, Fausto Coutinho-Lourenço3, Graziela Bortz4.   

Abstract

Absolute Pitch (AP) is commonly defined as a rare ability that allows an individual to identify any pitch by name. Most researchers use classificatory tests for AP which tracks the number of isolated correct answers. However, each researcher chooses their own procedure for what should be considered correct or incorrect in measuring this ability. Consequently, it is impossible to evaluate comparatively how the stimuli and criteria classify individuals in the same way. We thus adopted a psychometric perspective, approaching AP as a latent trait. Via the Latent Variable Model, we evaluated the consistency and validity for a measure to test for AP ability. A total of 783 undergraduate music students participated in the test. The test battery comprised 10 isolated pitches. All collected data were analyzed with two different rating criteria (perfect and imperfect) under three Latent Variable Model approaches: continuous (Item Response Theory with two and three parameters), categorical (Latent Class Analysis), and the Hybrid model. According to model fit information indices, the perfect approach (only exact pitch responses as correct) measurement model had a better fit under the trait (continuous) specification. This contradicts the usual assumption of a division between AP and non-AP possessors. Alternatively, the categorical solution for the two classes demonstrated the best solution for the imperfect approach (exact pitch responses and semitone deviations considered as correct).

Entities:  

Year:  2021        PMID: 33617560      PMCID: PMC7899369          DOI: 10.1371/journal.pone.0247473

Source DB:  PubMed          Journal:  PLoS One        ISSN: 1932-6203            Impact factor:   3.240


  21 in total

1.  Absolute pitch and planum temporale.

Authors:  J P Keenan; V Thangaraj; A R Halpern; G Schlaug
Journal:  Neuroimage       Date:  2001-12       Impact factor: 6.556

2.  Ethnicity effects in relative pitch.

Authors:  Michael J Hove; Mary Elizabeth Sutherland; Carol L Krumhansl
Journal:  Psychon Bull Rev       Date:  2010-06

3.  Advances in behavioral genetics modeling using Mplus: applications of factor mixture modeling to twin data.

Authors:  Bengt Muthén; Tihomir Asparouhov; Irene Rebollo
Journal:  Twin Res Hum Genet       Date:  2006-06       Impact factor: 1.587

4.  A critical review of the literature on absolute pitch.

Authors:  D M NEU
Journal:  Psychol Bull       Date:  1947-05       Impact factor: 17.737

5.  Gray- and white-matter anatomy of absolute pitch possessors.

Authors:  Anders Dohn; Eduardo A Garza-Villarreal; M Mallar Chakravarty; Mads Hansen; Jason P Lerch; Peter Vuust
Journal:  Cereb Cortex       Date:  2013-12-04       Impact factor: 5.357

6.  Memory for melody: infants use a relative pitch code.

Authors:  Judy Plantinga; Laurel J Trainor
Journal:  Cognition       Date:  2004-12-30

7.  Functional anatomy of musical processing in listeners with absolute pitch and relative pitch.

Authors:  R J Zatorre; D W Perry; C A Beckett; C F Westbury; A C Evans
Journal:  Proc Natl Acad Sci U S A       Date:  1998-03-17       Impact factor: 11.205

Review 8.  Should substance use disorders be considered as categorical or dimensional?

Authors:  Bengt Muthén
Journal:  Addiction       Date:  2006-09       Impact factor: 6.526

Review 9.  Absolute pitch: perception, coding, and controversies.

Authors:  Daniel J Levitin; Susan E Rogers
Journal:  Trends Cogn Sci       Date:  2005-01       Impact factor: 20.229

10.  Intracortical myelination in musicians with absolute pitch: Quantitative morphometry using 7-T MRI.

Authors:  Seung-Goo Kim; Thomas R Knösche
Journal:  Hum Brain Mapp       Date:  2016-05-10       Impact factor: 5.038

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  1 in total

1.  Experiential and Cognitive Predictors of Sight-Singing Performance in Music Higher Education.

Authors:  Justine Pomerleau-Turcotte; Maria Teresa Moreno Sala; Francis Dubé; François Vachon
Journal:  J Res Music Educ       Date:  2021-10-25
  1 in total

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