Literature DB >> 16297673

Memory for melody: infants use a relative pitch code.

Judy Plantinga1, Laurel J Trainor.   

Abstract

Pitch perception is fundamental to melody in music and prosody in speech. Unlike many animals, the vast majority of human adults store melodic information primarily in terms of relative not absolute pitch, and readily recognize a melody whether rendered in a high or a low pitch range. We show that at 6 months infants are also primarily relative pitch processors. Infants familiarized with a melody for 7 days preferred, on the eighth day, to listen to a novel melody in comparison to the familiarized one, regardless of whether the melodies at test were presented at the same pitch as during familiarization or transposed up or down by a perfect fifth (7/12th of an octave) or a tritone (1/2 octave). On the other hand, infants showed no preference for a transposed over original-pitch version of the familiarized melody, indicating that either they did not remember the absolute pitch, or it was not as salient to them as the relative pitch.

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Mesh:

Year:  2004        PMID: 16297673     DOI: 10.1016/j.cognition.2004.09.008

Source DB:  PubMed          Journal:  Cognition        ISSN: 0010-0277


  23 in total

1.  Musical intervals and relative pitch: frequency resolution, not interval resolution, is special.

Authors:  Josh H McDermott; Michael V Keebler; Christophe Micheyl; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2010-10       Impact factor: 1.840

2.  Perception of Melodic Contour and Intonation in Autism Spectrum Disorder: Evidence From Mandarin Speakers.

Authors:  Jun Jiang; Fang Liu; Xuan Wan; Cunmei Jiang
Journal:  J Autism Dev Disord       Date:  2015-07

3.  Remembering the melody and timbre, forgetting the key and tempo.

Authors:  E Glenn Schellenberg; Peter Habashi
Journal:  Mem Cognit       Date:  2015-10

4.  Memory for surface features of unfamiliar melodies: independent effects of changes in pitch and tempo.

Authors:  E Glenn Schellenberg; Stephanie M Stalinski; Bradley M Marks
Journal:  Psychol Res       Date:  2013-02-06

5.  Melody recognition revisited: influence of melodic Gestalt on the encoding of relational pitch information.

Authors:  Yune-Sang Lee; Petr Janata; Carlton Frost; Zachary Martinez; Richard Granger
Journal:  Psychon Bull Rev       Date:  2015-02

6.  Functional development in the infant brain for auditory pitch processing.

Authors:  Fumitaka Homae; Hama Watanabe; Tamami Nakano; Gentaro Taga
Journal:  Hum Brain Mapp       Date:  2011-04-12       Impact factor: 5.038

7.  Stimulus-dependent flexibility in non-human auditory pitch processing.

Authors:  Micah R Bregman; Aniruddh D Patel; Timothy Q Gentner
Journal:  Cognition       Date:  2011-09-10

8.  A new approach to measuring absolute pitch on a psychometric theory of isolated pitch perception: Is it disentangling specific groups or capturing a continuous ability?

Authors:  Nayana Di Giuseppe Germano; Hugo Cogo-Moreira; Fausto Coutinho-Lourenço; Graziela Bortz
Journal:  PLoS One       Date:  2021-02-22       Impact factor: 3.240

9.  Short- and long-term memory for pitch and non-pitch contours: Insights from congenital amusia.

Authors:  Jackson E Graves; Agathe Pralus; Lesly Fornoni; Andrew J Oxenham; Anne Caclin; Barbara Tillmann
Journal:  Brain Cogn       Date:  2019-09-20       Impact factor: 2.310

Review 10.  Music perception, pitch, and the auditory system.

Authors:  Josh H McDermott; Andrew J Oxenham
Journal:  Curr Opin Neurobiol       Date:  2008-10-02       Impact factor: 6.627

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