| Literature DB >> 32528361 |
Elizabeth A Clark1, J'Nai Kessinger1, Susan E Duncan1, Martha Ann Bell1, Jacob Lahne1, Daniel L Gallagher1, Sean F O'Keefe1.
Abstract
To characterize human emotions, researchers have increasingly utilized Automatic Facial Expression Analysis (AFEA), which automates the Facial Action Coding System (FACS) and translates the facial muscular positioning into the basic universal emotions. There is broad interest in the application of FACS for assessing consumer expressions as an indication of emotions to consumer product-stimuli. However, the translation of FACS to characterization of emotions is elusive in the literature. The aim of this systematic review is to give an overview of how FACS has been used to investigate human emotional behavior to consumer product-based stimuli. The search was limited to studies published in English after 1978, conducted on humans, using FACS or its action units to investigate affect, where emotional response is elicited by consumer product-based stimuli evoking at least one of the five senses. The search resulted in an initial total of 1,935 records, of which 55 studies were extracted and categorized based on the outcomes of interest including (i) method of FACS implementation; (ii) purpose of study; (iii) consumer product-based stimuli used; and (iv) measures of affect validation. Most studies implemented FACS manually (73%) to develop products and/or software (20%) and used consumer product-based stimuli that had known and/or defined capacity to evoke a particular affective response, such as films and/or movie clips (20%); minimal attention was paid to consumer products with low levels of emotional competence or with unknown affective impact. The vast majority of studies (53%) did not validate FACS-determined affect and, of the validation measures that were used, most tended to be discontinuous in nature and only captured affect as it holistically related to an experience. This review illuminated some inconsistencies in how FACS is carried out as well as how emotional response is inferred from facial muscle activation. This may prompt researchers to consider measuring the total consumer experience by employing a variety of methodologies in addition to FACS and its emotion-based interpretation guide. Such strategies may better conceptualize consumers' experience with products of low, unknown, and/or undefined capacity to evoke an affective response such as product prototypes, line extensions, etc.Entities:
Keywords: action units; consumers; emotions; facial action coding system; facial analysis
Year: 2020 PMID: 32528361 PMCID: PMC7264164 DOI: 10.3389/fpsyg.2020.00920
Source DB: PubMed Journal: Front Psychol ISSN: 1664-1078
Single action units in the facial action code Ekman et al., 2002.
| 1 | Inner brow raiser | Frontalis (pars medialis) |
| 2 | Outer brow raiser | Frontalis (pars lateralis) |
| 4 | Brow lowerer | Depressor glabellae, depressor supercilii, corrugator supercilli |
| 5 | Upper lid raiser | Levator palpebrae superioris, superior tarsal muscle |
| 6 | Cheek raiser | Orbicularis oculi (pars orbitalis) |
| 7 | Lid tightener | Orbicularis oculi (pars palpebralis) |
| 8 | Lips toward each other | Orbicularis oris |
| 9 | Nose wrinkler | Levator labii superioris alaeque nasi |
| 10 | Upper lid raiser | Levator labii superioris, caput infraorbitalis |
| 11 | Nasolabial deepener | Zygomaticus minor |
| 12 | Lip corner puller | Zygomaticus major |
| 13 | Sharp lip puller | Levator anguli oris (i.e., caninus) |
| 14 | Dimpler | Buccinnator |
| 15 | Lip corner depressor | Depressor anguli oris (i.e., triangularis) |
| 16 | Lower lip depressor | Depressor labii inferioris |
| 17 | Chin raiser | Mentalis |
| 18 | Lip pucker | Incisivii labii superioris and incisivii labii inferioris |
| 19 | Tongue Show | |
| 20 | Lip stretcher | Risorius with platysma |
| 21 | Neck tightener | Platysma |
| 22 | Lip funneler | Orbicularis oris |
| 23 | Lip tightener | Orbicularis oris |
| 24 | Lip pressor | Orbicularis oris |
| 25 | Lips part | Depressor labii inferioris or relaxation of mentalis, or orbicularis oris |
| 26 | Jaw drop | Masetter; relaxed temporalis and internal pterygoid |
| 27 | Mouth stretch | Pterygoids, digastric |
| 28 | Lip suck | Orbicularis oris |
| 41 | Lid droop | Relaxation of levator palpebrae superioris |
| 42 | Slit | Orbicularis oculi (pars palpebralis) |
| 43 | Eyes closed | Relaxation of levator palpebrae superioris, orbicularis oculi (pars palpebralis) |
| 44 | Squint | Orbicularis oculi (pars palpebralis) |
| 45 | Blink | Relaxation of levator palpebrae superioris, orbicularis oculi (pars palpebralis) |
| 46 | Wink | Relaxation of levator palpebrae superioris, orbicularis oculi (pars palpebralis) |
The coded numbers are arbitrary and do not correspond to any significant value.
Figure 1Flow diagram of literature search and selection procedure employed to identify studies eligible for inclusion in the systematic review.
Overview of the studies included in the systematic review by outcome of interest including the Facial Action Coding System (FACS) application, purpose of study, products assessed, and validation method in the study.
| - Tutoring program/system | Craig et al., | Grafsgaard et al., | ||||
| - Cigarettes | Sayette et al., | |||||
| - Comedy, joke, and/or cartoon | Sayette et al., | Ruch, | ||||
| - Computer game | Mui et al., | |||||
| - Film and/or movie clip | Jakobs et al., | |||||
| - Multiple | Dale et al., | |||||
| - Physical game | Schneider and Josephs, | |||||
| - Comedy, joke, and/or cartoon | Krumhuber and Manstead, | Ruch, | ||||
| - Film and/or movie clip | Ekman et al., | Frank et al., | ||||
| - Multiple | Catia et al., | |||||
| - Odor | Soussignan and Schaal, | |||||
| - Comedy, joke, and/or cartoon | Haase et al., | |||||
| - Cigarettes | Sayette and Hufford, | |||||
| - Comedy, joke, and/or cartoon | Lynch, | |||||
| - Film and/or movie clip | Johnson et al., | |||||
| - Food | Forestell and Mennella, | |||||
| - Multiple | Sayette and Parrott, | |||||
| - Odor | Soussignan et al., | |||||
| - Physical game | Unzner and Schneider, | |||||
| - Toy | Cole et al., | |||||
| - Computer game | Balzarotti et al., | |||||
| - Film and/or movie clip | Menne et al., | |||||
| - Tutoring program/system | Graesser et al., | |||||
| - Self-service checkout | Martin et al., | |||||
| - Multiple | Sayette et al., | |||||
| - Flavor and/or taste solutions | Bredie et al., | Rosenstein and Oster, | ||||
| - Multiple | Weiland et al., | Greimel et al., | ||||
| - Tutoring program/system | Grafsgaard et al., | Grafsgaard et al., | ||||
| - E-book and/or audio book | Hung et al., | |||||
| - Computer game | Rossi, | |||||
| - Food | Gurbuz and Toga, | |||||
| - Multiple | Brown et al., | |||||
| - Robot | Tussyadiah and Park, | Bartlett et al., | Gunes et al., | |||
| - Toy | Espinosa-Aranda et al., | |||||
| - Flavor and/or taste solutions | Chapman et al., | |||||
| - Comedy, joke, and/or cartoon | Cohn et al., | |||||
| - Tutoring program/system | D'Mello and Graesser, | |||||
| - Film and/or movie clip | Kodra et al., | |||||
| - Multiple | Zhang et al., | |||||
Figure 2Total number of publications included in this review (n = 55) as published over successive 4-years intervals from 1978 to 2019. * This is a 5 year interval to capture the year FACS was established [1978]
Figure 3Frequency of validation methods used within 55 studies (C, Combination of methods; EER, Explicit externally-reported; IER, implicit externally-reported; NVSR, Non-vocalized self-reported; N, None or no validation measures used; U, Unsure if self-reported method was vocalized or non-vocalized; VSR, Vocalized self-reported).
Rules for mapping Action Units to emotions, according to the FACS investigators guide. A/B means “either A or B”.
| Anger | 4+5+7+10+22+23+25/26 |
| 4+5+7+10+23+25/26 | |
| 4+5+7+17+23/24 | |
| 4+5+7+23/24 | |
| 4+5/7 | |
| 17+24 | |
| Disgust | 9/10+17 |
| 9/10+16+25/26 | |
| 9/10 | |
| Fear | 1+2+4 |
| 1+2+4+5+20+25/26/27 | |
| 1+2+4+5+25/26/27 | |
| 1+2+4+5 | |
| 1+2+5+25/26/27 | |
| 5+20+25/26/27 | |
| 5+20 | |
| 20 | |
| Happy | 12 |
| 6+12 | |
| Sadness | 1+4 |
| 1+4+11/15 | |
| 1+4+15+17 | |
| 6+15 | |
| 11+17 | |
| 1 | |
| Surprise | 1+2+5+26/27 |
| 1+2+5 | |
| 1+2+26/27 | |
| 5+26/27 |