| Literature DB >> 32066611 |
Hector D Orozco Perez1,2, Guillaume Dumas3,4, Alexandre Lehmann5,6,7.
Abstract
Binaural beating is a perceptual auditory illusion occurring when presenting two neighboring frequencies to each ear separately. Several controversial claims have been attributed to binaural beats regarding their ability to entrain human brain activity and mood, in both the scientific literature and the marketing realm. Here, we sought to address those questions in a robust fashion using a single-blind, active-controlled protocol. To do so, we compared the effects of binaural beats with a control beat stimulation (monaural beats, known to entrain brain activity but not mood) across four distinct levels in the human auditory pathway: subcortical and cortical entrainment, scalp-level functional connectivity and self-reports. Both stimuli elicited standard subcortical responses at the pure tone frequencies of the stimulus [i.e., frequency following response (FFR)], and entrained the cortex at the beat frequency [i.e., auditory steady state response (ASSR)]. Furthermore, functional connectivity patterns were modulated differentially by both kinds of stimuli, with binaural beats being the only one eliciting cross-frequency activity. Despite this, we did not find any mood modulation related to our experimental manipulation. Our results provide evidence that binaural beats elicit cross frequency connectivity patterns, but weakly entrain the cortex when compared with monaural beat stimuli. Whether binaural beats have an impact on cognitive performance or other mood measurements remains to be seen and can be further investigated within the proposed methodological framework.Entities:
Keywords: EEG; binaural beats; brain connectivity; brain entrainment
Mesh:
Year: 2020 PMID: 32066611 PMCID: PMC7082494 DOI: 10.1523/ENEURO.0232-19.2020
Source DB: PubMed Journal: eNeuro ISSN: 2373-2822
Figure 1.Beats: Signal, Presentation Method, Fast Fourier Transform, FFT of Hilbert Transform. Each column represents one experimental condition. Signal and presentation rows, Binaural beats are created by dichotically presenting two pure tones with a slight frequency mismatch (red color = right ear). Monaural beats are created by digitally summing these tones and presenting the resulting signal diotically. FFT of signal, Stimuli were analyzed using a Fourier transform to obtain their frequency composition. FFT of Hilbert transform, The FFT of the Hilbert transform (i.e., the analytic signal) was computed to tap into the spectral information of the envelope of the signal (the beat frequency). The frequency of the envelope of the summed tones encodes beat frequency (e.g., 403.5–396.5 = 7 Hz for θ). This information, however, is only encoded in monaural beats because they are digitally summed.
Figure 2.Visual analogue scales. Mental relaxation and absorption depth. Each data point represents one participants’ self reported score. Mean is plotted as a black horizontal line ± standard error of the mean (SEM).
Statistical table
| Data structure | Statistical test | C.I. | |
|---|---|---|---|
| a | Not normal ( | Permutation one-way repeated measures ANOVA | 0.13, 3.04 |
| b | Normal ( | Permutation one-way repeated measures ANOVA | 0.09, 3.08 |
| c | Normal ( | Permutation factorial (2 × 2) repeated measures ANOVA |
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| d | Not normal ( | Permutation factorial (2 × 2) repeated measures ANOVA |
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| e | Not normal ( | Permutation factorial (2 × 2) repeated measures ANOVA |
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| f | Not normal ( | Permutation factorial (2 × 2) repeated measures ANOVA |
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| g | Spatial-spectral-temporal (Hilbert Transform) | Non-parametric, cluster-based permutation tests |
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| h | Spatial-spectral-temporal (PLV) | Non-parametric, cluster-based permutation tests |
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| i | Spatial-spectral-temporal (Fourier transform) | Non-parametric, cluster-based permutation tests |
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| j | Spatial-spectral-temporal (neurophenomenological) | Non-parametric, cluster-based permutation tests |
|
Description of statistical tests and confidence intervals (C.I.) for each of the results reported on the main text.
Figure 3.Frequency Following Response (FFR) to carrier pure tones. Plotted here, violin plots with median (white dots), quartile (thick black line), and whisker (thin black line) values. Please note the scale is decibel change from baseline, a logarithmic scale where each 3 dB represents a difference of a factor of 2. Each violin plot represents all participants’ baseline-normalized (dB) averages of the power around a 1-Hz bin (e.g., 396.5 ± 0.5 Hz) at beat carrier frequencies (e.g., 396.5 and 403.5 Hz were averaged together for θ conditions). This power was obtained from the average activity at all channels of each participant. Asterisks above lines linking conditions denote a significant difference between them (p < 0.05). , FFR elicited at θ-carrier frequencies (average of 396.5 and 403.5 Hz). , FFR elicited at γ-carrier frequencies (average of 380 and 420 Hz).
Figure 4.Auditory Steady State Responses (ASSRs) to beat frequency. Plotted here, violin plots with median (white dots), quartile (thick black line), and whisker (thin black line) values. Please note the scale is decibel change from baseline, a logarithmic scale where each 3 dB represents a difference of a factor of 2. Each violin plot represents all participants’ baseline-normalized (dB) averages of the power around a 1-Hz bin (e.g., 7 ± 0.5 Hz) at beat frequencies (either 7 or 40 Hz) obtained from the average activity at all channels for each participant. Asterisks above lines linking conditions denote a significant difference between them (p < 0.05). Please note that there was an outlier in these graphs that was taken out for visualization purposes (a participant with data points at around −30 dB). , Cortical activity elicited at 7 Hz. , Cortical activity elicited at 40 Hz.
Figure 5.Contrast topographies for Phase Locking Value (PLV) and Hilbert transform amplitude. Topographies were averaged across participants and compared with either baseline or between beat type (binaural vs monaural). Both statistics (Hilbert transform amplitude and PLV) were normalized using z scores. We only show contrasts that exhibit at least three significant electrodes (depicted as small white squares). Frequency band limits are as follows: δ (1–4 Hz), θ (5–8 Hz), α (9–12 Hz), β (13–30 Hz), γ (32–48 Hz), θ beat (6–8 Hz), and γ beat (39–41 Hz). , Hilbert transform amplitude used as a local synchronization index. The color bar indicates t values from Student’s test. , PLV used as an index of long-distance synchronization between electrodes during θ conditions. Red lines indicate a significant positive PLV between two electrodes. , PLV used as an index of long-distance synchronization between electrodes during γ conditions. Red lines indicate a significant positive PLV between two electrodes while blue lines indicate a negative one.
Figure 6.Fourier transform power used as a local synchronization index in θ conditions. Topographies were averaged across participants and compared with baseline. Fourier transform power was normalized using z scores. We only show contrasts that exhibit at least three significant electrodes (depicted as small white squares). Frequency band limits are as follows: δ (1–4 Hz), θ (5–8 Hz), α (9–12 Hz), β (13–30 Hz), γ (32–48 Hz), θ beat (6–8 Hz), and γ beat (39–41 Hz). The color bar indicates t values from Student’s test. Please note that no Imaginary Coherence (iCOH) contrasts were significant.
Figure 7.Neurophenomenological analysis: correlates between subjective experience and EEG connectivity patterns. Each participants’ two highest rated (mental relaxation and absorption depth) experimental conditions (binaural γ, monaural θ …) were contrasted with the two lowest rated conditions. These contrasts were then averaged across participants for each separate scale (mental relaxation and absorption depth). All statistics were normalized using z scores. We only show contrasts that exhibit at least three significant electrodes here (depicted as small white squares). Frequency band limits are as follows: δ (1–4 Hz), θ (5–8 Hz), α (9–12 Hz), β (13–30 Hz), γ (32–48 Hz), θ beat (6–8 Hz), and γ beat (39–41 Hz). , Hilbert transform amplitude used as a local synchronization index. The color bar indicates t values from Student’s test. , Fourier transform power used as a local synchronization index. The color bar indicates t values from Student’s test. , Imaginary Coherence (iCOH) used as an index of long-distance synchronization between electrodes. Blue lines indicate a significant negative iCOH between two electrodes.