| Literature DB >> 30980465 |
Sandra Dowling1, Val Williams1, Joe Webb2, Marina Gall3, Deborah Worrall1.
Abstract
BACKGROUND: This article is about interactions that occur when someone with intellectual disabilities is engaged in everyday activities with a personal assistant (PA) or a support worker.Entities:
Keywords: conversation analysis; decision making; interaction; mental capacity; relational autonomy; support practices
Mesh:
Year: 2019 PMID: 30980465 PMCID: PMC6850626 DOI: 10.1111/jar.12595
Source DB: PubMed Journal: J Appl Res Intellect Disabil ISSN: 1360-2322
Participants
| Pseudonym | Age bracket | Everyday life and independence | Communicating choices | Length of relationship with communication partner(s) |
|---|---|---|---|---|
| Paul | 18–24 | Lives in parents’ home with PAs after college in evening | Can express own choices and preferences | Rik (4 months) and Ann (about 1 year) |
| Katie | 18–24 | Lives in parents’ home, goes to college ‐ but filmed in PA's home | Can express own choices, can plan ahead for herself | Lola: 3–4 years |
| Lyn | 41–49 | Filmed in craft workshop: a beginner in some skills there | Quiet, takes time to respond, but good understanding | Sally: 1 year |
| Wendy | 41–49 | Lives in own flat in sheltered housing block | Sophisticated communicator, can express what she wants PAs to do | Sarah: 3 months |
| Jen | 25–30 | Lives in own flat, with PA visits | Sophisticated communicator, can plan and manage own life | Rachel: 5–6 months |
| Anna | 31–35 | Lives in own flat with a few hours PA support | Vocal self‐advocate: can choose and plan her own life | Pamela: 9 months |
| Jon | 36–40 | Filmed in craft workshop: skilled potter | Vocal self‐advocate: can choose and plan within the workshop | Sally: 1 year |
| Fay | 25–30 | Filmed in craft workshop: skilled designer | Can express own choices and preferences | Leanne and Sally: 1 year |
| Marion | 41–49 | Filmed in craft workshop: skilled designer | Quiet, but chooses own activities | Sally: 1 year |
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| ||
| 01 | Paul | And this called a tennis court |
| 02 | ( | |
| 03 | Rik | Yes, absolutely. We'll come here and |
| 04 | do that next time, yeah? | |
| 05 | Paul | Yeah |
|
| ||
| 01 | Paul | We will talked about the way err (.) |
| 02 | dancing ar | |
| 03 | Ann | You want to talk about dancing |
| 04 | around? | |
| 05 |
| |
| 06 | Paul | Yeah |
| 07 | Ann | What about your‐ y‐you could tell |
| 08 | Lisa ( | |
| 09 | about umm your dancing ( | |
| 10 |
| |
| 11 | You do on a Monday | |
| 12 | Paul | Lisa? ( |
| 13 | we're going to do it do it on next | |
| 14 |
| |
| 15 |
| |
| 16 | Ann | On a Sunday? We do it on a |
| 17 |
| |
| 18 | you going dancing on Sunday? | |
| 19 | ( | |
| 20 | Paul | I'm going DOWN in the thunder |
| 21 | ( | |
| 22 |
| |
| 23 | Ann | You're going dancing in the |
| 24 | thunder? ( | |
| 25 |
| |
| 26 | Paul | No I'm going DOWN in the |
| 27 | thunder ( | |
| 28 | Ann | You're going down in the thunder? |
| 29 | Paul | Yeah |
| 30 | Ann | Down where? |
| 31 | Paul | Down in the (s)under I told you. |
|
| ||
| 01 | Lola | that you have to look not |
| 02 | just go eeny meeny meeny | |
| 03 | ( | |
| 04 |
| |
| 05 | which one do you want | |
| 06 | gonna go with the best | |
| 07 | Katie |
|
| 08 | That one | |
| 09 |
| |
| 10 | little one (.) little | |
| 11 | Lola | right |
|
| ||
| 01 | Sal | how about you Lynn what do you |
| 02 | reckon you'd wanna make? | |
| 03 | ( | |
| 04 | It's got to be round. | |
| 05 | Lyn | ( |
| 06 | Sal | yeah |
| 07 | Lyn | I saw it on a DVD |
| 08 | Sal | a bowl, a plate – or – a vase, but it |
| 09 | wouldn't be a very good | |
| 10 | vase. ( | |
| 11 | Jon | Saucer? |
| 12 | Lyn | A mug? |
| 13 | Sal | You want a mug? |
| 14 | Lyn | Yes I've had enough cups |
| 15 | Sal | Yeah? A cup's just a mug without a |
| 16 | handle isn't it? ( | |
| 17 | OK we'll have a go and look at the | |
| 18 | shapes and see if inspiration | |
| 19 | strikes you. | |
|
| ||
| 01 | Sar | No we'll send them back and see what |
| 02 | happens alright | |
| 03 | Wendy? We'll see what happens, alright? | |
| 04 | Wen | Yeah, and then‐ and then w‐ |
| 05 | surprised if they say no | |
| 06 | Sar | Right we'll go from there and w‐ |
| 07 | Wen | Is that what you mean? |
| 08 | Sar | Yeah we'll just |
| 09 | see what they say. | |
| 10 | Wen | But don't worry it's my my f‐ my responsibil‐ |
| 11 | you know don't | |
| 12 | worry, if I lose the money it's only thirty quid. | |
| 13 | Sar | So, let's just send them back and see what |
| 14 | happens. | |
| 15 | Alright? At the end of the day, they're split | |
| 16 | and they shouldn't have … | |
| 17 | Wen | It |
| 18 | Sar | …been like that. I didn't even notice see? |
|
| ||
| 01 | Jen | me dad might be coming as well a |
| 02 | bit later on because | |
| 03 | Rac | oh I'm not letting him in |
| 04 | Jen | heh heh Just because y'know cos |
| 05 | if Den if Den comes about two, | |
| 06 | I don't know how long it's going | |
| 07 | to take to set up but because | |
| 08 | you know I don't understand | |
| 09 | things, I don't want him to like | |
| 10 | take advantage or anything | |
| 11 | Rac |
|
| 12 | Jen | so probably best if I have dad |
| 13 | around or something. | |
| 14 | Rac | Yeah |