| Literature DB >> 31215067 |
Charles Antaki1, Joseph Webb2.
Abstract
We report on how support workers sometimes over-ride the wishes of people living with cognitive impairments. This can happen when they are both involved in some project (such as an institutionally-managed game, a physical journey, an educational activity and so on). The support worker might use their deontic authority (to propose, decide or announce future actions) to do things that advance the over-arching project, in spite of proposals for what are cast as diversions from the person with impairments. They might also use their epistemic authority (their greater knowledge or cognitive capacity) to trump their clients' choices and preferences in subordinate projects. Not orienting to suggested courses of actions is generally interactionally dispreferred and troublesome, but, although the providers do sometimes orient to their actions as balking their clients' wishes, they usually do not, and encounter little resistance. We discuss how people with disabilities may resist or palliate such loss of control, and the dilemmas that support staff face in carrying out their duties.Entities:
Keywords: Conversation Analysis; Intellectual impairment; deontics; empowerment; epistemics; learning disability; support
Mesh:
Year: 2019 PMID: 31215067 PMCID: PMC6899991 DOI: 10.1111/1467-9566.12964
Source DB: PubMed Journal: Sociol Health Illn ISSN: 0141-9889
Figure 1Service‐user Paul (seated) and his personal assistants.
Figure 2Lucy squatting on the floor disassembling a chair – Melinda leaning over her.
Figure 3Pat (on the left) with the other quizzers.
Figure 4Pat (left) slumps back and turns away from the quiz group.
Figure 5Paul points to the tennis courts.
Figure 6Paul points as the PAs walk on.
Figure 7Paul positions himself in front of PA Robert and points as the PAs walk on.
Figure 8Cameron (on the left, in the wheelchair) and Deb (kneeling, right).
| Transcription Symbols | |
|---|---|
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| Just noticeable pause |
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| Examples of timed pauses, in seconds |
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| Square brackets aligned across adjacent lines denote the start and end of overlapping talk. |
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| In‐breath (note the preceding fullstop) and out‐breath respectively. |
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| A dash shows a sharp cut‐off |
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| Colons show that the speaker has stretched the preceding sound. |
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| A guess at what might have been said |
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| Talk too unclear to merit even a guess. |
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| The equals sign shows that there is no discernible pause between two speakers’ turns or, if put between two sounds within a single speaker's turn, shows that they run together |
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| Underlined sounds are louder, capitals louder still |
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| Delivered in a ‘smile’ voice |
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| ‘Creaky’ voice |
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| Material between ‘degree signs’ is quiet |
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| Inwards arrows show faster speech, outward slower |
| ↑ | Upward arrow shows upward intonation |
| ↓ | Downward arrows shows downward intonation |
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| (h) shows that the word has ‘laughter’ bubbling within it |
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| Attempt at representing something hard, or impossible, to write phonetically |
| → | Analyst's signal of a significant line |