Literature DB >> 28649291

Animal Pitch Perception: Melodies and Harmonies.

Marisa Hoeschele1.   

Abstract

Pitch is a percept of sound that is based in part on fundamental frequency. Although pitch can be defined in a way that is clearly separable from other aspects of musical sounds, such as timbre, the perception of pitch is not a simple topic. Despite this, studying pitch separately from other aspects of sound has led to some interesting conclusions about how humans and other animals process acoustic signals. It turns out that pitch perception in humans is based on an assessment of pitch height, pitch chroma, relative pitch, and grouping principles. How pitch is broken down depends largely on the context. Most, if not all, of these principles appear to also be used by other species, but when and how accurately they are used varies across species and context. Studying how other animals compare to humans in their pitch abilities is partially a reevaluation of what we know about humans by considering ourselves in a biological context.

Entities:  

Keywords:  acoustics; music; perception; pitch

Year:  2017        PMID: 28649291      PMCID: PMC5479468          DOI: 10.3819/CCBR.2017.120002

Source DB:  PubMed          Journal:  Comp Cogn Behav Rev        ISSN: 1911-4745


  60 in total

1.  Effects of timbre and tempo change on memory for music.

Authors:  Andrea R Halpern; Daniel Müllensiefen
Journal:  Q J Exp Psychol (Hove)       Date:  2008-09       Impact factor: 2.143

2.  The perception of lexical stress in German: effects of segmental duration and vowel quality in different prosodic patterns.

Authors:  Klaus J Kohler
Journal:  Phonetica       Date:  2012-11-16       Impact factor: 1.759

3.  Musical pitch identification by absolute pitch possessors.

Authors:  K Miyazaki
Journal:  Percept Psychophys       Date:  1988-12

4.  Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate.

Authors:  Josh McDermott; Marc Hauser
Journal:  Cognition       Date:  2004-12

5.  Absolute pitch: frequency-range discriminations in pigeons (Columba livia): comparisons with zebra finches (Taeniopygia guttata) and humans (Homo sapiens).

Authors:  Andrea Friedrich; Thomas Zentall; Ronald Weisman
Journal:  J Comp Psychol       Date:  2007-02       Impact factor: 2.231

6.  Pitch chroma discrimination, generalization, and transfer tests of octave equivalence in humans.

Authors:  Marisa Hoeschele; Ronald G Weisman; Christopher B Sturdy
Journal:  Atten Percept Psychophys       Date:  2012-11       Impact factor: 2.199

7.  Good pitch memory is widespread.

Authors:  E Glenn Schellenberg; Sandra E Trehub
Journal:  Psychol Sci       Date:  2003-05

8.  Perception of missing fundamental by a species of songbird (Sturnus vulgaris).

Authors:  J Cynx; M Shapiro
Journal:  J Comp Psychol       Date:  1986-12       Impact factor: 2.231

9.  Songbirds use spectral shape, not pitch, for sound pattern recognition.

Authors:  Micah R Bregman; Aniruddh D Patel; Timothy Q Gentner
Journal:  Proc Natl Acad Sci U S A       Date:  2016-01-25       Impact factor: 11.205

Review 10.  Emotional and Interactional Prosody across Animal Communication Systems: A Comparative Approach to the Emergence of Language.

Authors:  Piera Filippi
Journal:  Front Psychol       Date:  2016-09-28
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  4 in total

1.  Treefrogs exploit temporal coherence to form perceptual objects of communication signals.

Authors:  Saumya Gupta; Mark A Bee
Journal:  Biol Lett       Date:  2020-09-23       Impact factor: 3.703

2.  Pitch chroma information is processed in addition to pitch height information with more than two pitch-range categories.

Authors:  Bernhard Wagner; Christopher B Sturdy; Ronald G Weisman; Marisa Hoeschele
Journal:  Atten Percept Psychophys       Date:  2022-06-01       Impact factor: 2.157

3.  Bats distress vocalizations carry fast amplitude modulations that could represent an acoustic correlate of roughness.

Authors:  Julio C Hechavarría; M Jerome Beetz; Francisco García-Rosales; Manfred Kössl
Journal:  Sci Rep       Date:  2020-04-30       Impact factor: 4.379

4.  On reappearance and complexity in musical calling.

Authors:  David M Schruth; Christopher N Templeton; Darryl J Holman
Journal:  PLoS One       Date:  2021-12-17       Impact factor: 3.240

  4 in total

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