Literature DB >> 15582619

Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate.

Josh McDermott1, Marc Hauser.   

Abstract

Humans find some sounds more pleasing than others; such preferences may underlie our enjoyment of music. To gain insight into the evolutionary origins of these preferences, we explored whether they are present in other animals. We designed a novel method to measure the spontaneous sound preferences of cotton-top tamarins, a species that has been extensively tested for other perceptual abilities. Animals were placed in a V-shaped maze, and their position within the maze controlled their auditory environment. One sound was played when they were in one branch of the maze, and a different sound for the opposite branch; no food was delivered during testing. We used the proportion of time spent in each branch as a measure of preference. The first two experiments were designed as tests of our method. In Experiment 1, we used loud and soft white noise as stimuli; all animals spent most of their time on the side with soft noise. In Experiment 2, tamarins spent more time on the side playing species-specific feeding chirps than on the side playing species-specific distress calls. Together, these two experiments suggest that the method is effective, providing a spontaneous measure of preference. In Experiment 3, however, subjects showed no preference for consonant over dissonant intervals. Finally, tamarins showed no preference in Experiment 4 for a screeching sound (comparable to fingernails on a blackboard) over amplitude-matched white noise. In contrast, humans showed clear preferences for the consonant intervals of Experiment 3 and the white noise of Experiment 4 using the same stimuli and a similar method. We conclude that tamarins' preferences differ qualitatively from those of humans. The preferences that support our capacity for music may, therefore, be unique among the primates, and could be music-specific adaptations.

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Year:  2004        PMID: 15582619     DOI: 10.1016/j.cognition.2004.04.004

Source DB:  PubMed          Journal:  Cognition        ISSN: 0010-0277


  29 in total

1.  Monkey drumming reveals common networks for perceiving vocal and nonvocal communication sounds.

Authors:  Ryan Remedios; Nikos K Logothetis; Christoph Kayser
Journal:  Proc Natl Acad Sci U S A       Date:  2009-10-01       Impact factor: 11.205

2.  A biological rationale for musical consonance.

Authors:  Daniel L Bowling; Dale Purves
Journal:  Proc Natl Acad Sci U S A       Date:  2015-07-24       Impact factor: 11.205

3.  Sound-induced motion in chimpanzees does not imply shared ancestry for music or dance.

Authors:  Mila Bertolo; Manvir Singh; Samuel A Mehr
Journal:  Proc Natl Acad Sci U S A       Date:  2021-01-12       Impact factor: 11.205

4.  Chimpanzees prefer African and Indian music over silence.

Authors:  Morgan E Mingle; Timothy M Eppley; Matthew W Campbell; Katie Hall; Victoria Horner; Frans B M de Waal
Journal:  J Exp Psychol Anim Learn Cogn       Date:  2014-06-23       Impact factor: 2.478

Review 5.  Music perception, pitch, and the auditory system.

Authors:  Josh H McDermott; Andrew J Oxenham
Journal:  Curr Opin Neurobiol       Date:  2008-10-02       Impact factor: 6.627

6.  Harmonic calls and indifferent females: no preference for human consonance in an anuran.

Authors:  Karin L Akre; Ximena Bernal; A Stanley Rand; Michael J Ryan
Journal:  Proc Biol Sci       Date:  2014-08-22       Impact factor: 5.349

7.  The basis of musical consonance as revealed by congenital amusia.

Authors:  Marion Cousineau; Josh H McDermott; Isabelle Peretz
Journal:  Proc Natl Acad Sci U S A       Date:  2012-11-12       Impact factor: 11.205

8.  Preference for consonant music over dissonant music by an infant chimpanzee.

Authors:  Tasuku Sugimoto; Hiromi Kobayashi; Noritomo Nobuyoshi; Yasushi Kiriyama; Hideko Takeshita; Tomoyasu Nakamura; Kazuhide Hashiya
Journal:  Primates       Date:  2010-01       Impact factor: 2.163

Review 9.  From perception to pleasure: music and its neural substrates.

Authors:  Robert J Zatorre; Valorie N Salimpoor
Journal:  Proc Natl Acad Sci U S A       Date:  2013-06-10       Impact factor: 11.205

10.  Simultaneous consonance in music perception and composition.

Authors:  Peter M C Harrison; Marcus T Pearce
Journal:  Psychol Rev       Date:  2019-12-23       Impact factor: 8.934

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