| Literature DB >> 28197396 |
Praveen Chirivella1, Gowri Sankar Singaraju1, Prasad Mandava1, V Karunakar Reddy1, Jeevan Kumar Neravati1, Suja Ani George2.
Abstract
OBJECTIVE: To test the null hypothesis that there is no effect of esthetic perception of smiling profile in three different facial types by a change in the maxillary incisor inclination and position.Entities:
Keywords: Esthetics; face; goal anterior limit line; orthodontics; profile
Year: 2017 PMID: 28197396 PMCID: PMC5278578 DOI: 10.4103/2278-0203.197387
Source DB: PubMed Journal: J Orthod Sci ISSN: 2278-0203
The cephalometric values of the subjects for the different facial patterns under study
Figure 1Landmarks and Lines used in the study. Trichion (T) - Where the flat portion of the forehead from glabella meets the hairline; glabella (G) - inferior most point on the fore head; Line “FFA” - Facial Axis line of Forehead-Line joining Trichion and the Glabella; Point “FFA” - Midpoint on the perpendicular bisector of the line “FFA”; point “FA” – Facial axis point of maxillary incisor (labial most point on maxillary incisor); GALL – Goal Anterior Limit Line is drawn parallel to the head's frontal plane (FPH). It passes though the line “FFA” and tangent to the point FFA. Ideally, this line should also pass through the point “FA” (facial axis point of the maxillary central incisor). GALL line indicates the ideal anteroposterior position of maxillary incisor in relation to forehead
Figure 2Ideal relation between goal anterior limit line (GALL), line “FFA” and the facial axis point (FA) on the incisor in three different facial patterns. The FFA point coincides with the FA point along the goal anterior limit line
Figure 3Change in facial profile due to altered labiolingual inclination of the maxillary incisors along with the normal unaltered image
Figure 4Change in facial profile due to altered position of the maxillary incisors in the anteroposterior direction
Descriptive data and comparison of each of the simulated photograph-dolichofacial pattern
Descriptive data and comparison of each of the simulated photograph-brachyfacial pattern
Figure 5The mean scores of all the simulations in all the three facial patterns
Figure 6Harmonious esthetic smiling profiles of three different facial patterns
Figure 7Unharmonious smiling profiles of three different facial patterns
Three-way ANOVA test for comparison of the subjects-effects for facial attractiveness in three facial types
Scheffe post hoc test for comparison between panels in all the three facial types
Descriptive data and comparison of each of the simulated photograph-mesofacial pattern