| Literature DB >> 27777563 |
Anna M Borghi1, Edoardo Zarcone2.
Abstract
One key issue for theories of cognition is how abstract concepts, such as freedom, are represented. According to the WAT (Words As social Tools) proposal, abstract concepts activate both sensorimotor and linguistic/social information, and their acquisition modality involves the linguistic experience more than the acquisition of concrete concepts. We report an experiment in which participants were presented with abstract and concrete definitions followed by concrete and abstract target-words. When the definition and the word matched, participants were required to press a key, either with the hand or with the mouth. Response times and accuracy were recorded. As predicted, we found that abstract definitions and abstract words yielded slower responses and more errors compared to concrete definitions and concrete words. More crucially, there was an interaction between the target-words and the effector used to respond (hand, mouth). While responses with the mouth were overall slower, the advantage of the hand over the mouth responses was more marked with concrete than with abstract concepts. The results are in keeping with grounded and embodied theories of cognition and support the WAT proposal, according to which abstract concepts evoke linguistic-social information, hence activate the mouth. The mechanisms underlying the mouth activation with abstract concepts (re-enactment of acquisition experience, or re-explanation of the word meaning, possibly through inner talk) are discussed. To our knowledge this is the first behavioral study demonstrating with real words that the advantage of the hand over the mouth is more marked with concrete than with abstract concepts, likely because of the activation of linguistic information with abstract concepts.Entities:
Keywords: abstract concepts; abstract words; embodied cognition; grounded cognition; language grounding; mouth activation
Year: 2016 PMID: 27777563 PMCID: PMC5056183 DOI: 10.3389/fpsyg.2016.01498
Source DB: PubMed Journal: Front Psychol ISSN: 1664-1078
Figure 1Experimental paradigm and device. Participants were required to decide whether the definition was appropriate for the target-word. In order to respond “yes” they had either to press with their dominant hand a key on the response box (right) or to press with their teeth the key they held in their mouth (left). The two devices were used by each participant in two different experimental blocks, the order of which was counterbalanced across subjects.
The stimuli.
| Gallina hen | Concrete | Il suo verso è “coccodè,” ha due zampe e si trova nelle fattorie. /Its verse is “cackle,” it has two legs and is located in farms. | Concrete |
| Uccello domestico, appartiene alla famiglia dei polli. /Pet bird, it belongs to the family of chickens. | Abstract | ||
| Sabbia sand | Concrete | Può formare fondali marini e spiagge bianche o dorate. /It can form sea backdrops and white and golden beaches. | Concrete |
| Roccia costituita da granelli di altre rocce./Rock composed of grains of other rocks. | Abstract | ||
| Ghiaccio ice | Concrete | Forma gli iceberg o si trova a cubetti nei cocktail. /It shapes icebergs or it can be found in cubes in cocktails. | Concrete |
| Elemento formato dall'acqua a zero gradi e allo stato solido. /Element formed by water at zero degrees and in the solid state. | Abstract | ||
| Cappello hat | Concrete | Può essere di paglia o a cilindro e viene portato in testa. /It can be of straw, it can be a cylinder and it is typically worn on the head. | Concrete |
| Accessorio d'abbigliamento che si indossa in testa. /Accessory clothing worn on the head. | Abstract | ||
| Stivale boot | Concrete | Calzatura alta ed elegante, anche adatta al maltempo. /Tall and elegant footwear, also suitable for bad weather. | Concrete |
| Vi rassomiglia molto la forma dell'Italia. /It is very similar to the shape of Italy. | Abstract | ||
| Fontana fountain | Concrete | La trovi nelle piazze, puoi bere l'acqua che ne sgorga. /You can find it in the streets/squares, you can drink the water that gushes. | Concrete |
| Costruzione ornamentale da cui fuoriescono getti d'acqua. /Ornamental building from which produce water jets. | Abstract | ||
| Statua statue | Concrete | Raffigura oggetti, animali, eroi, è in pietra, bronzo o altri materiali. /It depicts objects, animals, heroes, it is made of stone, bronze or other materials. | Concrete |
| Opera di scultura a tutto tondo, in marmo o bronzo. /Sculpture work in the round, in marble or bronze. | Abstract | ||
| Pennello brush | Concrete | Lo tiene tra le dita il pittore per dipingere. /The painter holds it among his/her fingers in order to paint. | Concrete |
| Strumento per stendere vernice o per dipingere. /Instrument used to spread paint or to paint. | Abstract | ||
| Pistola pistol | Concrete | Arma da fuoco dotata di grilletto, che si impugna con una mano sola. /Firearm with trigger, that you hold with one hand. | Concrete |
| Arma da fuoco a canna corta dotata di caricatore e grilletto. /Short-barreled firearm with a magazine and trigger. | Abstract | ||
| Bandiera flag | Concrete | Quella italiana è di colore rosso, bianco e verde. /The Italian one is red, white and green colored. | Concrete |
| Può simboleggiare una nazione o una squadra. / It can symbolize a nation or a team. | Abstract | ||
| Inizio beginning | Abstract | Il momento in cui si apre una partita, un gioco o una storia. /The moment in which a game or a story starts. | Concrete |
| Il punto di partenza, il primissimo momento./The starting point, the very first moment. | Abstract | ||
| Ragione reason | Abstract | La segui quando prendi una decisione senza basarti sui sentimenti. /You follow it when you take a decision without relying on your feelings. | Concrete |
| Intelletto, facoltà che distingue gli uomini dalle bestie. /Intellect, quality distinguishing humans from beasts. | Abstract | ||
| Critica criticism | Abstract | Si fa quando si scrive un saggio per giudicare l'opera di un artista. /You make it when you write an essay to evaluate the work of an artist. | Concrete |
| Facoltà di giudicare obiettivamente opere o persone. /Ability to objectively judge works or people. | Abstract | ||
| Motivo motive | Abstract | Chi è assente ne ha sempre uno buono per giustificarsi. /Who is absent has always a good one to justify himself/herself. | Concrete |
| Causa, ragione che spinge a compiere una determinata azione. /Cause, reason that induces somebody to perform a given action. | Abstract | ||
| Coscienza consciousness/conscience | Abstract | Se la sente sporca chi commette una cattiva azione. /The person who commits a bad action feels it dirty. | Concrete |
| Consapevolezza che i soggetti hanno di sé stessi e del mondo. /Awareness that subjects have of themselves and of the world. | Abstract | ||
| Dovere duty | Abstract | Lo compie un soldato che esegue i suoi ordini. /A soldier executing the orders accomplishes it. | Concrete |
| Legge morale che impone l'esecuzione degli obblighi morali o legali. /Moral law imposing the execution of moral or legal obligations. | Abstract | ||
| Giustizia justice | Abstract | Punire i colpevoli, risarcire i danneggiati, dare a ognuno ciò che gli spetta. /To punish the guilty, to repair the damage, to give everyone his/her due. | Concrete |
| La virtù data dalla volontà di rispettare il diritto di tutti. /The virtue given by the willing to respect the rights of everyone. | Abstract | ||
| Carriera career | Abstract | Si fa quando al lavoro ottieni una promozione. /You make it when you obtain a promotion at work. | Concrete |
| Il progresso nel proprio campo lavorativo. /The progress in one's own working field. | Abstract | ||
| Fiducia trust | Abstract | Si ha quando ti lasci cadere indietro sapendo che qualcuno ti prenderà. /You have it when you let yourself fall back knowing that somebody will take you. | Concrete |
| Senso di sicurezza che deriva dalla stima riposta in qualcuno. /Security feeling deriving from the estimate placed in someone. | Abstract | ||
| Logica logics | Abstract | La usi quando da un indizio fai un ragionamento corretto. /You use it when from a clue you make a correct reasoning. | Concrete |
| Disciplina filosofica che studia le leggi del ragionamento. /Philosophical discipline that investigates the laws of reasoning. | Abstract | ||
Figure 2Boxplot and beeswarm graph of response times, showing the interaction between the kind of word (AW, Abstract Words; CW, Concrete Words) and the effector (M, Mouth; H, Hand).
Interaction effector × word.
| Participants | Mean = 606.476 | Mean = 502.856 |
| Concepts | Mean = 604.159 | Mean = 501.710 |
| Participants | Mean = 676.538 | Mean = 617.025 |
| Concepts | Mean = 677.307 | Mean = 613.788 |
| Participants | Mean = 676.538 | Mean = 606.476 |
| Concepts | Mean = 677.307 | Mean = 604.159 |
| Participants | Mean = 617.025 | Mean = 502.856 |
| Concepts | Mean = 613.788 | Mean = 501.710 |
| Participants | Mean = 70.062 | Mean = 114.169 |
| Concepts | Mean = 73.148 | Mean = 111.978 |
Interaction effector × word.
| (paired samples) | Participants | |
| (independent samples) | Concepts | |
| (paired samples) | Participants | |
| (independent samples) | Concepts | |
| (paired samples) | Participants | |
| (paired samples) | Concepts | |
| (paired samples) | Participants | |
| (paired samples) | Concepts | |
| (paired samples) | Participants | |
| (independent samples) | Concepts | |
Figure 3Boxplot and beeswarm graph plotting the difference in response times between the Mouth and the Hand response (Δ.
Figure 4Hand-Mouth difference scores in response times plotted as a function of Abstractness (A) and Concreteness (B) values. The points with a black border refer to Concrete Words.
Results of ratings on hand and mouth involvement.
| Concepts | Mean = 2.902 | Mean = 4.90 |
| Concepts | Mean = 4.314 | Mean = 2.282 |
| (independent samples) | Concepts | |
| (independent samples) | Concepts | |
Figure 5Hand-Mouth difference scores in response times plotted as a function of Average Mouth Ratings (A) and Average Hand Ratings (B). The points with a black border refer to Concrete Words.