| Literature DB >> 22912714 |
Frederick W Carver1, Brita Elvevåg, Mario Altamura, Daniel R Weinberger, Richard Coppola.
Abstract
Examining real-time cortical dynamics is crucial for understanding time perception. Using magnetoencephalography we studied auditory duration discrimination of short (<.5 s) versus long tones (>.5 s) versus a pitch control. Time-frequency analysis of event-related fields showed widespread beta-band (13-30 Hz) desynchronization during all tone presentations. Synthetic aperture magnetometry indicated automatic primarily sensorimotor responses in short and pitch conditions, with activation specific to timing in bilateral inferior frontal gyrus. In the long condition, a right lateralized network was active, including lateral prefrontal cortices, inferior frontal gyrus, supramarginal gyrus and secondary auditory areas. Activation in this network peaked just after attention to tone duration was no longer necessary, suggesting a role in sustaining representation of the interval. These data expand our understanding of time perception by revealing its complex cortical spatiotemporal signature.Entities:
Mesh:
Year: 2012 PMID: 22912714 PMCID: PMC3422225 DOI: 10.1371/journal.pone.0042618
Source DB: PubMed Journal: PLoS One ISSN: 1932-6203 Impact factor: 3.240
Figure 1Time-frequency analysis of target and standard tones for each trial type (long, short and pitch).
Figure 2Mean right hemisphere surface maps of beta-band desynchronization (13–30 Hz) during the long condition standard tones.
Figure 3Mean right hemisphere surface maps of beta-band desynchronization (13–30 Hz) during the short condition standard tones.
Clusters of beta desynchronization as a function of volume, number of peaks, Brodmann areas, center of mass, and peak latency for the long tones.
| Index | Volume (# Voxels/#Peaks) | Brodmann Areas | Center of Mass (RAI Coord.) | Peak Latency (ms) |
| 1 | 3/5 | L 13,43 | 48.0, 0.0, 13.8 | 350 |
| 2 | 6/22 | L 4,6 | 45.0, 9.2, 41.0 | 500 |
| 3 | 6/21 | L 3,4,6 | 31.4, 17.5, 60.9 | 550 |
| 4 | 5/7 | R 6 | −19.3, 0.0, 60.9 | 650 |
| 5 | 18/34 | R 6,9,13,22,41,42,43,44,45 | −47.4, −2.0, 19.5 | 700 |
| 6 | 1/1 | R 37 | −45.0, 60.0, 6.2 | 700 |
| 7 | 1/3 | R 10,47 | −37.5, −37.5, −1.2 | 750 |
| 8 | 1/1 | R 24 | −7.5, 0.0, 43.8 | 750 |
| 9 | 1/5 | R 18 | −37.5, 82.5, −8.8 | 800 |
| 10 | 5/7 | R 22,40 | −54.6, 38.6, 29.8 | 850 |
| 11 | 6/8 | L 17,18,19 | 19.7, 88.1, −0.3 | 850 |
| 12 | 1/2 | R 19 | −30.0, 90.0, 6.2 | 850 |
| 13 | 2/2 | R 21,22 | −56.2, 45.0, −1.2 | 900 |
| 14 | 1/2 | R 6 | −45.0, 15.0, 58.8 | 1750 |
Clusters of beta desynchronization as a function of volume, number of peaks, Brodmann areas, center of mass, and peak latency for the short tones.
| Index | Volume (# Voxels/# Peaks) | Brodmann Areas | Center of Mass (RAI Coord.) | Peak Latency (ms) |
| 1 | 1/6 | R 44 | −52.5, −7.5, 21.2 | 350 |
| 2 | 4/9 | L 4,6,9,43,44 | 51.7, 1.7, 20.4 | 350 |
| 3 | 1/3 | R 6 | −45.0, 7.5, 21.2 | 350 |
| 4 | 6/11 | L 2,3,4,6 | 42.3, 18.4, 51.2 | 350 |
| 5 | 1/1 | L 19 | 22.5, 82.5, −16.2 | 350 |
| 6 | 1/1 | R 18 | −30.0, 90.0, −1.2 | 350 |
| 7 | 1/2 | L 17 | 7.5, 90.0, −1.2 | 350 |
| 8 | 1/1 | R 19 | −37.5, 75.0, 6.2 | 400 |
Clusters of beta desynchronization as a function of volume, number of peaks, Brodmann areas, center of mass, and peak latency for pitch.
| Index | Volume (# Voxels/# Peaks) | Brodmann Areas | Center of Mass (RAI Coord.) | Peak Latency (ms) |
| 1 | 2/2 | R 6 | −56.2, 0.0, 13.8 | 250 |
| 2 | 2/3 | R 6 | −32.5, 7.5, 53.8 | 250 |
| 3 | 1/5 | L 6 | 30.0, 15.0, 58.8 | 250 |
| 4 | 2/3 | R 6,9 | −45.0, −2.5, 28.8 | 300 |
| 5 | 6/6 | L 4,6,9,43 | 48.8, 5.0, 26.2 | 300 |
| 6 | 4/5 | R 40,41,43 | −52.5, 19.5, 18.2 | 300 |
| 7 | 1/1 | L 40 | 37.5, 37.5, 43.8 | 300 |
| 8 | 2/3 | L 3,4 | 37.5, 27.5, 56.2 | 350 |
Figure 4Time series of clusters of cortical activation for the standard tones from each condition.