| Literature DB >> 19325934 |
Hugo J Spiers1, Eleanor A Maguire.
Abstract
Much of our day-to-day wayfinding behaviour takes place in familiar large-scale urban environments, yet there is a dearth of studies examining how wayfinding unfolds on a second-by-second basis in this context. Here we used a retrospective verbal report protocol, eye tracking and a highly accurate virtual reality simulation of a real city (London, UK) to examine this issue. Subjects, who were taxi drivers, were able to produce extremely detailed accounts of what they had been thinking during wayfinding, which were validated by independent eye-tracking data. There was a high degree of consistency in the types of thoughts across subjects, permitting classification into a number of distinct categories. Moreover, it was possible to quantify the number of thoughts in each category, their durations and temporal order. Detailed analysis of the verbal reports provided new insights into the processes and strategies involved, and highlighted a greater range of thoughts than has previously been reported in studies of wayfinding. By analysing the temporal order of thoughts it was possible to identify specific relationships between categories. Some of these relationships were predicted by current cognitive models of wayfinding, others were novel, thus shedding new light on how navigation unfolds in a busy city.Entities:
Year: 2008 PMID: 19325934 PMCID: PMC2660842 DOI: 10.1016/j.jenvp.2008.02.006
Source DB: PubMed Journal: J Environ Psychol ISSN: 0272-4944
Fig. 1Virtual London (UK). Panel (A) shows a map of the region of the simulation of London that was used in the navigation task (not all the minor streets shown were included in the video game). Reproduced by permission of Geographers’ A-Z Map Co. Ltd. © Crown Copyright 2005. All rights reserved. Licence number 100017302. Coloured lines indicate examples of typical routes driven by subjects to each of seven destinations during the navigation task. Panel (B) shows example views from within the video game ‘The Getaway’ © 2002 Sony Computer Entertainment Europe. Left image shows a view at Trafalgar Square, right image shows a view at Piccadilly Circus. These images are reproduced with the kind permission of Sony Computer Entertainment Europe.
Category definitions and example extracts from verbal reports
| Planning after a request from a customer to be taken to a specific destination | |
|---|---|
| Extract 1 | |
| Customer | Please could you take me to the Old Bailey? |
| Sub. 1 | I thought, great, turn right, straight down the Strand, straight down Fleet Street and then left up to the Old Bailey |
| Experimenter | Did you picture the Old Bailey? |
| Sub. 1 | No. I don’t think I did. I just know where it is |
| Extract 2 | |
| Customer | Please could you take me to Guys’ Hospital? |
| Sub. 13 | As soon as he said Guy's Hospital it's like I’m sitting here in the cab, I know Guy's Hospital is there ( |
| Experimenter | Yes |
| Sub. 13 | And the door and the hallway. That's how it is with the roads |
| Extract 3 | |
| Customer | Sorry, no, I need to get to Peter Street, the one off Wardour street |
| Sub. 3 | I’m thinking |
| Experimenter | Did you picture Wardour street? |
| Sub. 3 | I had to picture the whole length of Wardour street in my head very quickly just knocking off the streets that I knew and then Peter Street was this little street. I kinda figured it might be that one cos I knew it wasn’t this one, this one, this one, or this one |
| Extract 4 | |
| Customer | I’d like to go via Glasshouse Street, please |
| Sub. 14 | Well, I knew that's just by Piccadilly Circus, which is over to our right. At this stage I don’t think I thought east or west. I knew it was like sort of two o’clock from here |
| Experimenter | Was there any plan? |
| Sub. 14 | Well, I knew I was in a one way street so I just had to carry on |
| Planning the next stage of the journey | |
| Extract 5 | |
| Sub. 3 | So as I turn then I think right now—okay when I get to the top there's a one-way system so yo’re forced left and right, left and right, there's a multitude of ways you can go from here so—but I know I’ve got to go to the end of the street because fundamentally I don’t want to take a left before that |
| Extract 6 | |
| Sub. 7 | I was going to use Brunswick Square and Guildford Street. Well, I wasn’t too sure whether to come a bit low with it and go Montague Street, Great Russell and then go up Earnshaw. That was a bit long winded I thought. Then I thought well we can get Judd Street and we can go down Tavistock Place. There was three different options came in my head |
| Altering the current route plan | |
| Extract 7 | |
| Sub. 12 | And then I think hold on, there's another way. It's like I said before, there always seems to be an option comes in your way. Um, so I thought well, okay then, if I can turn right, then I’m going to go up through the back of there and across the church |
| Extract 8 | |
| Sub. 9 | Here, I’ve thought oh no, I’ve gone past Marlborough Gate, but I thought well, it doesn’t matter… I’ll just do Piccadilly |
| Planning future movements with the vehicle | |
| Extract 9 | |
| Sub. 2 | I just thought, well, I’ll go through there and once I turn right I’ll stay on the right hand-side |
| Extract 10 | |
| Sub. 6 | I’m thinking, I must get over to the right now |
| Extract 11 | |
| Sub. 9 | I’m just thinking about getting over onto the left hand lane to turn left |
| Navigating automatically without any directed thoughts | |
| Extract 12 | |
| Sub. 1 | You go into automatic pilot |
| Experimenter | Were you were in automatic pilot here? |
| Sub. 1 | Once I’d seen the underpass, yes. Because everything is mapped out and I know which way I’m going |
| Extract 13 | |
| Sub. 3 | I’ve kinda switched off here, just keeping the car straight really. I use the term switched off, you don’t actually switch off, but you switch off thinking about your direction and maybe thinking about what's going on |
| Extract 14 | |
| Sub. 11 | It's as if someone else is doing it for you, all you are is a computer and you just program in and off it goes |
| Extract 15 | |
| Sub. 20 | I’ve got a dead straight run for quite a bit, so you don’t need to think much at all |
| Looking out for the next expected environmental feature | |
| Extract 16 | |
| Sub. 1 | Now I’m looking for the Euston underpass |
| Extract 17 | |
| Sub. 2 | I was expecting to see it… about now |
| Extract 18 | |
| Sub. 6 | Now I’m going to look out for it ( |
| Experimenter | What was it that told you to start looking out for it? |
| Sub. 6 | I’m thinking I’ve traveled a long way along here now |
| Extract 19 | |
| Sub. 21 | Should be going downhill now, that's what I was thinking |
| Detecting the presence of an expected environmental feature | |
| Extract 20 | |
| Sub. 1 | And then all of a sudden… a little bit further on you go through these lights… and there it is. There's the cab shelter on the left-hand side |
| Extract 21 | |
| Sub. 7 | But then, that's it, I knew that was Glasshouse Street because that's the shape of it |
| Extract 22 | |
| Sub. 9 | And then when that yellow van comes up, yes, that's Orion House |
| Detecting the absence of an expected environmental feature | |
| Extract 23 | |
| Sub. 6 | I thought, oh, bloody hell, they’ve blocked it off |
| Extract 24 | |
| Sub. 7 | And then we come round here and then I got to about there and I thought |
| Extract 25 | |
| Sub. 14 | Well, now I knew that I was coming up to Tottenham Court Road, I wanted to go straight on and here I saw that I couldn’t |
| Visual inspection of an environmental feature | |
| Extract 26 | |
| Sub. 3 | As I’m going along here, I thought oh look that's Dwight [ |
| Extract 27 | |
| Sub. 11 | I was looking at it and I thought that's the American Embassy |
| Extract 28 | |
| Sub. 17 | As I turn, I’m looking at Boots [ |
| Extract 29 | |
| Sub. 7 | I’m just checking it [ |
| Watching moving traffic in the environment | |
| Extract 30 | |
| Sub. 5 | Well, the bus is a nuisance. You can’t see in front of it. It's in the way |
| Extract 31 | |
| Sub. 7 | I’m looking at the cabs over the other side in the bus lane |
| Extract 32 | |
| Sub. 9 | What I thought of here was: I’ll let that car go and I was very relieved that it accelerated away from me |
| Thinking about other people's thoughts/intentions | |
| Extract 33 | |
| Sub. 11 | I mean he [ |
| Extract 34 | |
| Sub. 12 | [ |
| Thinking about the one-way system and road traffic rules | |
| Extract 35 | |
| Sub. 3 | And then I realised, no it's one-way, I can’t go that way |
| Extract 36 | |
| Sub. 11 | And then there, I thought to myself: don’t park on the zigzags [ |
| Extract 37 | |
| Sub. 9 | I thought no, no, no, it's a one way street I won’t do that |
| Change in emotional state to being happy | |
| Extract 38 | |
| Sub. 6 | I’m very happy with the way I’ve driven it now. I’m chuffed to bits |
| Change in emotional state to being angry | |
| Extract 39 | |
| Sub. 21 | I was getting annoyed, I was actually getting annoyed |
| Change in emotional state to being anxious | |
| Extract 40 | |
| Sub. 9 | And I’m scared, like a horse, frightened by the railings |
Statements in square brackets and italics provide additional information about the environment or people referred to by the subject. Statements in parentheses and italics provide additional information about the subject's gestures and voice tone.
Fig. 2The route driven by an example subject (subject 3) from Charing Cross Road to Peter Street in Soho is shown segmented into different colour-coded thought categories (see explanatory key on the right-hand side) derived from the subject's verbal report. Note that turning, not in the key, is shown in black on the route. The route is indirect due to the one-way road system in Soho.
Fig. 3Frequency of thoughts and their durations across subjects for each category: (A) the mean number of occurrences for each thought category, (B) the mean duration of each period for each thought category and (C) the mean total duration across all routes of each thought category.
Fig. 4Route planning and emotions: sub-categories. (A) The total duration of each sub-category of route planning for each subject (rank ordered by total number of events). (B) The total duration of each sub-category of emotion for each subject (rank ordered by total number of events).
Results from the temporal precedence analysis
| Category | Sign test |
|---|---|
| Route planning | |
| 135.4, | |
| Was | |
| Coasting | 0.002 |
| Rule related | 0.004 |
| Visual inspection | 0.004 |
| Was | |
| Expectation confirmation | 0.001 |
| Expectation violation | <0.001 |
| Coasting | |
| 75.3, | |
| Was | |
| – | |
| Was | |
| Route planning | <0.001 |
| Action planning | <0.001 |
| Rule related | 0.003 |
| Expectation confirmation | 0.021 |
| Expectation violation | 0.021 |
| Action planning | |
| 92.7, | |
| Was | |
| Coasting | 0.002 |
| Was | |
| Expectation confirmation | 0.003 |
| Expectation violation | <0.001 |
| Emotions | 0.003 |
| Visual inspection | 0.008 |
| Expectation | |
| 1048.0, | |
| Was | |
| Expectation confirmation | <0.001 |
| Expectation violation | <0.001 |
| Monitoring traffic | 0.019 |
| Was | |
| Route planning | <0.001 |
| Action planning | <0.001 |
| Coasting | <0.001 |
| Rule related | <0.001 |
| Visual inspection | 0.039 |
| Visual inspection | |
| 121.6, | |
| Was | |
| Expectation confirmation | 0.002 |
| Was | |
| Emotions | <0.001 |
| Expectation confirmation | |
| 243.0, | |
| Was | |
| Action planning | <0.001 |
| Monitoring traffic | 0.002 |
| Was | |
| Expectation violation | <0.001 |
| Expectation | 0.021 |
| Rule related | 0.039 |
| Expectation violation | |
| 251.2, | |
| Was | |
| Route planning | <0.001 |
| Rule related | 0.007 |
| Was | |
| – | |
| Monitoring traffic | |
| 338.6, | |
| Was | |
| Action planning | <0.001 |
| Expectation confirmation | 0.001 |
| Was | |
| Emotions | 0.001 |
| Visual inspection | 0.006 |
| Rule related | |
| 40.3, | |
| Was | |
| Action planning | <0.001 |
| Was | |
| Coasting | 0.021 |
| Emotions | |
| 45.2, | |
| Was | |
| Coasting | 0.021 |
| Was | |
| Visual inspection | 0.021 |
| Theory of mind | |
| Not significant |
Degrees of freedom for χ2 tests=9.
| Extract 1: Sub. 17 |
| Because I’ve worked the area [ |
| Extract 2: Sub. 1 |
| Sometimes when you’re out on the road, you do it [ |
| Extract 3: Sub. 2 |
| Well, it's an instinct and familiarity really. You’ve done it so often that it doesn’t really test your brain. Obviously some do. It's only when you get sort of difficult ones, or possibly places you’ve not been for a long while. And then you’re actually thinking all the way along. I had one last week that I’ve not been through in 20 years and the names came back and I still found it |
| Extract 4: Sub. 3 |
| Do you want to know one of the worst things about driving a cab? You have a lot of time to think. Not about the job because that comes instinctively, to think about other things. People say “oh I’m too busy at work, I haven’t been able to think about that” I have all day. I spend more time thinking about other things, this [ |
| Extract 5: Sub. 6 |
| It's virtually instant… As you change the path of that vehicle you’ve made your mind up, basically, for 90% of the route. And that one's only three streets in my book. Strand, Fleet Street, Ludgate Hill, I’m there |
| Extract 6: Sub. 2 |
| Basically, you’ve got to be like a… a weather vane. You’ve actually got to be facing in the right direction, and that's the art of it, really. It is an instantaneous reaction as to where you’re making for, really. Because you can’t sit there wondering, getting a book out wondering whether you’ve got to turn around or do a U-turn or left. It's got to be an instant reaction |
| Extract 7: Sub. 17 |
| You can actually think too hard, and if you think too hard—you can’t think. So what you do is you say well, the Middlesex Hospital is back that way, so you don’t panic the brain, you leave the brain free and then what you do is you turn it and point it in the right direction and then you start sorting it out |
| Extract 8: Sub. 18 |
| The important thing when I start is to be heading in the right direction and then that gives you enough time to sort of think as to where you go. So sometimes it's made up as you go along as well |
| Extract 9: Sub. 1 |
| As I said, you tend to follow your nose and trust your instinct because you know that you’re going in the general direction |
| Extract 10: |
| Experimenter |
| And are you thinking the street names? |
| Sub. 6 |
| Yes, yes, yes. Definitely, yes |
| Extract 11: |
| Experimenter |
| Do you think through the names of the streets? |
| Sub. 20 |
| Not verbally, it's quicker than that. You haven’t got time to verbalize |
| Extract 12: Sub. 2 |
| I don’t think, oh, I’ll turn left Duncannon Street into the Strand, left into the Aldwych, left into, er, Catherine Street. However, that's how you do it at the Carriage Office [ |
| Extract 13: Sub. 3 |
| I’m sure I was much more worried when I first started and I would have probably remembered the names of all the streets I was going down and would be going down, whereas now it's far more automatic |
| Extract 14: Sub. 3 |
| I know I’m going in the right direction and I’ won’t make a decision until I get closer towards the end. That's how it works |
| Extract 15: Sub. 17 |
| What I’m actually doing is allowing myself time—this is very delicate, I never knew it was as delicate as this—but what you’re actually doing is: instead of taking the whole route in one go, you’re take a safe step forward to the next one to reappraize where you’re going to go and then it gives you time to think and to relax. And then what you do is you take the next stage stepping stone, but by then you’ve always got it, you’ve had enough time to zoom it in |
| Extract 16: Sub. 18 |
| Once you’ve got the basic plan in your head and you just fill in the detail as you go along |
| Extract 17: Sub. 17 |
| And that's all visual in my mind. When I do it here, I zigzag visually, so I do a fast forward. The nearest you can get to it is very, very… less than a second, very, very fast I go de-de-de-de-de that fits. So in my mind I’m going very fast visually and I’m seeing the streets, not from a plan bird's eye view, but just forward fast, left, right and it's done. It's done as quick as that, but it's visual. It's checking—yes, that's it, that’ll work |
| Extract 18: Sub. 6 |
| You see it like… it's like a Schumacher run [Formula |
| Extract 19: Sub. 17 |
| I’ve got an over-patched picture of Peter Street. It sounds daft, but I don’t view it from ground level, it was slightly up and I could see the whole area as though I was about 50 foot up. And I saw Peter Street, I saw the market and I knew I had to get down to Peter Street |
| Extract 20: |
| Experimenter |
| Were you imagining driving all the way down to the Old Bailey? |
| Sub. 17 |
| No, it's too easy. It's just the Strand, Fleet Street, do a left. I didn’t have to with that one |
| Extract 21: Sub. 18 |
| I’d pictured the hospital up just off Great Portland Street then I brought it back to the Marylebone Road, then I turned round |
| Extract 22: Sub. 20 |
| I think you do think in images. Maybe you fill in details and overlay it with words and things later because, I mean, your brain works in images. What I think, when you say a place like Royal Courts of Justice, I’m thinking what street's it in, that's the first thing…That's how everyone sort of learns it initially, so Royal Courts of Justice is in the Strand. That's what I’m thinking initially and then I’m thinking both, what road it's in or what it looks like. So it could be either option. The Royal Courts of Justice, I probably thought the Strand; then I pictured it. If it doesn’t snap in to perspective straightaway you normally need a keyword, the two things go together to pick up a memory somewhere. When it works, instantly then you’ve got like a snap, if you like, flashing ziggly, zaggly line and you can fill in the detail as you go along. And it's more or less right |
| Extract 23: Sub. 1 |
| There are various points in London where there are only one way in and one way out and when you do the knowledge, even though I did it 20 years ago, you learn those ways in and they stick |
| Extract 24: Sub. 15 |
| You take a region and head for the region first and then sort of branch out |
| Extract 25: Sub. 18 |
| I pretty much know what I’m going to do and what I’m going to come across and also just bearing in mind that some roads are closed. I’ve got at the back of my mind maybe another alternative route just in case of… the roads, the roads are closed. I remember someone did say to me once when I first started he said just have a couple of options just in case there is traffic, you can’t do a specific turn or something |
| Extract 26: Sub. 18 |
| Obviously once you’ve got the route, then you double check it several times in your head. Because sometimes, you know, you’ve got it in place and you’re getting there and you think, no, hang on, that's completely wrong. |
| Statements in square brackets and italics provide additional information to clarify what the preceding statements refer to. Statements in parentheses and italics provide information about a subject's behaviour. |