Literature DB >> 1500872

The role of spectral and dynamic cues in imagery for musical timbre.

M A Pitt1, R G Crowder.   

Abstract

The musical quality of timbre is based on both spectral and dynamic acoustic cues. Four 2-part experiments examined whether these properties are represented in the mental image of a musical timbre. Experiment 1 established that imagery occurs for timbre variations within a single musical instrument, using plucked and bowed tones from a cello. Experiments 2 and 3 used synthetic stimuli that varied in either spectral or dynamic properties only, to investigate imagery with strict acoustic control over the stimuli. Experiment 4 explored whether the dimension of loudness is stored in an auditory image. Spectral properties appear to play a much larger role than dynamic properties in imagery for musical timbre.

Mesh:

Year:  1992        PMID: 1500872     DOI: 10.1037//0096-1523.18.3.728

Source DB:  PubMed          Journal:  J Exp Psychol Hum Percept Perform        ISSN: 0096-1523            Impact factor:   3.332


  9 in total

1.  Name that tune: identifying popular recordings from brief excerpts.

Authors:  E G Schellenberg; P Iverson; M C McKinnon
Journal:  Psychon Bull Rev       Date:  1999-12

2.  Neural Encoding of Auditory Features during Music Perception and Imagery.

Authors:  Stephanie Martin; Christian Mikutta; Matthew K Leonard; Dylan Hungate; Stefan Koelsch; Shihab Shamma; Edward F Chang; José Del R Millán; Robert T Knight; Brian N Pasley
Journal:  Cereb Cortex       Date:  2018-12-01       Impact factor: 5.357

3.  Maintenance of auditory-nonverbal information in working memory.

Authors:  Alexander Soemer; Satoru Saito
Journal:  Psychon Bull Rev       Date:  2015-12

4.  Songbirds use spectral shape, not pitch, for sound pattern recognition.

Authors:  Micah R Bregman; Aniruddh D Patel; Timothy Q Gentner
Journal:  Proc Natl Acad Sci U S A       Date:  2016-01-25       Impact factor: 11.205

5.  The Linked Dual Representation model of vocal perception and production.

Authors:  Sean Hutchins; Sylvain Moreno
Journal:  Front Psychol       Date:  2013-11-05

6.  Decoding spectrotemporal features of overt and covert speech from the human cortex.

Authors:  Stéphanie Martin; Peter Brunner; Chris Holdgraf; Hans-Jochen Heinze; Nathan E Crone; Jochem Rieger; Gerwin Schalk; Robert T Knight; Brian N Pasley
Journal:  Front Neuroeng       Date:  2014-05-27

7.  Mental imagery for musical changes in loudness.

Authors:  Freya Bailes; Laura Bishop; Catherine J Stevens; Roger T Dean
Journal:  Front Psychol       Date:  2012-12-03

8.  Musical expertise and the ability to imagine loudness.

Authors:  Laura Bishop; Freya Bailes; Roger T Dean
Journal:  PLoS One       Date:  2013-02-27       Impact factor: 3.240

9.  Working memory for pitch, timbre, and words.

Authors:  Katrin Schulze; Barbara Tillmann
Journal:  Memory       Date:  2012-11-01
  9 in total

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