Literature DB >> 10682207

Name that tune: identifying popular recordings from brief excerpts.

E G Schellenberg1, P Iverson, M C McKinnon.   

Abstract

We tested listeners' ability to identify brief excerpts from popular recordings. Listeners were required to match 200- or 100-msec excerpts with the song titles and artists. Performance was well above chance levels for 200-msec excerpts and poorer but still better than chance for 100-msec excerpts. Performance fell to chance levels when dynamic (time-varying) information was disrupted by playing the 100-msec excerpts backward and when high-frequency information was omitted from the 100-msec excerpts; performance was unaffected by the removal of low-frequency information. In sum, successful identification required the presence of dynamic, high-frequency spectral information.

Mesh:

Year:  1999        PMID: 10682207     DOI: 10.3758/bf03212973

Source DB:  PubMed          Journal:  Psychon Bull Rev        ISSN: 1069-9384


  14 in total

1.  Recognizing famous voices: influence of stimulus duration and different types of retrieval cues.

Authors:  S R Schweinberger; A Herholz; W Sommer
Journal:  J Speech Lang Hear Res       Date:  1997-04       Impact factor: 2.297

2.  The role of spectral and dynamic cues in imagery for musical timbre.

Authors:  M A Pitt; R G Crowder
Journal:  J Exp Psychol Hum Percept Perform       Date:  1992-08       Impact factor: 3.332

3.  Absolute memory for musical pitch: evidence from the production of learned melodies.

Authors:  D J Levitin
Journal:  Percept Psychophys       Date:  1994-10

4.  Memory for musical tempo: additional evidence that auditory memory is absolute.

Authors:  D J Levitin; P R Cook
Journal:  Percept Psychophys       Date:  1996-08

5.  Talker-specific learning in speech perception.

Authors:  L C Nygaard; D B Pisoni
Journal:  Percept Psychophys       Date:  1998-04

6.  Psychoacoustics of a chilling sound.

Authors:  D L Halpern; R Blake; J Hillenbrand
Journal:  Percept Psychophys       Date:  1986-02

7.  Multidimensional perceptual scaling of musical timbres.

Authors:  J M Grey
Journal:  J Acoust Soc Am       Date:  1977-05       Impact factor: 1.840

Review 8.  Absolute pitch.

Authors:  A H Takeuchi; S H Hulse
Journal:  Psychol Bull       Date:  1993-03       Impact factor: 17.737

9.  Perceptual scaling of synthesized musical timbres: common dimensions, specificities, and latent subject classes.

Authors:  S McAdams; S Winsberg; S Donnadieu; G De Soete; J Krimphoff
Journal:  Psychol Res       Date:  1995

10.  Isolating the dynamic attributes of musical timbre.

Authors:  P Iverson; C L Krumhansl
Journal:  J Acoust Soc Am       Date:  1993-11       Impact factor: 1.840

View more
  10 in total

1.  Judging familiarity and emotion from very brief musical excerpts.

Authors:  Suzanne Filipic; Barbara Tillmann; Emmanuel Bigand
Journal:  Psychon Bull Rev       Date:  2010-06

2.  Dynamic melody recognition: distinctiveness and the role of musical expertise.

Authors:  Freya Bailes
Journal:  Mem Cognit       Date:  2010-07

3.  Conceptual and perceptual information both influence melody identification.

Authors:  Matthew D Schulkind
Journal:  Mem Cognit       Date:  2004-07

4.  Remembering the melody and timbre, forgetting the key and tempo.

Authors:  E Glenn Schellenberg; Peter Habashi
Journal:  Mem Cognit       Date:  2015-10

5.  Memory for surface features of unfamiliar melodies: independent effects of changes in pitch and tempo.

Authors:  E Glenn Schellenberg; Stephanie M Stalinski; Bradley M Marks
Journal:  Psychol Res       Date:  2013-02-06

6.  Categorization of extremely brief auditory stimuli: domain-specific or domain-general processes?

Authors:  Emmanuel Bigand; Charles Delbé; Yannick Gérard; Barbara Tillmann
Journal:  PLoS One       Date:  2011-10-27       Impact factor: 3.240

7.  Training of tonal similarity ratings in non-musicians: a "rapid learning" approach.

Authors:  Mathias S Oechslin; Damian Läge; Oliver Vitouch
Journal:  Front Psychol       Date:  2012-05-17

8.  Modeling Timbre Similarity of Short Music Clips.

Authors:  Kai Siedenburg; Daniel Müllensiefen
Journal:  Front Psychol       Date:  2017-04-26

9.  Investigating Everyday Musical Interaction During COVID-19: An Experimental Procedure for Exploring Collaborative Playlist Engagement.

Authors:  Ilana Harris; Ian Cross
Journal:  Front Psychol       Date:  2021-04-01

10.  A brain basis for musical hallucinations.

Authors:  Sukhbinder Kumar; William Sedley; Gareth R Barnes; Sundeep Teki; Karl J Friston; Timothy D Griffiths
Journal:  Cortex       Date:  2013-12-17       Impact factor: 4.027

  10 in total

北京卡尤迪生物科技股份有限公司 © 2022-2023.