Literature DB >> 8668453

Incidence of the half-left profile pose in single-subject portraits.

J Conesa1, C Brunold-Conesa, M Miron.   

Abstract

The present work recorded frequencies of five poses (left profile, half-left profile, full-face view, half-right profile, and right profile) by examining 4,180 single-subject portraits of various media. Statistically significant differences were found between the incidence of half-left and half-right profiles. These differences found across media, authorship, and five centuries of portrait work are consistent with right-hemisphere activation models in attentional bias and perception of emotion.

Mesh:

Year:  1995        PMID: 8668453     DOI: 10.2466/pms.1995.81.3.920

Source DB:  PubMed          Journal:  Percept Mot Skills        ISSN: 0031-5125


  4 in total

1.  Laterality of expression in portraiture: putting your best cheek forward.

Authors:  M E Nicholls; D Clode; S J Wood; A G Wood
Journal:  Proc Biol Sci       Date:  1999-08-07       Impact factor: 5.349

2.  Accelerated recognition of left oblique views of faces.

Authors:  Miyuki Yamamoto; Yasuyuki Kowatari; Shogo Ueno; Shigeru Yamane; Shigeru Kitazawa
Journal:  Exp Brain Res       Date:  2004-10-15       Impact factor: 1.972

3.  Visual attention during the evaluation of facial attractiveness is influenced by facial angles and smile.

Authors:  Seol Hee Kim; Soonshin Hwang; Yeon-Ju Hong; Jae-Jin Kim; Kyung-Ho Kim; Chooryung J Chung
Journal:  Angle Orthod       Date:  2018-01-29       Impact factor: 2.079

Review 4.  Pupil dilations reflect why rembrandt biased female portraits leftward and males rightward.

Authors:  James A Schirillo
Journal:  Front Hum Neurosci       Date:  2014-01-13       Impact factor: 3.169

  4 in total

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