Literature DB >> 8412716

Expected endings and judged duration.

M R Jones1, M G Boltz, J M Klein.   

Abstract

In four experiments, the predictions of an expectancy/contrast model (Jones & Boltz, 1989) for judged duration were evaluated. In Experiments 1 and 2, listeners estimated the relative durations of auditory pattern pairs that varied in contextual phrasing and temporal contrast. The results showed that when the second pattern of a pair either seems to (Experiments 1 and 2) or actually does (Experiment 2) end earlier (later) than the first, subjects judge it as being relatively shorter (longer). In Experiment 3, listeners heard single patterns in which notes immediately preceding the final one were omitted. Timing of the final (target) tone was varied such that it was one beat early, on time, or one beat late. Listeners' ratings of target tones revealed systematic effects of phrasing and target timing. In Experiment 4, listeners temporally completed (extrapolated) sequences of Experiment 3 that were modified to exclude the target tone. The results again showed that phrase context systematically influenced expectancies about "when" sequences should end. As a set, these studies demonstrate the effects of event structure and anticipatory attending upon experienced duration and are discussed in terms of the expectancy/contrast model.

Mesh:

Year:  1993        PMID: 8412716     DOI: 10.3758/bf03197196

Source DB:  PubMed          Journal:  Mem Cognit        ISSN: 0090-502X


  28 in total

1.  Dynamic attending and responses to time.

Authors:  M R Jones; M Boltz
Journal:  Psychol Rev       Date:  1989-07       Impact factor: 8.934

2.  Dynamic pattern structure in music: recent theory and research.

Authors:  M R Jones
Journal:  Percept Psychophys       Date:  1987-06

3.  Selectivity of attention and the perception of duration.

Authors:  G Underwood; R A Swain
Journal:  Perception       Date:  1973       Impact factor: 1.490

4.  The influence of task difficulty and external tempo on subjective time estimation.

Authors:  D Zakay; D Nitzan; J Glicksohn
Journal:  Percept Psychophys       Date:  1983-11

Review 5.  Time, our lost dimension: toward a new theory of perception, attention, and memory.

Authors:  M R Jones
Journal:  Psychol Rev       Date:  1976-09       Impact factor: 8.934

Review 6.  Perception and estimation of time.

Authors:  P Fraisse
Journal:  Annu Rev Psychol       Date:  1984       Impact factor: 24.137

7.  Some effects of rhythmic context on melody recognition.

Authors:  G Kidd; M Boltz; M R Jones
Journal:  Am J Psychol       Date:  1984

8.  Duration judgment and the segmentation of experience.

Authors:  W D Poynter
Journal:  Mem Cognit       Date:  1983-01

9.  Duration as a cue to the perception of a phrase boundary.

Authors:  D R Scott
Journal:  J Acoust Soc Am       Date:  1982-04       Impact factor: 1.840

10.  Evidence for rhythmic attention.

Authors:  M R Jones; G Kidd; R Wetzel
Journal:  J Exp Psychol Hum Percept Perform       Date:  1981-10       Impact factor: 3.332

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  8 in total

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Journal:  Psychol Res       Date:  2005-09-22

4.  Time estimation and expectancies.

Authors:  M G Boltz
Journal:  Mem Cognit       Date:  1993-11

5.  Harmonic and rhythmic influences on musical expectancy.

Authors:  M A Schmuckler; M G Boltz
Journal:  Percept Psychophys       Date:  1994-09

6.  Sensitivity to event timing in regular and irregular sequences: influences of musical skill.

Authors:  W Yee; S Holleran; M R Jones
Journal:  Percept Psychophys       Date:  1994-10

7.  Auditory memory distortion for spoken prose.

Authors:  Joanna L Hutchison; Timothy L Hubbard; Blaise Ferrandino; Ryan Brigante; Jamie M Wright; Bart Rypma
Journal:  J Exp Psychol Learn Mem Cogn       Date:  2012-05-21       Impact factor: 3.051

Review 8.  Rhythm perception, production, and synchronization during the perinatal period.

Authors:  Joëlle Provasi; David I Anderson; Marianne Barbu-Roth
Journal:  Front Psychol       Date:  2014-09-18
  8 in total

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