Literature DB >> 8173616

Internal voice sensitivities in opera singers.

N Scotto Di Carlo1.   

Abstract

To control their voices, singers rely not only on auditory feedback but also on proprioceptive feedback supplied by internal voice sensitivities (IVS). IVS, which are essentially pallesthetic (vibratory) and kinesthetic (muscular), provide singers with precise landmarks for controlling their emission. This means of control is more reliable than auditory feedback in which the voice is substantially modified by the acoustics of the environment.

Mesh:

Year:  1994        PMID: 8173616     DOI: 10.1159/000266296

Source DB:  PubMed          Journal:  Folia Phoniatr Logop        ISSN: 1021-7762            Impact factor:   0.849


  3 in total

1.  Vocal tract resonances in speech, singing, and playing musical instruments.

Authors:  Joe Wolfe; Maëva Garnier; John Smith
Journal:  HFSP J       Date:  2008-12-03

2.  Effect of Training and Level of External Auditory Feedback on the Singing Voice: Volume and Quality.

Authors:  Pasquale Bottalico; Simone Graetzer; Eric J Hunter
Journal:  J Voice       Date:  2015-07-15       Impact factor: 2.009

3.  Effect of Training and Level of External Auditory Feedback on the Singing Voice: Pitch Inaccuracy.

Authors:  Pasquale Bottalico; Simone Graetzer; Eric J Hunter
Journal:  J Voice       Date:  2016-03-02       Impact factor: 2.009

  3 in total

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