Literature DB >> 521399

Calculating virtual pitch.

E Terhardt.   

Abstract

A procedure for the schematic and automatic extraction of 'fundamental pitch' from complex tonal signals, such as voiced speech and music, has been developed. While the auditively relevant 'fundamental' of a complex signal cannot be defined in purely mathematical terms, an existent model of virtual-pitch perception turns out to provide a suitable basis. The procedure comprises the formation of determinant spectral pitches (or 'fundamental frequency') from those spectral pitches. The latter deduction is accomplished by a principle of subharmonic matching, for whose realization a simple, universal and efficient algorithm was found. While the calculation may be confined to the determination of 'nominal' virtual pitch, certain typical auditory phenomena, such as the influence of SPL, partial masking and interval stretch, may be accounted for as well, in which case 'true' virtual pitch is obtained. The procedure operates on the frequencies and amplitudes of the signal's spectral components, is suitable for implementation on readily available programmable calculators and other arithmetic computers, and may be used in real-time 'fundamental-pitch' extraction as well. The procedure's performance and its applicability to the research and engineering of auditory communication are illustrated by some examples.

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Year:  1979        PMID: 521399     DOI: 10.1016/0378-5955(79)90025-x

Source DB:  PubMed          Journal:  Hear Res        ISSN: 0378-5955            Impact factor:   3.208


  19 in total

1.  Topographic organization is essential for pitch perception.

Authors:  Shihab A Shamma
Journal:  Proc Natl Acad Sci U S A       Date:  2004-01-26       Impact factor: 11.205

2.  Inharmonicity detection. Effects of age and contralateral distractor sounds.

Authors:  Manon Grube; D Yves von Cramon; Rudolf Rübsamen
Journal:  Exp Brain Res       Date:  2003-10-03       Impact factor: 1.972

3.  Reconsidering evidence for the suppression model of the octave illusion.

Authors:  Christopher D Chambers; Jason B Mattingley; Simon A Moss
Journal:  Psychon Bull Rev       Date:  2004-08

4.  An autocorrelation model with place dependence to account for the effect of harmonic number on fundamental frequency discrimination.

Authors:  Joshua G W Bernstein; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2005-06       Impact factor: 1.840

5.  Further evidence that fundamental-frequency difference limens measure pitch discrimination.

Authors:  Christophe Micheyl; Claire M Ryan; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2012-05       Impact factor: 1.840

6.  Circularity in relative pitch judgments for inharmonic complex tones: the Shepard demonstration revisited, again.

Authors:  E M Burns
Journal:  Percept Psychophys       Date:  1981-11

Review 7.  Pitch, harmonicity and concurrent sound segregation: psychoacoustical and neurophysiological findings.

Authors:  Christophe Micheyl; Andrew J Oxenham
Journal:  Hear Res       Date:  2009-09-27       Impact factor: 3.208

8.  Perception and cortical neural coding of harmonic fusion in ferrets.

Authors:  Sridhar Kalluri; Didier A Depireux; Shihab A Shamma
Journal:  J Acoust Soc Am       Date:  2008-05       Impact factor: 1.840

Review 9.  [Why can we hear pure tones?].

Authors:  E Terhardt
Journal:  Naturwissenschaften       Date:  1989-11

10.  Qualities of Single Electrode Stimulation as a Function of Rate and Place of Stimulation with a Cochlear Implant.

Authors:  David M Landsberger; Katrien Vermeire; Annes Claes; Vincent Van Rompaey; Paul Van de Heyning
Journal:  Ear Hear       Date:  2016 May-Jun       Impact factor: 3.570

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