Literature DB >> 3822747

Tonal fusion of consonant musical intervals: the oomph in Stumpf.

L A DeWitt, R G Crowder.   

Abstract

Mesh:

Year:  1987        PMID: 3822747     DOI: 10.3758/bf03208216

Source DB:  PubMed          Journal:  Percept Psychophys        ISSN: 0031-5117


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  4 in total

1.  Consonance theory part II: consonance of complex tones and its calculation method.

Authors:  A Kameoka; M Kuriyagawa
Journal:  J Acoust Soc Am       Date:  1969-06       Impact factor: 1.840

2.  Tonal consonance and critical bandwidth.

Authors:  R Plomp; W J Levelt
Journal:  J Acoust Soc Am       Date:  1965-10       Impact factor: 1.840

3.  Spectral integration based on common amplitude modulation.

Authors:  A S Bregman; J Abramson; P Doehring; C J Darwin
Journal:  Percept Psychophys       Date:  1985-05

4.  The perceptual reality of tone chroma in early infancy.

Authors:  L Demany; F Armand
Journal:  J Acoust Soc Am       Date:  1984-07       Impact factor: 1.840

  4 in total
  13 in total

1.  Effects of harmonics on relative pitch discrimination in a musical context.

Authors:  L J Trainor
Journal:  Percept Psychophys       Date:  1996-07

2.  Brainstem correlates of behavioral and compositional preferences of musical harmony.

Authors:  Gavin M Bidelman; Ananthanarayan Krishnan
Journal:  Neuroreport       Date:  2011-03-30       Impact factor: 1.837

3.  Auditory-nerve responses predict pitch attributes related to musical consonance-dissonance for normal and impaired hearing.

Authors:  Gavin M Bidelman; Michael G Heinz
Journal:  J Acoust Soc Am       Date:  2011-09       Impact factor: 1.840

4.  The basis of musical consonance as revealed by congenital amusia.

Authors:  Marion Cousineau; Josh H McDermott; Isabelle Peretz
Journal:  Proc Natl Acad Sci U S A       Date:  2012-11-12       Impact factor: 11.205

5.  Simultaneous consonance in music perception and composition.

Authors:  Peter M C Harrison; Marcus T Pearce
Journal:  Psychol Rev       Date:  2019-12-23       Impact factor: 8.934

6.  Pitch enumeration: failure to subitize in audition.

Authors:  Neil M McLachlan; David J T Marco; Sarah J Wilson
Journal:  PLoS One       Date:  2012-04-02       Impact factor: 3.240

7.  The origins of music in auditory scene analysis and the roles of evolution and culture in musical creation.

Authors:  Laurel J Trainor
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2015-03-19       Impact factor: 6.237

8.  Absolute and relative pitch: Global versus local processing of chords.

Authors:  Naomi Ziv; Shulamit Radin
Journal:  Adv Cogn Psychol       Date:  2014-02-20

9.  Sensory cortical response to uncertainty and low salience during recognition of affective cues in musical intervals.

Authors:  Fernando Bravo; Ian Cross; Emmanuel Andreas Stamatakis; Martin Rohrmeier
Journal:  PLoS One       Date:  2017-04-19       Impact factor: 3.240

10.  The role of the auditory brainstem in processing musically relevant pitch.

Authors:  Gavin M Bidelman
Journal:  Front Psychol       Date:  2013-05-13
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