| Literature DB >> 35741903 |
Dan Zhu1, Jiayi Wang1, Peng Wang2, Honggang Xu2.
Abstract
Foodscape conceptualizes the dynamic human-food-place nexus. Tourism provides a cross-cultural context where tourists can consume different destination foods and places, during which multiple types of destination foodscapes are produced. However, few studies explore how to frame the types and connotations of destination foodscape. Tourists' travelogues provide a rich database to examine this question. Through netnography, this study collects and analyzes 86 posts of travelogues published from 2012 to 2019 in Mafengwo, a famous Chinese online travel community, about Chinese tourists' food experiences in Chiang Mai, Thailand. We summarize five types of destination foodscapes, globalized recreational foodscape, staged local foodscape, glocalized foodscape, authentic local foodscape, and overseas ethnic foodscape in which tourists obtain different familiar-novelty hybrid experiences. This study contributes to interdisciplinary dialogue between food and tourism literature by proposing a coordinate framework with two axes, the spectrum of cultural distance and the spectrum of serving tourists/locals, to classify destination foodscape and a six-dimensional network construct to reveal the connotations of destination foodscape. Relevant strategies for promoting destination food and tourism development are also provided.Entities:
Keywords: food experience; foodscape; netnography; tourism destination; travelogue
Year: 2022 PMID: 35741903 PMCID: PMC9222725 DOI: 10.3390/foods11121706
Source DB: PubMed Journal: Foods ISSN: 2304-8158
Basic information of the travelogues in Mafengwo.
| No. | Gender | Posted Time | Departure Time | Travel Days | Fellow Traveler |
|---|---|---|---|---|---|
| M01 | Male | 2019/1/10 | 2019/1/9 | 22 | alone |
| M02 | Female | 2017/4/6 | 2017/3/10 | 6 | alone |
| M03 | Male | 2012/9/22 | - | 4 | - |
| M04 | Male | 2017/1/31 | 2016/12/23 | 8 | couple |
| M05 | Male | 2018/3/19 | 2018/1/31 | about 60 | friends |
| M06 | Male | 2018/1/6 | 2017/12/21 | 7 | friends |
| M07 | Male | 2017/4/10 | 2017/2/27 | 9 | alone |
| M08 | Female | 2016/4/14 | 2016/1/29 | 16 | friends |
| M09 | Female | 2016/10/22 | 2016/7/12 | 12 | alone |
| M10 | Female | 2016/3/11 | 2016/11/8 | 6 | couple |
| M11 | Female | 2021/12/2 | 2019/11/8 | 6 | friends |
| M12 | Female | 2019/11/24 | 2019/10/2 | 6 | couple |
| M13 | Female | 2021/12/12 | 2020/4/30 | 5 | couple |
| M14 | Female | 2021/12/4 | 2016/2/8 | 8 | families |
| M15 | Male | 2021/11/1 | 2016/8/10 | 16 | couple |
| M16 | Female | 2020/12/6 | 2019/11/22 | 8 | friends |
| M17 | Female | 2021/3/5 | 2017/6/27 | 15 | friends |
| M18 | Male | 2021/6/16 | 2020/9/28 | 1 | alone |
| M19 | Female | 2019/4/20 | 2019/4/11 | 4 | friends |
| M20 | Female | 2019/5/24 | 2019/4/27 | 5 | couple |
| M21 | Female | 2020/12/8 | 2019/7/28 | 6 | friends |
| M22 | Male | 2021/1/31 | 2019/11/10 | 7 | friends |
| M23 | Female | 2020/10/10 | 2020/1/16 | 13 | families |
| M24 | Male | 2021/1/13 | - | - | - |
| M25 | Female | 2017/8/22 | /2017/05/01 | 9 | friends |
| M26 | Male | 2017/4/17 | 2017/2/5 | 8 | alone |
| M27 | Female | 2020/8/1 | 2019/7/19 | 7 | friends |
| M28 | Female | 2020/7/14 | 2020/7/21 | 10 | friends |
| M29 | Female | 2020/8/10 | 2019/9/11 | 7 | families |
| M30 | Female | 2018/3/23 | 2017/8/27 | 64 | friends |
| M31 | Female | 2016/10/23 | 2016/8/21 | 12 | friends |
| M32 | Male | 2020/4/28 | 2017/11/16 | 9 | families |
| M33 | Female | 2020/5/25 | - | - | - |
| M34 | Female | 2017/11/12 | 2017/6/24 | 11 | families |
| M35 | Female | 2012/12/25 | 2012/11/22 | 11 | couple |
| M36 | Female | 2019/7/6 | 2019/6/23 | 7 | couple |
| M37 | Female | 2013/12/26 | 2013/12/12 | 9 | couple |
| M38 | Female | 2015/12/31 | 2015/4/26 | 9 | alone |
| M39 | Female | 2016/6/18 | 2016/5/23 | 7 | couple |
| M40 | Female | 2012/2/28 | - | 11 | alone |
| M41 | Male | 2019/12/6 | 2019/8/7 | 6 | families |
| M42 | Female | 2016/7/1 | 2016/5/7 | 8 | couple |
| M43 | Female | 2014/6/20 | 2014/5/30 | 8 | couple |
| M44 | Female | 2020/4/30 | 2017/1/30 | 10 | couple |
| M45 | Male | 2016/8/24 | 2016/4/30 | 8 | couple |
| M46 | Male | 2020/4/20 | - | - | alone |
| M47 | Female | 2020/4/30 | 2019/9/28 | 6 | couple |
| M48 | Female | 2020/4/13 | 2019/9/18 | 6 | friends |
| M49 | Female | 2020/3/7 | 2018/9/24 | 7 | couple |
| M50 | Female | 2020/3/27 | 2020/1/16 | 7 | - |
| M51 | Female | 2020/4/8 | 2019/12/10 | 50 | alone |
| M52 | Female | 2020/2/23 | 2019/12/6 | 8 | couple |
| M53 | Female | 2013/1/1 | - | - | - |
| M54 | Male | 2020/5/4 | 2019/8/1 | 7 | alone |
| M55 | Male | 2021/11/10 | - | - | - |
| M56 | Male | 2019/10/19 | - | - | - |
| M57 | Male | 2020/7/4 | 2015/7/27 | 7 | families |
| M58 | Female | 2020/8/4 | - | - | - |
| M59 | Female | 2019/10/19 | 2019/11/5 | 5 | friends |
| M60 | Male | 2019/12/1 | - | - | - |
| M61 | Female | 2020/10/25 | 2017/7/9 | 6 | friends |
| M62 | Female | 2019/1/31 | 2019/1/30 | 7 | couple |
| M63 | Female | 2019/2/11 | 2019/1/21 | 8 | couple |
| M64 | Female | 2021/2/25 | 2018/10/1 | 6 | friends |
| M65 | Female | 2018/8/31 | 2018/8/3 | 20 | families |
| M66 | Male | 2019/2/11 | 2019/1/12 | 10 | families |
| M67 | Male | 2019/11/10 | 2019/11/6 | 5 | colleague |
| M68 | Male | 2019/7/12 | 2019/6/18 | 3 | friends |
| M69 | Female | 2018/11/22 | 2018/11/10 | 8 | friends |
| M70 | Female | 2018/1/25 | 2018/1/3 | 5 | - |
| M71 | Female | 2018/5/19 | 2018/5/10 | 1 | friends |
| M72 | Female | 2019/3/28 | 2019/3/23 | 1 | couple |
| M73 | Male | 2018/8/4 | 2018/7/9 | 6 | friends |
| M74 | Female | 2017/8/5 | - | - | - |
| M75 | Female | 2017/11/8 | 2017/10/28 | 8 | friends |
| M76 | Male | 2018/3/4 | 2015/3/4 | 10 | friends |
| M77 | Male | 2019/2/22 | 2019/2/3 | 4 | couple |
| M78 | Male | 2017/4/16 | 2016/3/26 | 18 | alone |
| M79 | Female | 2017/12/3 | 2017/10/20 | 10 | families |
| M80 | Female | 2020/2/11 | 2019/12/27 | 6 | friends |
| M81 | Female | 2019/1/25 | 2019/1/3 | 8 | friends |
| M82 | Female | 2018/10/9 | 2018/9/25 | 5 | friends |
| M83 | Female | 2019/7/24 | 2018/9/8 | 8 | alone |
| M84 | Female | 2019/12/7 | 2019/11/22 | 5 | families |
| M85 | Female | 2015/6/22 | 2014/7/16 | 16 | families |
| M86 | Female | 2012/9/24 | 2012/9/14 | 11 | - |
Profiles of Informants interviewed online.
| No. | No. in Travelogues | Gender | Age | Origin (City, Province) | Profession | Interview Platform | Length of Interview |
|---|---|---|---|---|---|---|---|
| I01 | M36 | Female | 34 | Yantai, Shandong | Employee of public institutions | Tencent meeting | 66 min |
| I02 | M78 | Male | 66 | Chengdu, Sichuan | College professor | Tencent meeting | 48 min |
| I03 | M40 | Female | 32 | Shenzhen, | Securities practitioner | Tencent meeting | 49 min |
| I04 | M71 | Female | 35 | Chenzhou, Hunan | Staff of tourism enterprise | About 40 min |
Figure 1Five types of destination foodscapes in the coordinate typological framework of destination foodscape.
Figure 2Images of globalized recreational foodscape: (a–c) the modern facade with lovely cartoon models; (d) the menu with Thai, English, and Chinese languages; (e) tourists taking photos with the creative and lovely desserts used with permission (this applies to Figure 3, Figure 4, Figure 5 and Figure 6).
Figure 3Images of staged local foodscape: (a–c) the physical environment with Northern Thai symbolical tropical environment and Buddhism culture; (d) the typical local Thai dishes with a combined flavor of western food.
Figure 4Images of glocalized foodscape: some snacks with global brands, (a) Oreo ice-cream; (b) puffing food; (c) the Redbull drinks; (d) sandwich biscuit.
Figure 5Images of local Thai foodscape: (a) the street vendors; (b) locals sell and buy fried meat; (c) some favorable local dishes adaptable to the taste of Chinese tourists.
Figure 6Typical images of overseas ethnic foodscape: (a) the interior setting of a Mexican restaurant; (b) the spicy food of a Chinese Szechuan restaurant; (c) a restaurant of Japanese barbecue.
Figure 7The dimensional construct of destination foodscape.
A summary of different destination foodscapes.
| Dimensions | Elements and Connotations | Globalized Recreational Foodscape | Staged Local Foodscape | Glocalized | Authentic Local Foodscape | Overseas Ethnic Foodscape |
|---|---|---|---|---|---|---|
| Consumption grade | Price level and grade | Medium to high level of consumption | Medium to high level of consumption | Folk level of consumption | Folk level of consumption | Medium to high level of consumption |
| Physical environment | Functionality, | Modern, creative and artistic cafeterias or dessert shops | Staging symbols of local representative culture, religion or environment | Standard decoration integrated with some local elements | Local markets or local, humble restaurants | Restaurants with strong ethnic and national symbols |
| Social interaction and ambiance | Tourists’ interaction with the locals, service personnel, other guests; or immersion within the social ambiance | Limited within ordering food with the service personnel, static gaze upon international tourists | Limited within ordering food with the service personnel, static gaze upon international tourists | Limited within ordering food with the service personnel, static gaze upon locals | Communicate with locals, immersion within the folklore, mundane life | Ordering food with the locals/service personnel; |
| Food and eating | ingredients, | Familiar dessert and drinks with creative and good-looking appearances, photo-taking | Local ingredients, | Standard food packaging and formula, with local special ingredients | Nonstandard hygienic conditions, local ingredients and authentic taste | Ethnic cuisine integrated with some local cooking style |
| Culture | various cultures in the spectrum of cultural distance | Global culture with local creative and arctic subculture | Local natural conditions, regional and historical culture | Global fast-food culture | Local folklore culture | Ethnic culture of different nations embedded in the destination |
| Tourist’s mixed experience | Familiarity- | Experience within a familiar touristic clave with some exotic ambiance | Experience within a familiar environmental bubble with staged local culture | Experience within a familiar environmental bubble hybrid with some local exotics | Intense novelty within the authentic local | Intense familiarity with a small amount of locality/renewal of exotic experience |