| Literature DB >> 35523914 |
Christian Rominger1, Martha Schneider2, Andreas Fink2, Ulrich S Tran3, Corinna M Perchtold-Stefan2, Andreas R Schwerdtfeger2.
Abstract
BACKGROUND: Physical activity is a health-relevant lifestyle factor associated with various benefits on physical and mental health. Several meta-analyses indicated effects of acute and chronic physical activities on elementary cognitive functions such as executive control processes, memory, and attention. Meta-analytic evidence on the effects of physical activity on creative idea generation, which involves a conglomerate of these elementary cognitive functions, is largely missing.Entities:
Keywords: Bodily movement; Creative potential; Divergent thinking; Open problem solving
Year: 2022 PMID: 35523914 PMCID: PMC9076802 DOI: 10.1186/s40798-022-00444-9
Source DB: PubMed Journal: Sports Med Open ISSN: 2198-9761
Study characteristics: Intervention studies
| Study | Year | Participants | Age (mean, SD/range) | Design | Physical activity intervention | Control | Creative ideation task | Study quality |
|---|---|---|---|---|---|---|---|---|
| Aga et al. [ | 2021 | Exercise group: Control group: | 22.98 (1.95) | Between-subject | Cycling (15 min) | Reading (15 min) | Alternate uses test [ | 7 |
| Blanchette et al. [ | 2005 | 20 ( −) | Within-subject | Aerobic exercise (30 min) | No exercise (30 min) | Torrance test of creative thinking [ | 4 | |
| Bollimbala et al. [ | 2019 | Experimental group: Control group: | 12 (1.29) | Between-subject (Parallel group) | Dance intervention (20 min) | Sitting (20 min) | Alternate uses test [ | 6 |
| Bollimbala et al. [ | 2020 | Experimental group: Control group: | 22.04 (0.84) | Between-subject (Parallel group) | Yoga (20 min) | Case study (20 min) | Alternate uses test [ | 7 |
| Bollimbala et al. [ | 2021 | Dancing group: Control group: | 21.6 (0.88) | Between-subject | Dancing (15 min) | Socializing | Alternate uses test [ | 5 |
Campion and Levita [ | 2014 | Dancing group: Cycling group: Music group: No exercise group: | 20.4 (1.31) | Between-subject | Cycling, dancing (5 min) | Listening to music, sitting quietly (5 min) | Torrance test of creative thinking [ | 5 |
| Donnegan et al. (1–2) [ | 2018 | Yoga group: Aerobic group: | Yoga: 41.3 (−) Aerobics: 48.4 (−) | Within-subject | Yoga (75 min), aerobic (45 min) | – | The abbreviated Torrance test for adults [ | 3 |
| Frith and Loprinzi [ | 2018 | 23.1 (3.39) | Within-subject | Treadmill walking (15 min) | Sitting (15 min) | Alternate uses task [ | 7 | |
| Frith et al. [ | 2021 | 22.66 (3.23) | Within-subject | Treadmill walking (20 min) | Sitting (20 min) | Instances creativity task [ | 7 | |
| Gondola [ | 1986 | 9.77 (1.11) | Within-subject | Running (20 min/twice a week/six weeks) | – | Alternate uses test [ | 3 | |
| Herman-Tofler et al. [ | 1998 | Aerobic exercise group: Physical education group: | – | Between-subject (Parallel group) | Aerobics (25 min/ three times a week/ eight weeks) | Physical education (25 min/ three times a week/eight weeks) | Torrance test of creative thinking [ | 3 |
| Latorre Román et al. [ | 2018 | Aerobic game group: Control group: | 9.84 (1.12) | Between-subject (Parallel group) | Aerobic game session (45 min) | No exercise | Prueba de imaginacion creativa-Ninos [ | 6 |
| Latorre Román et al. [ | 2021 | Active recess program group: Control group: | Experimental: 9.76 (1.09) Control: 9.77 (1.11) | Within-subject | Active recess program (about 20 min/three times a week/ 10 weeks) | – | Prueba de imaginacion creativa-Ninos [ | 5 |
| Leung et al. [ | 2012 | – | Between-subject (Parallel group) | Free walking (2 min), rectangular walking (2 min) | Sitting (2 min) | Droodle and Lego task | 4 | |
| Ludyga et al. [ | 2020 | 12.8 (1.8) | Crossover | Aerobic exercise (20 min) | – | Alternate uses task [ | 6 | |
| Main et al. [ | 2020 | 20.4 | Mixed measure (2 × 2) | Treadmill walking (8 min/ 4 × 2 min) | Sitting (8 min/ 4 × 2 min) | Alternate uses task [ | 5 | |
| Matsumoto et al. [ | 2022 | 21.36 (1.33) | Within-subject | Stair-climbing | – | Alternate uses test [ | 7 | |
| Murali and Händel (1–3) [ | 2022 | 18–35 18–35 18–35 | Within-subject | Walking | Sitting | Alternate uses task [ | 7 | |
| Netz et al. [ | 2007 | Moderately-intense aerobic group: Moderate aerobic group: Control group: | 54.99 (3.14) 56.12 (3.4) 54.75 (3.01) | Between-subject (Parallel group) | Aerobic training (until participants reached their limit) | Watching a movie | Alternate uses test [ | 7 |
| Oppezzo and Schwartz (1–3) [ | 2014 | – | Within-subject | Walking (treadmill and outside) | Sitting | Alternate uses test [ | 5 | |
| Österberg and Olsson [ | 2021 | Dancing group: Control group: | 12 ( −) | Between-subject | Dancing (3 min) | No exercise | Adopted idea generation test from Finke et al. [ | 2 |
| Patterson et al. [ | 2018 | 21.35 (1.3) | Within-subject | Treadmill walking (15 min) | – | Alternate uses task [ | 4 | |
| Richard et al. [ | 2021 | Aerobic dance group: Control group: | 23.56 (2.66) | Between-subject | Aerobic dancing (30 min/ twice a week/five weeks) | Received 3 short readings about creativity | Runco creative assessment battery | 7 |
| Ruiz-Ariza et al. [ | 2019 | Interval training group: Static stretching group: | 13.73 (1.34) | Between-subject (Parallel group) | High-intensity interval training (16 min/ twice a week/ 12 weeks) | Static stretching (16 min/ twice a week/ 12 weeks) | CREA test [ | 4 |
| Steinberg et al. [ | 1997 | 19–59 | Within-subject | Aerobic workout (17 min) and dance (17 min) | Watched a documentary of similar duration | Torrance’s unusual uses test of creative thinking [ | 3 | |
| Tilp et al. [ | 2020 | Experimental group: Control group: | 12.26 (0.78) | Within-subject | Motor-coordinative exercise intervention (30 min/five times a week/four weeks) | Waiting for intervention | Alternate uses task [ | 5 |
| Young-Mi and Hye-Jeon [ | 2016 | Dance art group: Science class group: | – | Between-subject (Parallel group) | Dance art group (180 min/once a week/15 weeks) | Science experiment class (180 min/once a week/15 weeks) | Torrance test of creative thinking [ | 4 |
| Zhou et al. [ | 2017 | 21.25 ( −) | Within-subject | Walking | Standing in the center of the room | Consequences imagination task | 6 |
n number of participants, n number of participants in the independent subsample i, numbers in parentheses designate the independent subsamples i, e.g., Donnegan et al. (1–2)
Study characteristics: cross-sectional studies
| Study | Year | Participants | Age (mean, SD/range) | Creative ideation task | Physical activity measure | Study quality |
|---|---|---|---|---|---|---|
| Cantarero and Carranque [ | 2016 | 32.95 (9.07) | Creative imagination test for adults [ | International physical activity questionnaire [ | 3 | |
| Cavallera et al. [ | 2011 | 21.64 (2.85) | Torrance test of creative thinking [ | Hours of sport activity per week | 4 | |
| Chen et al. [ | 2021 | 22.98 (1.95) | Alternate uses test [ | International physical activity questionnaire [ | 4 | |
| Latorre Román et al. [ | 2017 | 9.72 (1.25) | Creative imagination test for children [ | Fitness-test battery (20 m running speed) | 4 | |
| Perchtold-Stefan et al. [ | 2020 | 23.06 (3.40) | Verbal imagination subscales of Berliner Intelligenzstruktur-test [ test for creative thinking-drawing production [ | Freiburger questionnaire on physical activity [ | 4 | |
| Piya-Amornphan et al. (1–3) [ | 2020 | 6–9 1–13 14–17 | Test for creative thinking-drawing production [ | Thailand physical activity children survey-the student Questionnaire [ | 3 | |
| Rominger et al. [ | 2020 | 22.95 (3.34) | Alternate use task [ Torrance test of creative thinking [ | Tri-axial acceleration sensors (counts/min) | 5 |
n number of participants, n number of participants in the independent subsample i, numbers in parentheses designate the independent subsamples i, e.g., Piya-Amornphan et al. (1–3)
Fig. 1PRISMA flow diagram
Fig. 2Forest plot of cross-sectional studies. J represents the number of outcomes. Black squares in the forest plot represent the meta-analytical study mean and the corresponding 95% confidence interval. Grey confidence intervals represent the sampling variance of observed effect sizes within each study and indicate the influence of the study sample mean on study precision. The thickness of the grey confidence intervals is proportional to the number of effect sizes within a study [66]. The numbers in parentheses designate the independent subsamples within a study
Fig. 3Funnel plot of cross-sectional studies. The size of the dots is proportional to the number of effect sizes included in the studies
Fig. 4Forest plot of cross-sectional studies. J represents the number of outcomes. Black squares in the forest plot represent the meta-analytical study mean and the corresponding 95% confidence interval. Grey confidence intervals represent the sampling variance of observed effect sizes within each study and indicate the influence of the study sample mean on study precision. The thickness of the grey confidence intervals is proportional to the number of effect sizes within a study [66]. The numbers in parentheses designate the independent subsample within a study
Fig. 5Funnel plot of intervention studies. The size of the dots is proportional to the number of effect sizes included in the studies