Literature DB >> 35015874

High-Order Areas and Auditory Cortex Both Represent the High-Level Event Structure of Music.

Jamal A Williams1, Elizabeth H Margulis1, Samuel A Nastase1, Janice Chen2, Uri Hasson1, Kenneth A Norman1, Christopher Baldassano3.   

Abstract

Recent fMRI studies of event segmentation have found that default mode regions represent high-level event structure during movie watching. In these regions, neural patterns are relatively stable during events and shift at event boundaries. Music, like narratives, contains hierarchical event structure (e.g., sections are composed of phrases). Here, we tested the hypothesis that brain activity patterns in default mode regions reflect the high-level event structure of music. We used fMRI to record brain activity from 25 participants (male and female) as they listened to a continuous playlist of 16 musical excerpts and additionally collected annotations for these excerpts by asking a separate group of participants to mark when meaningful changes occurred in each one. We then identified temporal boundaries between stable patterns of brain activity using a hidden Markov model and compared the location of the model boundaries to the location of the human annotations. We identified multiple brain regions with significant matches to the observer-identified boundaries, including auditory cortex, medial prefrontal cortex, parietal cortex, and angular gyrus. From these results, we conclude that both higher-order and sensory areas contain information relating to the high-level event structure of music. Moreover, the higher-order areas in this study overlap with areas found in previous studies of event perception in movies and audio narratives, including regions in the default mode network.
© 2022 Massachusetts Institute of Technology.

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Year:  2022        PMID: 35015874      PMCID: PMC9169871          DOI: 10.1162/jocn_a_01815

Source DB:  PubMed          Journal:  J Cogn Neurosci        ISSN: 0898-929X            Impact factor:   3.420


  53 in total

1.  Discovering Event Structure in Continuous Narrative Perception and Memory.

Authors:  Christopher Baldassano; Janice Chen; Asieh Zadbood; Jonathan W Pillow; Uri Hasson; Kenneth A Norman
Journal:  Neuron       Date:  2017-08-02       Impact factor: 17.173

2.  Music and language perception: expectations, structural integration, and cognitive sequencing.

Authors:  Barbara Tillmann
Journal:  Top Cogn Sci       Date:  2012-07-03

3.  Multiband multislice GE-EPI at 7 tesla, with 16-fold acceleration using partial parallel imaging with application to high spatial and temporal whole-brain fMRI.

Authors:  Steen Moeller; Essa Yacoub; Cheryl A Olman; Edward Auerbach; John Strupp; Noam Harel; Kâmil Uğurbil
Journal:  Magn Reson Med       Date:  2010-05       Impact factor: 4.668

4.  Do you hear what I hear? Perceived narrative constitutes a semantic dimension for music.

Authors:  J Devin McAuley; Patrick C M Wong; Anusha Mamidipaka; Natalie Phillips; Elizabeth Hellmuth Margulis
Journal:  Cognition       Date:  2021-04-10

5.  Effects of image reconstruction on fiber orientation mapping from multichannel diffusion MRI: reducing the noise floor using SENSE.

Authors:  S N Sotiropoulos; S Moeller; S Jbabdi; J Xu; J L Andersson; E J Auerbach; E Yacoub; D Feinberg; K Setsompop; L L Wald; T E J Behrens; K Ugurbil; C Lenglet
Journal:  Magn Reson Med       Date:  2013-02-07       Impact factor: 4.668

6.  Capturing the musical brain with Lasso: Dynamic decoding of musical features from fMRI data.

Authors:  Petri Toiviainen; Vinoo Alluri; Elvira Brattico; Mikkel Wallentin; Peter Vuust
Journal:  Neuroimage       Date:  2013-11-19       Impact factor: 6.556

7.  Inter-subject synchronization of brain responses during natural music listening.

Authors:  Daniel A Abrams; Srikanth Ryali; Tianwen Chen; Parag Chordia; Amirah Khouzam; Daniel J Levitin; Vinod Menon
Journal:  Eur J Neurosci       Date:  2013-04-11       Impact factor: 3.386

8.  Editorial: Overlap of Neural Systems for Processing Language and Music.

Authors:  McNeel G Jantzen; Edward W Large; Cyrille Magne
Journal:  Front Psychol       Date:  2016-06-14

9.  Effects of Sad and Happy Music on Mind-Wandering and the Default Mode Network.

Authors:  Liila Taruffi; Corinna Pehrs; Stavros Skouras; Stefan Koelsch
Journal:  Sci Rep       Date:  2017-10-31       Impact factor: 4.379

10.  Correspondence of categorical and feature-based representations of music in the human brain.

Authors:  Tomoya Nakai; Naoko Koide-Majima; Shinji Nishimoto
Journal:  Brain Behav       Date:  2020-11-08       Impact factor: 2.708

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