Literature DB >> 22760955

Music and language perception: expectations, structural integration, and cognitive sequencing.

Barbara Tillmann1.   

Abstract

Music can be described as sequences of events that are structured in pitch and time. Studying music processing provides insight into how complex event sequences are learned, perceived, and represented by the brain. Given the temporal nature of sound, expectations, structural integration, and cognitive sequencing are central in music perception (i.e., which sounds are most likely to come next and at what moment should they occur?). This paper focuses on similarities in music and language cognition research, showing that music cognition research provides insight into the understanding of not only music processing but also language processing and the processing of other structured stimuli. The hypothesis of shared resources between music and language processing and of domain-general dynamic attention has motivated the development of research to test music as a means to stimulate sensory, cognitive, and motor processes.
Copyright © 2012 Cognitive Science Society, Inc.

Mesh:

Year:  2012        PMID: 22760955     DOI: 10.1111/j.1756-8765.2012.01209.x

Source DB:  PubMed          Journal:  Top Cogn Sci        ISSN: 1756-8757


  17 in total

Review 1.  Processing structure in language and music: a case for shared reliance on cognitive control.

Authors:  L Robert Slevc; Brooke M Okada
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Review 2.  Anticipated moments: temporal structure in attention.

Authors:  Anna C Nobre; Freek van Ede
Journal:  Nat Rev Neurosci       Date:  2017-12-07       Impact factor: 34.870

3.  Preferential activation for emotional Western classical music versus emotional environmental sounds in motor, interoceptive, and language brain areas.

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4.  Sensitivity to musical structure in the human brain.

Authors:  Evelina Fedorenko; Josh H McDermott; Sam Norman-Haignere; Nancy Kanwisher
Journal:  J Neurophysiol       Date:  2012-09-26       Impact factor: 2.714

5.  High-Order Areas and Auditory Cortex Both Represent the High-Level Event Structure of Music.

Authors:  Jamal A Williams; Elizabeth H Margulis; Samuel A Nastase; Janice Chen; Uri Hasson; Kenneth A Norman; Christopher Baldassano
Journal:  J Cogn Neurosci       Date:  2022-03-05       Impact factor: 3.420

6.  Syntax in language and music: what is the right level of comparison?

Authors:  Rie Asano; Cedric Boeckx
Journal:  Front Psychol       Date:  2015-07-02

7.  The relationship between the neural computations for speech and music perception is context-dependent: an activation likelihood estimate study.

Authors:  Arianna N LaCroix; Alvaro F Diaz; Corianne Rogalsky
Journal:  Front Psychol       Date:  2015-08-11

8.  Musical, language, and reading abilities in early Portuguese readers.

Authors:  Jennifer Zuk; Paulo E Andrade; Olga V C A Andrade; Martin Gardiner; Nadine Gaab
Journal:  Front Psychol       Date:  2013-06-18

9.  Semantics, syntax or neither? A case for resolution in the interpretation of N500 and P600 responses to harmonic incongruities.

Authors:  Cara R Featherstone; Catriona M Morrison; Mitch G Waterman; Lucy J MacGregor
Journal:  PLoS One       Date:  2013-11-05       Impact factor: 3.240

10.  The Influence of Music on Prefrontal Cortex during Episodic Encoding and Retrieval of Verbal Information: A Multichannel fNIRS Study.

Authors:  Laura Ferreri; Emmanuel Bigand; Patrick Bard; Aurélia Bugaiska
Journal:  Behav Neurol       Date:  2015-10-05       Impact factor: 3.342

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