| Literature DB >> 35011394 |
Giulia Festa1, Claudia Scatigno1, Francesco Armetta2, Maria Luisa Saladino2, Veronica Ciaramitaro2, Viviana Mollica Nardo3, Rosina Celeste Ponterio3.
Abstract
Spectral preprocessing data and chemometric tools are analytical methods widely applied in several scientific contexts i.e., in archaeometric applications. A systematic classification of natural powdered pigments of organic and inorganic nature through Principal Component Analysis with a multi-instruments spectroscopic study is presented here. The methodology allows the access to elementary and molecular unique benchmarks to guide and speed up the identification of an unknown pigment and its recipe. This study is conducted on a set of 48 powdered pigments and tested on a real-case sample from the wall painting in S. Maria Delle Palate di Tusa (Messina, Italy). Four spectroscopic techniques (X-ray Fluorescence, Raman, Attenuated Total Reflectance and Total Reflectance Infrared Spectroscopies) and six different spectrometers are tested to evaluate the impact of different setups. The novelty of the work is to use a systematic approach on this initial dataset using the entire spectroscopic energy range without any windows selection to solve problems linked with the manipulation of large analytes/materials to find an indistinct property of one or more spectral bands opening new frontiers in the dataset spectroscopic analyses.Entities:
Keywords: ancient pigments; chemometrics discrimination; elemental and molecular benchmarks; spectroscopic techniques
Year: 2021 PMID: 35011394 PMCID: PMC8746391 DOI: 10.3390/molecules27010163
Source DB: PubMed Journal: Molecules ISSN: 1420-3049 Impact factor: 4.411
Figure 1Set of 48 natural powdered pigments by Zecchi store collection. From 1 to 13, Red pigments: Hematite, Ercolano, Cinabrese, Carmine, Ochre, Dragon’s blood, Coral, Red Lead, Alizarin, Cinnabar, Bolo, Jasper, Morellone; from 14 to 16, White Pigments: White Lead, San Giovanni, White Bone; from 17 to 33, Earths (green and yellow pigments): Malachite, Campeggio, Chrysocolla, Aloe, Brazilwood, Jasper, Verdaccio, Verdigris, Arzica, Saffron, Turmeric, Yellow Ochre, Giallorino, Yellow Napoli, Gommagutta, Orpiment, Stil de grain; from 34 to 37, Blue pigments: Smalt, Azurite, Indigo, Lapis lazuli; from 38 to 43, Black Lamp, Ivory, Sepia, Bitumen, Vine Black, and Graphite; from 44 to 46: Vicenza Earth, Romana Earth, and Schist. Finally, the lake pigment, Gommalacca and Garanza, 47 and 48 respectively. The natural pigments reported in Italics are pure of Italian origin (e.g., Ercolano red is obtained from iron-deposits near Ercolano, Naples).
Figure 2Wall painting of St. Francis inside Church of S. Maria Delle Palate during the measurement’s campaign.
Figure 3XRF Bi-Plot (loading plot in red colour and score plot in blue). (a) General Bi-plot overview; (b) zoom of the III and IV quadrants. The sample points are coloured by orange and yellow if they are inorganic or organic respectively. US_T sample is the real-case sample where the elemental constituents are unknown.
Figure 4FTIR spectra analysed by Vertex 70 instrument: iron oxides (a), carbonates (b) and silicates (c).
Figure 5Scores plot (point measurements distribution+) of the Raman and FT-IR measurements for the inorganic pigments. The iron-oxides are indicated by red points, the silicates are indicated by yellow points, the green pigments are highlighted by green labels and green circle; the carbonates are reported with grey labels; the orpiment and cinnabar (YOR and RCR) are labelled in blue; the red lead and Giallorino (RL and YG) are reported in lilac.
Figure 6Loadings plot: correlation of the FT-IR Absorbance frequency (cm−1) of the entire spectral ranges for the Raman and FT-IR measurements applied to the inorganic pigments’ matrix. The inset 6a shows the three PCs (PC1–blue line, PC2–red line and PC3–green line) as function of the Energy. The spectroscopic fingerprints of the molecular motion involved on the entire FTIR dataset are shown in each PC. The PC1 explains 59% of the most significant vibrational modes.
Figure 7Scores plot (measurements distribution) of the Raman and FT-IR spectra for the organic pigments. The flavonoids are indicated by yellow and green points (wood), and they are grouped by a green circle; the lake pigment are indicated by red points; the anthraquinones are signed by red points and grouped by red circles. The black pigments acquired by LUMOS in ATR are separated along PC2.
Figure 8Loadings plot (variable distribution projection, wavenumber cm−1) in line plot for the PC1 visualization (to highlight the spectral regions generated by the first component) where some of the vibrational molecular modes for the organic pigments are shown. The variables are normalized at step 2 cm−1 on the entire energy spectrum (see (b) the Raman and (a) IR data treatment section).