| Literature DB >> 33744290 |
John E Johnson1, Arthur J Olson2.
Abstract
The structural study of icosahedral viruses has a long and impactful history in both crystallographic methodology and molecular biology. The evolution of the Protein Data Bank has paralleled and supported these studies providing readily accessible formats dealing with novel features associated with viral particle symmetries and subunit interactions. This overview describes the growth in size and complexity of icosahedral viruses from the first early studies of small RNA plant viruses and human picornaviruses up to the larger and more complex bacterial phage, insect, and human disease viruses such as Zika, hepatitis B, Adeno and Polyoma virus. The analysis of icosahedral viral capsid protein domain folds has shown striking similarities, with the beta jelly roll motif observed across multiple evolutionarily divergent species. The icosahedral symmetry of viruses drove the development of noncrystallographic symmetry averaging as a powerful phasing method, and the constraints of maintaining this symmetry resulted in the concept of quasi-equivalence in viral structures. Symmetry also played an important early role in demonstrating the power of cryo-electron microscopy as an alternative to crystallography in generating atomic resolution structures of these viruses. The Protein Data Bank has been a critical resource for assembling and disseminating these structures to a wide community, and the virus particle explorer (VIPER) was developed to enable users to easily generate and view complete viral capsid structures from their asymmetric building blocks. Finally, we share a personal perspective on the early use of computer graphics to communicate the intricacies, interactions, and beauty of these virus structures.Entities:
Keywords: structural model; structure–function; virology; virus assembly; virus structure
Mesh:
Year: 2021 PMID: 33744290 PMCID: PMC8081926 DOI: 10.1016/j.jbc.2021.100554
Source DB: PubMed Journal: J Biol Chem ISSN: 0021-9258 Impact factor: 5.157
Figure 1The triangle enclosing the “commas” is the icosahedral asymmetric unit and a “comma” represents a single subunit with the folds shown in Figure 2. They are related by an approximate q3 fold axis at the center of the triangle. Bottom, a side view of the icosahedral asymmetric unit with the particle center at the bottom of the figure where the boundary icosahedral symmetry elements (5-3-3-5) intersect. Quasi-symmetry elements are defined by vectors representing q2 and q3. Note, unlike the icosahedral symmetry elements, they do not intersect at the center.
Figure 2Southern Bean Mosaic Virus (SBMV) ( TBSV was determined in 1978 (6) and SBMV in 1980 (7). Unexpectedly the shell forming domains of both the virus subunits were closely similar and formed what is now known as the virus jellyroll topology. TBSV has an additional C-terminal domain that forms prominent dimers on the capsid surface.
Figure 3The standard orientation of an icosahedron in an orthogonal coordinate system defined by Vijay Reddy as the “VIPER orientation.” When the crystallographic coordinates of an icosahedral virus particle were deposited to the PDB, he converted them to this orientation allowing the straightforward expansion to the full icosahedron through selection of the 60 resident matrices for the icosahedral point group (23). The conventions developed in VIPER were adapted by the Protein Data Bank, allowing ready access to any oligomer of the subunits (28).
Figure 4A histogram showing the number of icosahedral virus structures deposited to the PDB each year and the method of structure determination (X-ray crystallography or cryo-electron microscopy). Since 2010, cryoEM has become the dominant method of structure determination.
Figure 5A selection of virus structures from the PDB, demonstrating the size range and quasi-equivalence of particles determined to near-atomic resolution. For each virus there is a name abbreviation, the quasi or pseudo equivalence of the capsid, the particle diameter, the pdb identifier for the coordinates, and the lineage based on the major capsid protein subunit structure; Picorna-like. Blue Tongue Virus (BTV)-like, HK97-like, PRD1-like as described by Abrescia et al. (75). Row1 Canine Parvo Virus, L-A virus, MS2, Norwalk Virus. Row 2 Human Rhinovirus 14, Hepatitis B virus, Chikungunya Virus, Nudaurelia Omega Capensis Virus. Row 3 Simian Virus 40, Hong Kong 97, Bacterial Microcompartment shell assembly, Blue Tongue Virus. Row 4 Herpes Simplex Virus, Adenovirus, Haloarcula californiae icosahedral virus, Sulfolobus turreted icosahedral virus. Figures were produced with PMV (Python Molecular Viewer) (78).
Figure 6The folds employed to define the lineages of capsids in Abrescia (75). For each subunit fold, the lineage is given as well as the PDB identifier for the coordinates used to generate the specific fold. The folds for the enveloped alpha and flavi viruses are from Sindbis Virus and Tick-Borne Encephalitis Virus, respectively. Figures were produced with PMV (Python Molecular Viewer) (78).
| The Harrison Lab acquired an Evans & Southerland (E&S) Multi Picture System (MPS) in 1978. This new technology embodied a monochrome vector-based display capable of addressing the equivalent of 8000X8000 pixels and a 3D graphics processor that enabled interactive manipulations of complex 3D structures. Because at the time there were no suitable molecular modeling programs, by substituting molecules for buildings, I hacked a demo Fortran program from E &S called “Architecture,” which enabled manipulation of wireframe models of buildings. I could then read in the molecular coordinates of the three distinct subunits of Tomato Bushy Stunt Virus (TBSV) as well as produce geometric icosahedral models. We were then able to see and interact with a complete virion at atomic resolution and get a new perspective on the nature of quasi-equivalence, as postulated by Caspar and Klug ( |
| In September of 1979, I moved from my post-doc position in the Harrison Lab to Lawrence Berkeley Lab to join the newly formed National Resource for Computation in Chemistry (NRCC). I joined as the Staff Scientist in charge of crystallographic computing. I was able to hire a talented post-doc, TJ O’Donnell, who was also very interested in computer graphics, having worked on creating the Death Star for the first Star Wars movie. I was able to acquire the same model E&S system that I had been using at Harvard. Together TJ and I designed and developed a general-purpose interactive graphics interpreter in Fortran that we called GRAMPS (Graphics for the Multi-Picture System). In its design, we included a number of animation capabilities, as well as enabling the types of symmetry manipulations that would be useful for molecular complexes. Key to the utility of GRAMPS was the ability to assign objects to input devices (like the multi-dial box that came with the system) and transform objects interactively) ( |
| At the top of my mind was the making of a computer-generated animation explaining the TBSV structure by showing the viral capsid atomic structure, its symmetry, and configurational changes. With GRAMPS, this became possible. I bought a Bolex 16 mm movie camera and wired its single-frame mechanism to the keyboard terminal bell, which we could activate through a GRAMPS command. |
| Because the software language and manual manipulations were interactively interpreted, an animation script could be written as it was being developed, and the timing of events could be adjusted interactively. Once a script was completed, it could be played back on the E&S display and filmed frame by frame. Using this approach, the resulting TBSV 16 mm film was one continuous scene with no film edits. The first recorded version was monochrome with white vector lines on a phosphor screen. Subsequently we were able to borrow a new color MPS from Evans and Southerland and run the script again, with color commands inserted, which made a significant difference in distinguishing the three distinct subunits. |
| The animated 16 mm film called “TBSV,” produced at the NRCC, was widely seen in the 1980s into 1990s. It was first shown at the Association for Computing Machinery (ACM) Siggraph Conference in 1981 to a computer graphics crowd. I had added an accompanying piano soundtrack of Scott Joplin Rags (Maple Leaf Rag and The Entertainer) as a nod to the early silent movies. “TBSV” along with my contemporaneous CG animation “ADAM-a Dial Activated Man” got a very positive response. Subsequently showing the film around on talks about the virus structure, I started to get a number of requests for copies, and so started distributing the 16 mm copies at cost. That dropped off as 16 mm movie projectors became rare and was eventually substituted with an analogue video version, distributed on VHS videotape. |
| The 8-min film itself was one of the first of its kind, especially for molecular animation. It was the ideal medium at the time for explaining the complex and dynamic nature of viral capsids. It tells a story as a progression from the fundamental icosahedral symmetry of the capsid to the nature of quasi-symmetry, showing conformational changes between the distinct subunits, in assembly and swelling. The E&S graphics processor was the most powerful at the time, but it could not display the entire atomic scale capsid, with its millions of vectors, at interactive rates. In animation mode, however, I was able to capture a complete pentameric subassembly, with our 16 mm animation camera. As mentioned above, the entire film is a single continuous shot, which keeps the viewer in context as the content and scale of the images change. With the subsequent publication of two more virus structures, Cow Pea Mosaic Virus (CPMV) and Satellite Tobacco Mosaic Virus (STNV), I produced another 16 mm film called “Virus Wars,” which compared the three structures. In 1986, in collaboration with Jim Hogle, then at Scripps, we made 16 mm animation of his structure of the poliovirus, with Jim’s narration. |
| In 1983, TBSV, the virus made another appearance on film. This time it was in an OmniMax Film produced for the Horizons Pavilion at the Disney EPCOT Center and shown in dome projection. I created the animation for the segment on the color E&S system that I had purchased after moving to Scripps in late 1981. In collaboration with Nelson Max, the vector drawings were distorted so that they looked correct projected onto the Omnimax dome ( |
| In the early 2000s, I had a digital copies of the original 16 mm films made. The digital versions of “TBSV” ( |