| Literature DB >> 33575986 |
Patrick C Trettenbrein1,2, Nina-Kristin Pendzich3, Jens-Michael Cramer3, Markus Steinbach3, Emiliano Zaccarella4.
Abstract
Sign language offers a unique perspective on the human faculty of language by illustrating that linguistic abilities are not bound to speech and writing. In studies of spoken and written language processing, lexical variables such as, for example, age of acquisition have been found to play an important role, but such information is not as yet available for German Sign Language (Deutsche Gebärdensprache, DGS). Here, we present a set of norms for frequency, age of acquisition, and iconicity for more than 300 lexical DGS signs, derived from subjective ratings by 32 deaf signers. We also provide additional norms for iconicity and transparency for the same set of signs derived from ratings by 30 hearing non-signers. In addition to empirical norming data, the dataset includes machine-readable information about a sign's correspondence in German and English, as well as annotations of lexico-semantic and phonological properties: one-handed vs. two-handed, place of articulation, most likely lexical class, animacy, verb type, (potential) homonymy, and potential dialectal variation. Finally, we include information about sign onset and offset for all stimulus clips from automated motion-tracking data. All norms, stimulus clips, data, as well as code used for analysis are made available through the Open Science Framework in the hope that they may prove to be useful to other researchers: https://doi.org/10.17605/OSF.IO/MZ8J4.Entities:
Keywords: Age of acquisition; German Sign Language; Iconicity; Lexical frequency; Subjective ratings; Transparency; Visuo-spatial modality
Mesh:
Year: 2021 PMID: 33575986 PMCID: PMC8516755 DOI: 10.3758/s13428-020-01524-y
Source DB: PubMed Journal: Behav Res Methods ISSN: 1554-351X
Fig. 1Representative still images of DGS signs with high and low iconicity and transparency that were recorded as part of the normed stimulus set. White arrows indicate the sign’s defining path movement. a Iconic and only semi-transparent sign BOOK. b The iconic and transparent sign SLEEP. c Non-iconic and non-transparent sign BOY. d The non-iconic and non-transparent sign LIE
Fig. 2Frequency histograms showing the distribution of ratings for the 310 DGS signs normed in the present study. Results from the group of deaf signers are color-coded in blue, those from hearing non-signers are presented in orange. a Distribution of iconicity ratings obtained from deaf signers. b Distribution of age of acquisition ratings obtained from deaf signers. c Distribution of frequency ratings by deaf signers. d Distribution of transparency scores for each sign computed from guesses of a sign’s meaning by hearing non-signers. e Distribution of iconicity ratings obtained from hearing non-signers
Fig. 3Scatterplots and regression lines (with 95% confidence intervals) depicting the correlations between different variables in the dataset. a Transparency scores by hearing non-signers and iconicity ratings by hearing non-signers, b transparency scores by hearing non-signers and iconicity ratings by deaf signers, c iconicity ratings by both groups of participants, d iconicity ratings by deaf signers and ratings for AoA by deaf signers, and e AoA ratings by deaf signers and iconicity ratings by hearing non-signers
Fig. 4Illustrations of information contained in the motion-tracking data that is part of the stimulus set. a Representative frame from the example video clip EVENING with the fit body pose model from which motion tracking data is derived. b Location information for the two main articulators used to produce the sign EVENING (i.e., left and right hand) throughout the video clip. Colors indicate density from low (violet) to high (red). The symmetry of the sign EVENING as well as the hold in front of the chest at the end of the sign is clearly visible. c The Euclidian norm of the sums of velocity vectors is used to quantify the amount of movement by the signer in the stimulus clip for EVENING. The black line indicates the timing of the representative frame shown in a. Red lines indicate timepoints of sign onset and offset for this video clip as automatically computed from motion tracking data, in accordance with the so-called longer view of the sign (Jantunen, 2015)