| Literature DB >> 31750726 |
Ming Yuan Low1, Clarissa Lacson1, Fengqing Zhang2, Amy Kesslick3, Joke Bradt1.
Abstract
Objective: The purpose of this study was to determine the feasibility and preliminary effects of a vocal music therapy (VMT) program on chronic pain management. Design: A mixed methods intervention design was used in which qualitative data were embedded within a randomized controlled trial. Setting: An urban nurse-management health center on the East Coast of the United States. Subjects: Participants (N = 43) were predominantly Black (79%) and female (76.7%) with an average pain duration of 10 years. Intervention: Participants were randomly allocated to a 12-week VMT program or a waitlist control. Outcome measures: We tracked consent rate (percentage of participants enrolled out of total number screened), attrition rate, and treatment adherence. We used PROMIS® (Patient Reported Outcomes Measurement Information System) tools to measure pain interference, pain-related self-efficacy, pain intensity, depression, anxiety, positive effect, and well-being, ability to participate in social activities, and satisfaction with social roles at baseline and week 12. VMT participants also completed the Patient Global Impression of Change Scale. We conducted semistructured interviews to better understand participants' experience of the intervention.Entities:
Keywords: clinical trials; music therapy; pain management
Year: 2019 PMID: 31750726 PMCID: PMC7044781 DOI: 10.1089/acm.2019.0249
Source DB: PubMed Journal: J Altern Complement Med ISSN: 1075-5535 Impact factor: 2.579
FIG. 1.Participant flow chart.
Study Eligibility Criteria
| Inclusion criteria | Exclusion criteria |
|---|---|
| English-speaking adults | Moderate to profound auditory deficits |
| Age 18 or older | Severe progressive medical or neurological comorbidities |
| Chronic pain for ≥3 months | Severe psychiatric disorder |
| Pain impact score of ≥27 (moderate impact)[ | Cognitive impairment |
| Current alcohol or drug problem | |
| Currently receiving music therapy services |
Impact score items derived from Deyo et al.[35]
Sociodemographic and Clinical Characteristics of Study Participants at Baseline
| Characteristic | Music therapy ( | Waitlist control ( | p |
|---|---|---|---|
| Age, years, mean (SD) | 48.76 (9.95) | 51.38 (16.87) | 0.12 |
| Gender, female, | 16 (72.73) | 17 (80.95) | 0.45 |
| Race, | 0.20 | ||
| Black | 18 (81.82) | 16 (76.19) | |
| Caucasian | 3 (13.64) | 0 (0) | |
| Asian | 1 (4.5) | 0 (0) | |
| American Indian or Alaska Native | 0 (0) | 1 (4.8) | |
| Multiracial | 0 (0) | 4 (19.05) | |
| Employment, | 1.0 | ||
| Employed | 3 (13.63) | 2 (9.52) | |
| Unemployed | 4 (18.18) | 3 (14.29) | |
| Retired | 1 (4.5) | 2 (9.52) | |
| On disability | 13 (59.1) | 13 (61.9) | |
| Duration of pain, years, mean (SD) | 9.43 (7.02) | 10.43 (11.13) | 0.68 |
| Pain diagnosis,[ | 0.71 | ||
| Arthritis | 8 (36.36) | 10 (47.62) | |
| Degenerative disc/spinal stenosis | 2 (9.09) | 3 (14.29) | |
| Neuropathy | 3 (13.63) | 1 (4.76) | |
| Fibromyalgia | 2 (9.09) | 2 (9.52) | |
| Pain impact score | 37.40 (6.64) | 39.19 (6.39) | 0.36 |
| Prior music performance experience,[ | 0.75 | ||
| Yes | 13 (59.1) | 11 (52.38) | |
| No | 8 (38.10) | 10 (47.62) |
Most commonly reported pain diagnoses.
Having played an instrument or sung in a choir.
SD, standard deviation.
Session Topics
| Session number | Session topic |
|---|---|
| 1 | Introduction and rapport building |
| 2 | Music making to enhance body awareness |
| 3 | Music-based techniques to promote self-care and acceptance |
| 4 | Music-based self-management of pain and stress |
| 5 | Music as motivator for physical activity |
| 6 | Review session: Review skills learned/insights gained to date |
| 7 | Music as a source of strength and inspiration |
| 8 | Emotional expressivity through music |
| 9 | Enhancing social support through music |
| 10 | Music as source of empowerment |
| 11 | Develop plan for maintenance of music-based skills |
| 12 | Closure session |
Change in T-Scores, Mean Difference and Effect Size
| Outcome | Change score (SD)[ | MD (95% CI)[ | Effect size (ηp[ | |
|---|---|---|---|---|
| VMT | WLC | |||
| Pain-related self-efficacy | 4.84 (5.14) | −0.26 (4.76) | 5.10 (1.52 to 8.68) | 0.20 |
| Pain interference | −2.46 (5.06) | −0.45 (3.52) | −2.01 (−5.17 to 1.15) | 0.03 |
| Pain intensity | −5.7 (7.24) | −1.86 (4.47) | −3.85 (−8.19 to 0.49) | 0.10 |
| Anxiety | −2.42 (8.55) | 0.39 (7.32) | −2.82 (−8.56 to 2.94) | 0.06 |
| Depression | −4.92 (4.83) | 2.56 (7.99) | −7.48 (−12.25 to −2.71) | 0.26 |
| Positive affect and well-being | 0.14 (6.8) | −2.22 (5.96) | 2.36 (−2.27 to 6.98) | 0.06 |
| Ability to participate in social activities | 2.26 (3.62) | −2.55 (6.53) | 4.81 (0.99 to 8.62) | 0.24 |
| Satisfaction with social roles | 1.59 (5.82) | −0.51 (6.86) | 2.10 (−2.49 to 6.70) | 0.03 |
change from baseline to week 12.
Ninety-five percent CI intervals that do not include the value zero suggest that the findings are statistically significant.
ηp[2], partial eta squared based on ANCOVA.
CI, confidence interval; MD, mean difference; SD, standard deviation; VMT, vocal music therapy; WLC, waitlist control.
Qualitative Findings
| Themes and definitions | Categories and definitions | Example quotes |
|---|---|---|
| But I use the soft jazz just to help with… I just sit there and listen to it and I close my eyes. And I just rub my knees […] and when I feel like the feeling is going to be okay and I can get up and not have a limp or anything, I get up. And then, I don't have no limp. The knee don't be bothering me. | ||
| I use to could not even walk 2 or 3 blocks. I would have to like really sit down and take a breather. But it just seemed like once I came here […] and we just got into the mood…once everything was over, I'd go home and I'm like “I'm not in no pain at all.” And I never realize it and I'm like doing all this stuff (chores) in the house. | ||
| I would describe it [the music] as a de-stressor. A way to rethink, recharge your mind in a different direction and also to take your mind off the pain…I'm not going to say it can totally go away but it'll subside a little to a point where you're functional. | ||
| I liked the ocean drum. That is really soothing, and it just relaxed my whole body. I just listened to the sound of it, and it takes you to sitting on the beach (in your imagination) and just watching the waves. It was really peaceful. | ||
| When the pain begins to come, I try to hum […] just direct my attention to something else. | ||
| A lot of the music that we've used were meditative, so it kind of allows me to broaden like, my mind and my perception…with sounds. | ||
| I do music for de-stress. And to take my mind off the pain…it's like a rethinking process… mindfulness. So when I'm mindful, first I do mindful exercises and breathing. Recognizing my own breath. My own heartbeat. And it tends to calm down. | ||
| And there's this sign of hope. That's what I liked about the songs…that they're sign of hope, they're sign of welcoming. | ||
| It helps your day to keep going. […] you look over at the other person, and you see that their struggles might be a little different than yours. But you see how they push through it. So to me, it makes me push through it even more because I'm like, “Okay, you know…I'm gonna keep going.” | ||
| Also, just learning patience with my pain and being kinder to my body about it. In the sense of, you know, I feel like for a long time it was mostly just being mad and having that energy toward whatever part of my body was not feeling good or what I couldn't do, so I think a lot of what I took from that was, you know, focusing on what I can do now, what I can do to help myself, and something like that. Yeah. I do have, I have a lot more now. | ||
| You were allowed to sing lousy or you were allowed to be off key. […] In the group it just didn't matter. I watched people's volume—as their confidence level went up, their volume increased. Their voices were being heard. | ||
| The songs that we would sing, it really was so motivating. I felt like I was somewhere else. | ||
| And I think most of the benefit that I got directly from the sessions themselves was probably for me more related to emotional issues related with pain. | ||
| If you don't understand your feelings, how do you expect anyone else to? […] this music program will help you learn to get to know yourself. Then, other things will follow. | ||
| When you sing, it release endorphins, so it helps to lift the mood and better manage the pain. | ||
| But it really showed me how if you really take the time, music can really help with certain areas of pain. It didn't take away the pain completely, but I do have issues with PTSD and anxiety and things, and I get frustrated a lot, especially with the pain. So it taught me how to just take that time and take a moment. | ||
| When the therapist had us doing the humming and the singing, it made you feel at peace. | ||
| Well, it (music) is a gift from God. And God shows you some of things that they're (peers) going through even though you might have been through it all ready, but that showed them how you can come out you strong. So it was a touching…it (music) was like a ministry thing to me…you know, within myself. | ||
| The spiritual because I go to church. And we express ourselves through word and dance. I kept hearing his name. He's the minister of music at my church. And I just kept hearin’ him…every time she (the music therapist) would wave that water drum or whatever that thing is called…or somebody would hit the…whatever instrument they would have and I'm hearing him. | ||
| Just being in a room with people and hearing their experiences and hearing their active listening affirmations of my experiences. We all probably have different kinds of pain, but chronic pain is still chronic pain. Hearing and being understood and sharing just felt real comfortable and in a way that I had not experienced. | ||
| Being with other people that were going through similar situations and some that had worse.[…] to know that you weren't the only one. ‘Cuz sometimes you can feel like you're alone. Especially if someone else has not experienced what you're feeling are… Understand where you're coming from. | ||
| Meeting other people, that was really good—just sit around a bunch of people where there is no arguing, no bitterness. Just singing and being happy at that moment and I liked that. | ||
| We'd sing like we were on the choir together. We'd harmonize. I was like, wow! It was good. It was a joy. |
PTSD, posttraumatic stress disorder.
Comparison of Treatment Effects Between 8- and 12-Week Vocal Music Therapy Program
| Outcome | 8-week program | 12-week program | ||
|---|---|---|---|---|
| Effect size (Cohen's | Interpretation | Effect size (ηp[ | Interpretation | |
| Pain-related self-efficacy | 1.09 | Large | 0.20 | Large |
| Pain interference | 0.6 | Large | 0.03 | Small |
| Pain intensity | 0.46 | Moderate | 0.10 | Moderate |
| Anxiety | 0.39 | Moderate | 0.06 | Moderate |
| Depression | 0.6 | Large | 0.26 | Large |
ηp[2], partial eta squared based on ANCOVA.
VMT, vocal music therapy.