| Literature DB >> 31708836 |
K Anders Ericsson1, Kyle W Harwell1.
Abstract
Over 25 years ago Ericsson et al. (1993) published the results of their search for the most effective forms of training in music, a domain where knowledge of effective training has been accumulated over centuries. At music academies master teachers provide students individualized instruction and help them identify goals and methods for their practice sessions between meetings - this form of solitary practice was named deliberate practice, and its accumulated duration during development was found to distinguish groups with differing levels of attained music performance. In an influential meta-analysis Macnamara et al. (2014) identified studies that had collected estimates of practice accumulated during development and attained performance and reported that individual differences in deliberate practice accounted for only 14% of variance in performance. Their definition of "deliberate practice" differs significantly from the original definition of deliberate practice and will henceforth be referred to as structured practice. We explicate three criteria for reproducible performance and purposeful/deliberate practice and exclude all effect sizes considered by Macnamara et al. (2014) that were based on data not meeting these criteria. A reanalysis of the remaining effects estimated that accumulated duration of practice explained considerably more variance in performance (29 and 61% after attenuation correction). We also address the argument that the limited amount of variance explained by the duration of practice necessarily implies an important role of genetic factors, and we report that genetic effects have so far accounted for remarkably small amounts of variance - with exception of genetic influences of height and body size. The paper concludes with recommendations for how future research on purposeful and deliberate practice can go beyond recording only the duration of practice to measuring the quality of practice involving concentration, analysis, and problem solving to identify conditions for the most effective forms of training.Entities:
Keywords: deliberate practice; expert performance; heritability; mental representation; practice effects
Year: 2019 PMID: 31708836 PMCID: PMC6824411 DOI: 10.3389/fpsyg.2019.02396
Source DB: PubMed Journal: Front Psychol ISSN: 1664-1078
FIGURE 1Three types of systems of mental representations that mediate expert music performance and its continued improvement during deliberate practice. Adapted from Figure 6 in Ericsson (1998).
FIGURE 2Pianists’ retrospective estimates of their weekly practice as a function of age. Data in the left panel are aggregated for young and older pianists. Data points above the minimum ages (20 for the young pianists and 52 for the older pianists) include at least 50% of the participants in each group (reproduced with permission of Figure 7 in Krampe and Ericsson, 1996).
FIGURE 3Flow diagram of applying revised inclusionary criteria to estimates of the effects of deliberate practice on performance considered by Macnamara et al. (2014).
FIGURE 4Correlations between purposeful or deliberate practice and performance. Squares represent correlation coefficients for the effects of practice on performance for each listed sample, and lines represent 95% confidence intervals. The marker at the bottom shows the weighted mean correlation. Study naming conventions were kept consistent with those used by Macnamara et al. (2014) for comparison purposes, indicating separate samples (e.g., S1) or measures of practice (e.g., DP2) or performance (e.g., M1).