| Literature DB >> 30697246 |
Andrea Ravignani1,2, Christopher T Kello3, Koen de Reus1, Sonja A Kotz4,5,6, Simone Dalla Bella6,7,8, Margarita Méndez-Aróstegui1, Beatriz Rapado-Tamarit1, Ana Rubio-Garcia1, Bart de Boer2.
Abstract
Puppyhood is a very active social and vocal period in a harbor seal's life Phoca vitulina. An important feature of vocalizations is their temporal and rhythmic structure, and understanding vocal timing and rhythms in harbor seals is critical to a cross-species hypothesis in evolutionary neuroscience that links vocal learning, rhythm perception, and synchronization. This study utilized analytical techniques that may best capture rhythmic structure in pup vocalizations with the goal of examining whether (1) harbor seal pups show rhythmic structure in their calls and (2) rhythms evolve over time. Calls of 3 wild-born seal pups were recorded daily over the course of 1-3 weeks; 3 temporal features were analyzed using 3 complementary techniques. We identified temporal and rhythmic structure in pup calls across different time windows. The calls of harbor seal pups exhibit some degree of temporal and rhythmic organization, which evolves over puppyhood and resembles that of other species' interactive communication. We suggest next steps for investigating call structure in harbor seal pups and propose comparative hypotheses to test in other pinniped species.Entities:
Keywords: bioacoustics; pinnipeds; rhythm; timing; vocal development
Year: 2018 PMID: 30697246 PMCID: PMC6347067 DOI: 10.1093/cz/zoy055
Source DB: PubMed Journal: Curr Zool ISSN: 1674-5507 Impact factor: 2.624
Definition of terms and concepts in order of appearance in the article
| Term | Definition |
|---|---|
| Temporal | Referring to the timing of a vocalization. |
| Spectral | Referring to the frequency features of a vocalization, for example, fundamental frequency, harmonics, formants, and harmonicity. |
| Socioecology | Study of interactions among members of a species, and of how an organism’s environment affects its social structure. |
| Duet | Result of 2 individuals vocalizing, possibly interactively. |
| Chorus | Result of 2 or more individuals vocalizing, possibly interactively. |
| Combinatorial | A type of structure resulting from joining constituent elements, where the result may be more than the simple sum of its elements. |
| Beat perception | Extraction of a main periodicity—the beat or tactus—from a complex acoustical signal (e.g., music embedding different metrical levels). |
| Synchronization | Process by which events of a temporal sequence occur at the same time as events in another temporal sequence. |
| Vocal (production) learning | Ability to produce vocalizations not belonging to one’s default repertoire, often via imitation or social learning. |
| Rhythm | Sequence of durations marked by acoustic events. Some rhythms may include repeating regular patterns, one or more periodicities, a pattern of accents/prominences, and hierarchical grouping (see isochrony and grouping below). |
| Polygynous | Social organization by which few dominant males mate with all receptive females. |
| Lek | Spatial aggregation of male conspecifics who engage in competitive displays to attract females. |
| Oestrus | Period of sexual fertility in most female mammals. |
| Lanugo | Natal hair coat that is typically shed in utero in harbor seals |
| Weaning | Developmental phase during which pups transition from breastfeeding to independent foraging and life without their mothers. |
| Hearing threshold | Sound level above which an organism can hear a specific sound. |
| Intensity | Power carried by sound waves. |
| Pitch | Perceptual quality of sounds, and psychological counterpart of the frequency of a signal. |
| Distributional | Relating to the statistical distribution of a quantity. |
| Structural | Relating to the sequential ordering of elements composing a signal and their frequency of co-occurrence. |
| Hypothesis-free metric | Measurement which makes little or no assumptions on the underlying structure of the measured quantity. |
| Periodicity | Feature of a sequence in which events (e.g., sounds of a metronome) occur at equal time intervals. |
| Sequence | A set of events following each other in a particular order. |
| Transition probability | Probability that an element type in a sequence is adjacent and preceded by another (or the same) element type. |
| Isochrony | Property of a pattern in which all temporal intervals have equal duration. |
| Grouping | Organization of temporal events based on their relative proximity or on their relative acoustic properties. |
Figure 1.Violin plots depicting the distribution of durations (top) and IOIs (bottom) in milliseconds over days.
Anderson–Darling tests
| Timing measure | Test statistic, p-value, sample size | r17–192 | r17–201 | r17–292 |
|---|---|---|---|---|
| Duration | A | 17.07 | 23.79 | 33.84 |
| P | <0.001 | <0.001 | <0.001 | |
| n | 1253 | 3352 | 2078 | |
| IPI | A | 9.41 | 39.69 | 11.55 |
| P | <0.001 | <0.001 | <0.001 | |
| n | 1240 | 3335 | 2059 | |
| IOI | A | 9.59 | 40.16 | 12.40 |
| P | <0.001 | <0.001 | <0.001 | |
| n | 1240 | 3335 | 2059 |
All tests were significant at P < 0.001.
Friedman tests
| Timing measure | Test statistic, p-value, sample size | r17–192 | r17–201 | r17–292 |
|---|---|---|---|---|
| Duration | Q | 82.80 | 87.41 | |
| P | <0.001 | <0.001 | ||
| n | 512 | 1102 | ||
| IPI | Q | 26.39 | 77.33 | 36.19 |
| P | <0.01 | <0.001 | <0.01 | |
| n | 143 | 496 | 1083 | |
| IOI | Q | 23.66 | 74.54 | 40.18 |
| P | <0.05 | <0.001 | <0.01 | |
| n | 143 | 496 | 1083 |
All tests but 1 (highlighted in bold) were significant at P < 0.05.
Figure 2.Comparison of distributions of durations (top) and IOIs (bottom) between any pair of recording days (x and y axes). A black square denotes a significant 2-sample Kolmogorov–Smirnov test, with alpha = 0.05/[days×(days−1)/2], adjusted for all multiple comparisons. The 45° lines denote adjacent days (i.e., d and d + 1). For instance, in the top-left panel, the square at the bottom-left of the graph denotes a significant difference between distributions of durations of Days 6 and 7. The whole graph suggests some heterogeneity but little divergence over time. Crucially, adjacent days are rarely statistically different, suggesting a punctuated slow change.
Figure 3.Phase space plots of individual 201’s IOI at Days 13, 14, and 15 (top), and Days 23, 24, and 25 (bottom). Although no clear geometrical pattern emerges, consecutive days appear as a “smeared” version of the previous ones (see Ravignani 2017). The fact that most edges connect at the bottom-left of the figure suggests that short IOIs often occur in pairs, rather than an individual short IOI being followed by an individual long IOI, or pairs of long IOI.
Figure 4.Transition matrices between centroids of duration clusters for individual 192. Each matrix represents 1 day (First row: Days 6, 7, 8, 9, etc.). Darker blue corresponds to a higher transition probability, that is, a higher probability that the durational category on the vertical axis d(t) is followed by the durational category on the horizontal axis d(t + 1). Categories were calculated via K-means clustering algorithms, computing a Silhouette score for each possible K ≤ 10, and choosing the K minimizing the Silhouette score.
Figure 7.Daily and mean IOIs burstiness of the 3 pups. A value close to 0 denotes randomness. A value close to 1 denotes bursts of activity followed by periods of inactivity. A value close to −1 denotes isochrony.
Figure 8.(Left) AF curves of the 3 seal pups (analysed here) and other species (from Kello et al. 2017). Each curve (i.e., function) consists of 11 orthonormal (independent) variances. Below 1 s, the curves show within-species similarities and between-species variability. Above 1 s, all species show different patterns, with harbor seals and killer whales exhibiting the steepest curves. (Right) AF curves plotted in terms of the linear and quadratic coefficients of a third-order polynomial fit to each individual AF function, in logarithmic coordinates. AF functions from animal vocalizations analyzed in Kello et al. (2017) are shown for comparison. Seal vocalizations have larger linear coefficients because their AF functions are steepened by the scarcity of seal calls compared with other animal vocalization recordings. Note also that calls were segmented and isolated for seal recordings, but not for other recordings. Despite their steepness, AF functions for seal vocalizations clustered with other animal vocalizations, and particularly with killer whales, relative to human speech and music recordings not plotted here but analyzed in Kello et al. (2017).