| Literature DB >> 30499008 |
Avinash L Tandle1, Manjusha S Joshi2, Ambrish S Dharmadhikari3, Suyog V Jaiswal4.
Abstract
This literature survey attempts to clarify different approaches considered to study the impact of the musical stimulus on the human brain using EEG Modality. Glancing at the field through various aspects of such studies specifically an experimental protocol, the EEG machine, number of channels investigated, feature extracted, categories of emotions, the brain area, the brainwaves, statistical tests, machine learning algorithms used for classification and validation of the developed model. This article comments on how these different approaches have particular weaknesses and strengths. Ultimately, this review concludes a suitable method to study the impact of the musical stimulus on brain and implications of such kind of studies.Entities:
Keywords: EEG; Emotion; Machine learning; Music
Year: 2018 PMID: 30499008 PMCID: PMC6429168 DOI: 10.1186/s40708-018-0092-z
Source DB: PubMed Journal: Brain Inform ISSN: 2198-4026
Fig. 1Functional diagram of brain diagram is adopted from [5]
Electrical characteristics of significant brainwaves
| Brainwave | Frequency range (Hz) | Amplitude (μV) | Mental function |
|---|---|---|---|
|
| 0–4 | 10–100 | Unconsciousness during a deep dreamless sleep |
| During a deep dreamless sleep | |||
|
| 4–8 | 10–50 | Subconscious mind |
| Focused attention | |||
| Emotion responses | |||
|
| 8–12 | 5–25 | Relaxed mental state |
|
| 12–16 | 0.1–1 | Intense focused mental activity |
|
| 16–30 | < 0.1 | Anxious alert |
|
| 30–99 | ≪ 0.1 | Hyper brain activity |
Amplitude values measured during data collections
Fig. 2Experimental approach adopted in reviews
Analysis on the basis of participant and handedness
| References | Participant | Handedness inventory |
|---|---|---|
| [ | 59 (29 males, 30 females) right-handed | Edinburgh |
| [ | 16/right-handed | Edinburgh |
| [ | 22 non-musicians | Edinburgh |
| [ | 5 Normal | NA |
| [ | 26 Normal | NA |
| [ | 26 Normal | NA |
| [ | 26 Normal | NA |
| [ | 79 depressed | NA |
| [ | 9 right-handed normal | NA |
| [ | 5 right-handed normal | NA |
| [ | 6 Musicians (4 men and 2 women) | NA |
| 5 healthy non-musicians (4 men and 1 woman). | ||
| [ | 9 right-handed normal | NA |
| [ | 13 right-handed normal | NA |
| [ | 19/non-musicians (11 females and 8 males) | NA |
| [ | 30/men and women of three different age groups | NA |
| (15–25 years, 26–35 years and 36–50 years) | ||
| [ | 60 Normal | NA |
| [ | 5/(M = 3, F = 2) | NA |
| [ | 15 normal | NA |
| [ | 41 normal right-handed | Edinburgh |
| [ | 23 depressed 17 normal right-handed | Edinburgh |
NA not available
Analysis on the basis of stimulus and emotions
| Reference | Stimulus duration/type | Emotions |
|---|---|---|
| [ | 60 s/excerpts vary in affective valence | Fear, Joy |
| and intensity (i.e. intense vs. calm) | Happy, Sad | |
| [ | 15 s/Jazz, rock-pop, classical music | Positive, Negative |
| and environmental sounds | ||
| [ | 1 min/Consonant comprised 10 excerpts of joyful instrumental dance tunes | Pleasant, Unpleasant |
| Dissonant stimuli were electronically manipulated counterparts of the consonant excerpts: | ||
| [ | 30 s/Four types musical excerpt | Joy, Angry, |
| Sadness, Pleasure | ||
| [ | 5 min/West-African Djembe drums and electronic hand drums | Depression |
| [ | 15 s/Rock-pop, electronic, jazz and classical (15 excerpts per genre) and 15 excerpts of broadband noise | Like, Dislike |
| [ | 3 min/16 peace of music | Exciting, Relaxing |
| [ | 2.5 min/Largo, D-flat major, Going Home | NA |
| [ | 60 musical excerpts LD (regardless of familiarity), LDF (familiar music), LDUF (Unfamiliar music)) | NA |
| [ | 15 s/10 film music excerpts | Anger, Fear, Happiness, |
| Sadness, Tiredness | ||
| [ | 60 s/Iranian music along with other classical excerpt | Valence, Arousal |
| [ | 1 min /Rap, metal, rock and hip-hop genres Happy | |
| [ | 20 s/Electronic, classical and rock. four music genres | Anger, Happiness, Calm, Sadness, Scare |
| [ | 30 s/8 cross-culture instrument | Joy, Sorrow, Anxiety, Calm |
| [ | 2 s/Familiar unfamiliar musical stimuli | Like, Dislike |
| [ | 10 min/Instrumental Raag Bhairavi | Like, Dislike |
| [ | 10 min/Instrumental Raag Bhairavi | Like, Dislike, Depression |
EEG machine and sampling frequency
| References | EEG machine | Sampling frequency (Hz) |
|---|---|---|
| [ | Electro-Cap, Inc. | 512 |
| [ | Electro-Cap International, Eaton OH | 100 |
| [ | Electro-Cap International | 500 |
| Inc., Eaton, USA | ||
| [ | NeuroScan Inc. | 500 |
| [ | Bio Semi Active II amplifier | 2048 |
| [ | g.MOBIlab | 256 |
| [ | ESI NeuroScan | 500 |
| [ | Elekta-Neuromag | NA |
| [ | g.MOBIlab | 256 |
| [ | Biosem | 512 |
| [ | Electro-Cap International | 128 |
| Inc., Eaton, USA/1 | ||
| [ | Emotiv | 256 |
| [ | Neuro-headset Emotiv | 128 |
| [ | Recorders and Medicare | 256 |
| Systems | ||
| [ | Waveguard cap | 256 |
| [ | Neuromax 32 Medicaid | 256 |
| [ | Neuromax 32 Medicaid | 256 |
Channels and Montages
| Reference | Channel investigated | Montage |
|---|---|---|
| [ | F3, F4, P3 and P4 | Referential Cz |
| [ | Fp1, Fpz, Fp2, F7, F3, Fz, F4 F8, FT7, Fc3, FC4, FT8, T7, C3, Cz, C4, T8, Tp7, Cp3Cp4, Tp8, P7, P3Pz, P4 P8, O1 and O2 | Referential Ear |
| [ | AF4, F4, F8, FC4 AF3, F3, F7, FC3; C3, C5, CP3, CP5 C4, C6, CP4, CP6; P3, P5, PO3, PO7. P4, P6, PO4, and PO8. | |
| [ | Fp1-Fp2, F7-F8, F3-F4, FT7-FT8, FC3-FC4, T3-T4, T5-T6, C3-C4, TP7-TP8, CP3-CP4, P3-P4, O1-O2 | Referential |
| [ | Fp1-Fp2, F3-F4, F7-F8 | Referential Cz |
| [ | AF3, F7, F3, FC5, T7, P7, O1, O2, P8, T8, FC6, F4, F8, and AF4 | Referential laplacian |
| [ | Fp1, F7, F3, FT7, FC3, T7, P7, C3, TP7, CP3, P3, O1, AF3, F5, F7, FC5, FC1, C5, C1, CP5, CP1, P5, P1, PO7, and Fp2, F8, F4, FT8, FC4, T8, P8, C4, TP8, CP4, P4, O2, AF4, F6, F8, FC6, FC2, C6, C2, CP6, CP2, P6, P2, PO8, PO6, PO4, CB2 | Referential |
| [ | NA | Referential |
| [ | AF3, F7, F3, FC5, T7, P7, O1, O2, P8, T8, FC6, F4, F8, and AF4 | Referential laplacian |
| [ | 128 electrodes | Referential |
| [ | AF3, F7, F3, FC5, T7,P7,O1, O2, P8, T8, FC6, F4, F8, AF4. | Referential |
| [ | Fp1 | NA |
| [ | AF3, AF4, F3, F4, F7, F8, FC5, FC6, P7, P8, T7, T8, O1, O2 | |
| [ | NA | Referential Fz |
| [ | Fp1, Fp2, F3, F4, F7, F8, Fz, 3, C4, T3, T4, and Pz | Referential Cz |
| [ | FP1, F7, F3, FP2, F8, F4 | Referential |
| [ | FP1, F7, F3, FP2, F8, F4 | Referential |
Fig. 310–20 System of electrode placement
Analysis on the basis preprocessing for artefact removal and feature extraction transform
| Reference | Preprocessing approach | Feature extraction |
|---|---|---|
| [ | Offline manual | FFT |
| [ | Offline manual | Time domain |
| [ | Offline manual | FFT |
| [ | Filter of 0–100 Hz, notch filter of 60 Hz and offline manual | STFT |
| [ | Filter of 0–100 Hz, notch filter of 60 Hz and offline manual | STFT |
| [ | Filter of 0–100 Hz, notch filter of 60 Hz and offline manual | STFT |
| [ | Filter of 0–100 Hz, notch filter of 60 Hz and offline manual | STFT |
| [ | Offline manual | FFT |
| [ | Offline manual | Time-frequency transform |
| [ | Offline manual | STFT |
| [ | Offline manual | Wavelet |
| [ | Offline manual | TF |
| [ | Filter, offline manual, PCA | FBCSP |
| [ | Offline manual | DTF |
| [ | Offline manual | hybrid domain |
| [ | Offline manual | Wavelet |
| [ | Offline manual | DFA |
| [ | EEG Lab Tool, ICA | FFT |
| [ | Instrumental Raag Bhairavi | FFT |
| [ | Instrumental Raag Bhairavi | FFT |
FFT Fast Fourier transform, STFT short Fourier transform, TF time frequency, DFA dendred facture analysis, ICA independent component analysis, FBCSP filter-bank common spatial patterns
Brainwave, location investigated and statistical test
| Reference | No. of band /Brainwave/Location investigated/Brain model | Statistical test |
|---|---|---|
| [ | 2/ | ANOVA |
| [ | -/-/Frontal/Asymmetry | ANOVA |
| [ | 4/other waves and | ANOVA, paired |
| [ | 1/ | NA |
| [ | 5/ | NA |
| [ | 5/ | NA |
| [ | 5/ | NA |
| [ | 2/ | |
| [ | 4/ | NA |
| [ | 5/ | NA |
| [ | 5/ | |
| [ | 5/ | NA |
| [ | 5/ | NA |
| [ | 4/ | NA |
| [ | NA | NA |
| [ | 4/ | |
| [ | 3/ | NA |
| [ | 5/ | ANOVA |
| [ | 1/ | |
| [ | 1/ |
ANOVA—Analysis of Variance
Machine learning algorithms and model evaluation attributes
| Reference | Machine learning algorithm | Model evaluation attributes |
|---|---|---|
| [ | NA | |
| [ | NA | |
| [ | NA | |
| [ | MLP | CA |
| [ | SVM | CA |
| [ | SVM | CA |
| [ | SVM, MLP | NA |
| [ | NA | NA |
| [ | SVM, QDA, k-NN | NA |
| [ | k-NN, SVM | NA |
| [ | NA | |
| [ | k-NN, SVM | NA |
| [ | NA | NA |
| [ | SVM | NA |
| [ | K-nn, SVM and MLP | CA |
| [ | SVM, HMM | CA |
| [ | NA | NA |
| [ | NA | |
| [ | NA | |
| [ | k-NN,LDA | CA |
| [ | NA |
CA classification accuracy, MLP multi-level perception, SVM support vector machine, k-NN K-nearest neighbour, LDA linear discriminant analysis, QDA quadratic discriminant analysis, HMM hidden Markov level
Fig. 4Recommended 2D model
Various artefacts in EEG signal recording
| Category | Artefact /Source(Cause)/Frequency/Amplitude Morphology | Artefact Prevention |
|---|---|---|
| Physiological | Cardiac/Heart/ | Selection of proper montage |
| EOG/Eye/0.5-3 Hz/100mV | Artefact-free recording protocol | |
| Muscle Artefact/Muscle | Artefact-free recording protocol | |
| Physical movement artefact | Artefact-free recording protocol | |
| External | Transmission line | Notch filter |
| Phone artefacts | Artefact-free recording protocol | |
| Electrode artefact | Artefact-free recording protocol | |
| Impedance artefact |
Fig. 6Suggested approach
Fig. 5Asymmetry model